Mestlven is the latest book in the Tales from Perilisc series by Jesse Teller. I found this to be the best book yet by Teller. The last novel Chaste left many characters in turmoil. This time Teller takes us to the city of Mestlven. Here we learn about Sob and her past. We learn about her obsession with stealing jewels and how she became the deadly assassin that she is. We also discover just how troubled and deep her instability runs and why she became this way. Joining her in this novel from the past is Emily, the young girl in Chaste that she saved and took under her wing, and Sai the swordsman that was her friend and companion on their last adventure. In this story, though, Sai is no longer her friend but an unfortunate enemy that she shares an understanding with. Teller introduces several new characters that the story line focuses on as well, Mort, the priestess of the Pale, Saykobar, a wizard of immense power, and Donnie the Ego, the young man that runs a mass crime ring. Together their destinies intertwine and we see the full savage and cruel world that Perilisc is, where modern decencies are nowhere to be found and suffering is common place no matter what your station in life is.
Mestlven is the town Sob is from, the castle Sorrow Watch, was her home when she went by the name Meredith and was married to Malcolm. She was content in that life, even though her true love Stephan, Malcolm’s brother, was dead. Malcolm loved Meredith and together they had a child, a girl named Megan. This is the baby she always referred to in Chaste. Her life however was destroyed when a group came and murdered her child and Malcolm. This set her insanity into full swing and a series of events that followed lead her to become the deadly assassin she is. Sob returns to Mestlven to exact her revenge on the people that ruined her life. The town of Mestlven is a haven for the depraved, dirty, greedy and perverted. Their perversions know no bounds and Sob means to rid the town of those that soil her home. She shows no mercy to those that made her this person. The goddess of death, The Pale, sends Mort into Mestlven to assist Sob in getting her vengeance. The Pale works in gross and morbid ways, such as taking a disease from one and then sending to another that the Pale wants to inflict pain and suffering on. Mort has the skills to do the bidding of the Pale and her works coincides with Sob’s.
Mestlven is a well composed story line with dynamic characters. Jesse Teller is able to bring their minds to life, their personalities are deep and complex. Sob’s story is heartbreaking and despite her clear insanity the reader can’t help but feel great compassion for her and want to see her achieve her goal of vengeance. So many of the other characters are not what they seem from beginning to end. You’ll end up loving characters your supposed to hate, and characters you trust will betray you. I won’t say that there is a happy ending, but sometimes you settle for just having peace. Teller has composed another great novel and I look forward to reading where the story line of Perilisc will go next.
Pages: 330 | ASIN: B06X8YNCF1
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The Reaper opens with the revelation that the King of Akala is missing, and the new Queen, Leah, is now in power. She meets with President Inaeus Janu of Shaweh to offer a peace treaty that brings their long war to an end. Janu suspects the Queen is a figurehead and focuses on the mysterious Lialthas who seems to have an undue influence over the Queen.
In the meantime, refugees from Akala reach the city-state of Shaweh seeking asylum. The group includes the missing King Darius, his half-sister Moriene with the child Hannah in tow, General Victor Ikharson, and Sefas, once called Meddiah when he was an Empty One. They are shadowed by the black-clad Zacharias who used his magic to help them escape from Lialthas. When the Akalan’s gestures of peace turn out to be empty promises, President Janu and the Akalan refugees are whisked to a secure location as war resumes.
This is the second book in the Fallen Conviction series, and it wasn’t hard to catch up when the asylum-seekers told their story to Janu. This gave me the chance to get up to speed on the plot if you haven’t read the first book.
The interplay between Darius’ group of refugees and the leadership of Shaweh are the primary drivers of the plot. Character-driven stories are a big draw for me, and the author has a knack for showing the complex, often antagonistic relationships between all of these strong-willed characters. My favorite characters in this book were Moriene and Sefas, who were once under Lialthas’ control. Both escaped his grasp and recovered from being “Empty,” yet both still seem to be fighting the battles of the past.
I also enjoyed the high-tension setting. Being locked in a bunker with people you don’t like but are forced to trust is hard enough, but if that trust is tested, things are going to get violent. The situation erodes when Zacharias reveals that there’s something even worse that Lialthas out there, and they may not be able to stop it.
The first thing that struck me about The Reaper was the unusual formatting. At first, I thought it was a typesetting error, but it became clear that the line numbering was meant to give it a scriptural feel. Some of these passages have archaic sentence structure with rhyming words at the end of sentences, but it’s not always consistent and that can be frustrating for those expecting poetic meter. However, the nod to scripture isn’t surprising because gods and religion play a major part in this story.
Don’t assume that because this is written in poetic language that it won’t be exciting. This is a place where magic and technology that we would recognize today are both present, where battles are fought with WMD strikes as well as mind-bending magical attacks. War is gruesome, and the author doesn’t pull his punches when it comes to violence and mayhem. In this world, magic is fueled by blood, fear, and suffering, so whoever wields this power must harm others in order to succeed.
If you’re looking for a novel that offers both a unique style and a reading experience that challenges and defies “the usual” in fantasy, give this book a try.
Pages: 340 | ASIN: B06XRS3SFD
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The Battle of Barkow tells the tale of dark vs light, good vs evil, from a world where magic is not all bad, and religion is not all good. He takes readers into the mind of his characters and through them shows the good and bad of society. In the words of Paul Simmonds, “Two men will embark on a journey that will change their lives forever, if there is a forever at all. For in the world that they live it is not named nor is it entirely different from that of our own early world” (Simmonds: prologue). The characters are intricate and plagued by the same assemblage of emotions as any other person; kindness, compassion, greed, hate, bigotry and evil. This superb confluence leaves you wondering who is going to come out on top in this novel, the simple man of God, the magician, the girl that doesn’t speak, or the dark forces that are mounting?
The story starts out with a man, hidden in a cloak speaking with an elderly woman. No names are used, but it is clear the women is a sorceress and he is there for her assistance. He is angry, he feels he has been wronged by others and denied his rightful riches and power, this woman offers him the vengeance he so greatly desires, but warns the price he will pay will be high. While she does not disclose the price, it is implying that it will not be all together pleasant for the man, but he hesitantly agrees desiring his vengeance over all else. From here the story jumps 125 years later. We meet Bolan, a simple man of God. He takes no excessive pride in his status and simply ponders life as it comes, he does not dwell too much on the past or the future. He agrees to take on an assignment for the church delivering holy books to the neighboring towns. With him goes his longtime friend and magician in training Hogarth. Hogarth can do simple magic but longs to learn more, to become something great in world that will make a difference. It is on this journey that they meet Sterre, the young women that does not speak but communicates in a form of sign language and drawings. Sterre has the gift of visions and has predicted a great danger to the city of Barkow. Barkow is the capital of sorts for this world, it is where the Pope lives and where all their laws begin. Towns outside of Barkow are not as strict as in the holy city. Bolan, Hogarth and Sterre travel to the city of Barkow to warm them of the impending trouble that Sterre has foreseen. While they are traveling to the city, the dark forces are also headed there as well. They have no names to start, as readers we only see their evil and destruction, wiping towns out, stripping them of all life leaving no one alive to bear witness to what has happened.
The journey that these three take brings them in contact with many others, some are willing to help fully, others offer veiled advice. Some are strong war heroes that have their own battles to fight but ultimately must decide between their own personal gains or the greater good. We are left looking at a vast cross section of people whose characteristics could be anyone in modern society. In The Battle of Barkow Simmonds is able to show us that their may be darkness in us, but being good is a choice, and often times we fall somewhere in between.
Pages: 240 | ASIN: B06XK7YDBX
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by Don Templeton
Here we are in the final stretch. Once you’ve done all your character work, you’ve got a lot of story synopses that tell the whole story from each character’s piece of the story. Now we roll it up into one blueprint, the 4-page treatment.
First, take you logline in step one and expand that into a paragraph made up of 5 and ONLY 5 sentences.
- Sentence one should cover your BEGINNING or the Inciting Incident as I refer to it.
- Sentence two will cover Act 1 to the first Plot Point.
- Sentence three covers Act 2 to the Mid-Point.
- Sentence four covers Act 2 after the Mid-Point to the second Plot Point.
- Sentence five covers Act 3, your climax.
Next, take your paragraph of five sentences and expand that into a clean one-page treatment. Expand your five sentences into five separate paragraphs. Each paragraph will describe exactly the same territory as each sentence did above. Therefore:
- Paragraph one covers the BEGINNING.
- Paragraph two fleshes out Act 1 to PP1.
- Paragraph three details Act 2 to the Mid-Point.
- Paragraph four covers the rest of Act 2 up to PP2.
- Paragraph five will detail Act 3 completely to the END.
What comes next is what Syd Field calls the “kick in the ass” assignment: the four page treatment. Note that this procedure is pretty much the same in both the Snowflake Method and in Syd Fields’ Screenwriter’s Workbook. Here’s how we break it out:
- Page one will cover all of Act 1.
- Page two will cover Act 2 up to the Mid-Point.
- Page three covers the second half of Act 2.
- Page four covers all of Act 3.
Notice that we’ve written this four page treatment according to the same space requirements we’ve described in step 2 by dividing your total word count into 4 equal chunks. Act 1 and 3 occupy one-fourth of the total length of the story and Act 2 is one half of the total. Work on this until you have a perfect four page treatment. Single space or double space? I single space it to get more info per page and can fit in all the character story lines into the final document.
The Snowflake Method gives you two extra steps in that you write up a complete scene list chapter by chapter and Syd Field does the same thing but uses index cards to make the scene list, one card for each scene.
I don’t do the scene lists. Once I have a tight four page treatment, I stop planning there and start the actual writing of the novel. For me, the four page treatment is all I need. At this point, I know EXACTLY what I’m writing. So I start writing.
Here’s why I don’t do scene lists: once I start writing, the characters will come to life and will ALWAYS take over the story with stuff you could have never seen coming in the planning stage. This is where the magic happens. In fact, what actually happens in Pretty Hate Machine is a perfect example. What happens in the novel as it reads today IS NOT what I thought was going to happen from the Mid-point on. What happens in the novel is solely the result of the characters taking over and showing me a much better series of events than I could have ever cooked up at the macro level of planning. It’s that great surprise I’ve eluded to but haven’t ruined with a spoiler. The first thing to go out the window for me is that scene list. It always changes for me once the characters take over driving the bus. So why waste time writing something that’s almost always going to change? The four page treatment is all the blueprint I need to start writing confidently.
Give your characters the freedom to come to life. Otherwise, you will run the risk of turning the characters into marionettes that are just moving around the story because the plot says they have to do this, whether they want to do that or not. Let them live, O Jedi Scribe!
They say there are two kinds of novelists: planners and pantsers (flying by the seat of your pants). Pantsers just start writing with little or no prior planning, thinking that by just writing, at some point, the characters will reveal the plot and the story will write itself. For the beginner, this is dangerous. You will probably write a lot of junk that has no business being in the story and you could end up in a dead end – not knowing what the hell to do next. I’m three-quarters planner and one quarter pantser. I only let the pantser come into play AFTER I know exactly what it is I’m writing, knowing in advance what the targets are I’m moving towards.
Only write scenes that either move the story forward or reveal something essential about character or necessary exposition like backstory. If the material doesn’t do one of those two things, CUT IT OUT. Ruthlessly. I don’t care how much you like it. If you’re not moving the story relentlessly forward, then it doesn’t belong. Literary-type writers often times lose their minds when confronted with advice like this. We’re not literary writers. We’re genre writers which means, ultimately, we’re writing to be read, by as many readers as we can attract. Literary writers seem to hold us genre writers up in something less than contempt. I feel the same way about them as they do about me.
The formula I’ve revealed here will work for ANY genre tale you want to tell. It’s not just for action-horror novels like I write. It works for any story that follows the eternal hardwired blueprint we call the 3-Act Structure. Deviate from this timeless structure at your own risk.
We’re done here. I hope you’ve gotten something out of this. Now go write your Great American Genre Novel. And when you do, let me know how this has worked out for you. I’d like to know.
The Planet’s Most Politically Incorrect Publisher of Extreme Genre Fiction.
Home of the Extreme 1st Amendment Project.
“Use language like a baseball bat!”
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The Hungry Monster Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and The Hungry Monster is proud to acknowledge the hard work, dedication, and imagination of these talented authors.
Books have the ability to entertain and inform us. They can make the impossible possible. They are vehicles of time travel and windows into perspectives. In books, authors are gods and imagination is their power. Transforming letters into words; words into characters and places; and these into emotions and worlds. Even if we never meet, we are connected by the stories we tell.
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In the third book of the Atriia series, Kynneth Zeria has declared himself King after the death of his brother Jerrod. He thinks Christa is dead and blames Lor LaRosse for stealing her body. He vows revenge, but in truth, Christa and her two children are alive and living with Hannen in hiding. Dahla is raising the decoy “heir” at Cas Zeria.
Kynneth is beating the drums of war, determined to bring the other Lors under his rule and defeat Lor LaRosse. When he papers the land with propaganda, Christa’s safety is compromised. Hannen orders her to never leave their home. Of course, circumstances intervene, and she is discovered. She may be able to stop a battle, but can she stop an all-out war?
The book offers a calm beginning, following Sam/Hannen and Christine/Christa as they heal and rebuild. Their shared experience on both Earth and Atriia get a lot of play here, with some surprising and heartwarming results. The first two parts of the novel are a great way to get reacquainted with the characters and the unique Atriian dialect—which can be a challenge—so there’s a glossary in the back if you need a refresher. Hannan loves her fiercely, but she struggles with the fact that he is her stepbrother. Even if they are not blood-related, she can’t bring herself to touch him, and if she does give in to her desire, another pregnancy would certainly kill her.
Don’t let the lovely pastoral scenes lull you into a false sense of security. This is the Loper of Zeria and the Foul Fraigen Dropper we’re reading about! Passion, danger, and the madness of King Kynneth are spreading across the land, and Christa—or her legend—is firmly at the center of it all. Powerful men from all sides of the conflict want to use her for their own gain. Some want to kill her, others to use her as bait, or want to lock her away to sate their own lust for power. But Hannen can’t let her go. He stalks her with a single-minded purpose: make her his forever, or die trying.
Christa Clavin again shows her bravery, even as she fights for her life through delirium, rage, and pain. She’s true to her headstrong nature, prone to ignoring advice she doesn’t want to hear while making incredibly risky decisions. Another constant is her sense of responsibility for the people whose very lives depend on her actions.
Fair warning: some of the scenes in this book make the other two books pale in comparison. Some of the horrific situations are pure nightmare fuel; it’s no wonder Christa has so many bad dreams.
The people of Attria think Christa Clavin, the Loper of Zeria is legend come to life, and indeed, her fate may be led by the hand of the divine Sola herself. It’s not hard to imagine her becoming a beloved hero of legend. I think fans of this series will certainly feel the same.
Pages: 569 | ASIN: B01KEMXROY
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The Hunters Sign is a genre-crossing novel with elements of paranormal and dark urban fantasy as well. Did you start writing with this in mind, or did this happen organically as you were writing?
There were a few differences between the summary and the final draft, but the overall story remained intact. I always try to make my fantasy books atypical, so I avoid as many fantasy tropes as I can and I tend to cross genres to make a story that’s unpredictable and interesting.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
I’d say the main character, Adam, was the most fun to write for. He’s smart and also a smartalec, the kind of person I wish I had the nerve to be. I liked developing his relationship with Amy for I attempted to give them real chemistry. I’ve read a few books where couples come together out of physical attraction and having fun at events but don’t real talk about things they have in common. I guess the author is unwilling to have their couples touch on issues that a reader might take offense at, or perhaps a relationship is only meant to serve the story and nothing more.
I was once afraid that Ricky, the secondary character, would practically take the story away from Adam, but as the book went on that didn’t happen. He’s only meant to serve for expository purposes, to observe things for the sake of the reader that Adam can’t observe (or else the story would be over much more quickly). Still, it was interesting to write about a character who’s not exactly a bad guy but has a different moral code than Adam. He really is a scamp!
Magic is used throughout the book and I felt it was deftly handled. How did you maintain balance to make sure the magic that was used was believable?
I believe that in any fantasy story with magic-wielding characters, strict limits should be imposed on the magic. I did this by saying there are three different “schools” that mages can adopt, and while they can use magic from various schools, they can only be a master in one. I also said mages can be measured through “levels” that determine their adeptness, and I made it hard for one to become a mage by inventing “phosphorescent stones” which give people magic abilities but can be dangerous when handled incorrectly (an incentive for someone to not become a mage). If an author makes magic seem too easy, it may make readers raise questions such as “If this guy can do this useful spell at this time, then why can’t he do it at this other time?”
What is the next book that you are working on and when will it be published?
My next book is titled “The Legend of the Three Roses,” which I’m very excited for! It takes place in a kind of medieval setting, and it starts out as a crime story only to evolve into a war story. The book reflects my thoughts on certain matters of spirituality, so characters touch on sensitive themes. It’s the most daring story I’ve ever written–graphic yet fun as well. I plan to release it sometime in June of 2017.
“Four years after the events of Part 1, 21-year-old Adam Taylor has moved to a new city, Almin. Here he plans to make a new start of things by attending a new school, learn new magic spells, and make new friends. And although love is not on his mind, he ends up falling for Amy Graine, the beautiful daughter of the CFO of Entercor Contracting. They are of two different disciplines of magic–him being a black mage and her being a white mage–yet they overcome their differences and begin a whirlwind romance that softens the scrappy young man’s heart. But Amy holds a secret that will test Adam’s conscience, and so he will be forced to side with either his girlfriend or those who wish to bring down Entercor.
Meanwhile, one of Adam’s school roommates, Ricky Grater, meets a mysterious man named Cameron Moss. Cameron is a fellow mage capable of powerful magic spells, and despite Cameron’s impulsiveness and abrasive behavior, Ricky looks up to him as a friend and mentor. The two men go through fast times gambling at the local casino, picking up lovely women, and enhancing their magic abilities. Ricky believes this is the start of a long and fruitful friendship that will further his magic career and keep the good times going. But behind his warm smile and easygoing attitude, Cameron has a hidden agenda, one that will ensnare Ricky in a web of lies, murder, and forbidden magic.”
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2PM On A Black Summer’s Day is a genre-crossing novel with elements of dark fantasy, paranormal, and horror as well. Did you start writing with this in mind, or did this happen organically as you were writing?
Definitely organic – I had a few ideas to begin with, but everything else just came flooding out as I let my imagination work its magic.
The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
May Walker (the white witch) – I think there’s potentially a lot more to her character than we’re all told…
There is some amazing surprises in store for readers in this book. When you first sat down to write this story, did you know where you were going, or did the twists come as you were writing?
Once I started, it all just came flooding out… so all the little twists and turns just appeared before me. It was like watching my own film inside my head, with the added benefit that I could take the story in any direction and anything could happen.
What is the next book that you’re working on and when will it be published?
Although I am a great fan of horror – primarily supernatural or fear-based horror – when the first thoughts of writing came to mind, I decided to challenge myself to see whether I was actually capable of writing a book, but also whether I was capable of writing different types of story or genre, and not just horror. I wrote the book back in 2015 and since then, I have written a few more, although all unpublished so far, so 2pm is my first and so called trial run.
The next book will be monster based – huge colossal monsters, so completely different in every way, although after repeatedly re-reading it, I do feel like it could definitely be my best work to date.
Finger’s crossed, it will be released later this year.
If that goes well, I’ll then return back to horror again, with another dark and menacing local story that will raise the hair on the back of your necks. This story will not only be a hair raising adventure, but it will also have added elements of real life events that I personally experienced as a teenager….
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Little did Chris know that in years to come, despite being unknown to the world, his actions would have such an impact.
His idea for a bit of alternative fun one night went terribly wrong, leaving his best mate’s house in ruins and a few of his closest friends dead and missing.
No one could foretell the devastation that would occur or the destructive forces that would be released that night, as a series of events ended in total disaster, leaving the city with a multi-million-dollar clean-up bill and the death of thousands.
The fight soon build’s to an immense and climactic battle, with their only hope being an alliance between age-old opposing enemies that had been fighting each other for thousands of years.”
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Adventures like these don’t come very often. Riddled with intrigue and building up a world The Jinxed Pirate by M. Walsh is a definite read. We have a delightful cast of characters from the mercenary to the tragic warrior princess with a splash of other-worldly beings as well. All of their lives and paths will come together in an excellent adventure where you might find yourself rooting for the bad-guy without realizing it. Each character is on a journey of sorts and where it leads them is anything short of ordinary. What happens when the warrior princess can’t save her people? What about the mercenary who doesn’t seem all that interested in what he’s doing? Our title character himself even seems to shift his shape depending on what his needs are. The carnal animal driven only by his desires. These all come together with fantastic story-telling and riveting action to create a beast of a tale.
The language in this book is intellectual without being dry; descriptive without being desperate. Walsh knows how to craft a tale and the way the narrative flows demonstrates an excellent grasp of a writer’s tools. Our prologue and epilogue are written in the first person, yet we don’t know much about who is showing us this world. The rest of the tale is told from the third person and that effortless transition really speaks to how well Walsh has command over the story. Some authors can let the tale run away from them and it ends up becoming nonsense. Walsh takes on a large task, and delivers.
While this book appears to be part of a series, it can stand alone just fine. It is rare to find an excellent book that is part of a larger tapestry that can be enjoyed on its own. The Jinxed Pirate achieves that sense of completion without discounting the possibility of the world being expanded either before or after the events we read about.
In the first few chapters we are introduced to our cast of characters. The descriptions that Walsh provides enhances the image in the mind of the reader. The reader is also not overwhelmed by excessive information. There is a delicate balance to be struck here and Walsh appears to be no slouch with his craft. The imagery and information flow effortlessly together.
If you’re looking for an excellent read with the potential to be wrapped up in a bigger world, The Jinxed Pirate by M. Walsh is a must-read. Too often writers attempt to create worlds that span multiple books but rely to heavily on the audience consuming every single volume in order. Enough backstory is explained in this edition that prior knowledge of the world is not required. This only proves to intrigue the reader and assist in capturing their attention and desire to know more. This is not a book to be underestimated. Readers will not go wrong adding this to their ever-growing pile of ‘must-reads’. This reviewer suggests that, perhaps, you place this one near the top.
Pages: 494 | ASIN: B06VWKX52Q
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The Leader of Lors is a genre-crossing novel with elements of fantasy, romance, and suspense as well. Did you start writing with this in mind, or did this happen organically as you were writing?
It carries on in the same vein as The Heart of Hannen as an erotic fantasy romance. Other elements – horror, suspense, adventure and mystery – just fell into place as the story progressed.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
I would have to say Eubreena. She’s fiercely protective of Christine, mainly because she feels responsible for maiming and nearly killing her, unwitting though it may have been. Her heart is kind and her friendship true.
What was the initial idea behind this story and how did that transform as you were writing the novel?
The Atriian Trilogy actually began as a horror short-story called Thing in the Pond. It was originally about an earthquake that opens up an underwater cavern in the family pond, releasing a monster from another dimension. Instead of this creature wreaking havoc on Earth, I decided to let Christine follow it back through the caverns. And thus the Atriian Trilogy was born.
How do you feel you’ve developed as a writer between The Heart of Hannen and this book?
I believe my growth as a writer between the first and second book of this series was quite remarkable. For the first book, time restrictions only allotted an hour here and there for writing, a method not very conducive to good storytelling. By the time I sat down and got my head into the story and wrote a few sentences, it was time to call it a night. I was able to dedicate more time to the second novel, between five and six hours a day. Needless to say, the writing began to come much more easily, seeming to flow naturally, and the results were amazing. For the third book, I doubled down, writing between eight and ten hours a day, and did it ever pay off. By the end, I merely had to place my fingers on the keyboard and the story practically wrote itself.
What is the next book that you’re working on and when will it be available?
My next project will be an erotic paranormal romance based on another short-story from my horror collection Thing Bailiwick. A bodark is a creature of Russian lore, a man capable of shifting into a wolf. Though they are not bound to the cycles of the moon. They can transform at will, and whilst in wolf form they not only possess the enhanced senses and abilities of the wolf, they are able to maintain human awareness and intelligence. Except for when the time comes to mate, an event which occurs but once in their lifetime. Then all must beware the bodark, lest his senses become overpowered by the feral instincts of the beast lurking within.
Projected release date – Jan 2019.
“How far will a mother go to protect her child?
Christine will go to beyond the ends of the Earth,
back to the brutal world of Atriia,
back to the man who will possess
her at any cost.
He is Lor Zeria,
the very Leader of Lors,
revered and respected by all,
yet feared by Christine as no other.
This is a tale of fantasy and bravery,
of adventure and horror,
of passion and obsession,
of survival and betrayal.
And for Christine Clavin . . .
it is her own harrowing tale
Posted in Interviews
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