There are issues that plague all children as they grow up. Each child struggles with identifying who they are as a person, how they relate to other people and how to find out what they believe in. Children can be cruel to each other while they learn how to navigate the messy world of emotions. This can come out in the form of bullying. In The Big Cheese Festival the authors explore the concept of bullying and how it can impact the life of another. What may seem like funny and harmless words to one can truly hurt another. We’ve got a fantastical world of anthropomorphic mice, one of whom only has half a tail. He is named Stubby and due to the unkind bullying from his brother’s friend worries about whether or not he’ll find any worth in himself.
Bullying is a big issue to tackle. Some children’s books try to address this and drop the ball completely. Jackson and Raymond have bundled up the idea of bullying in their book. They take an obvious difference, like having half of a tail, and use it to illustrate how others might react to something so clearly different from the norm. It’s a cute book with the little mice getting ready for a festival. Cutter Mouse, who is friends with Stubby’s brother, is the perpetuator of the bullying. It is often someone close to the bullied who begins the abuse, which Jackson and Raymond have captured here.
While the story is simple and easy to either read or read to a child, there are a few areas in which it lacks. The mice all look exactly the same, in the same outfits. The girl mice have different hairstyles but the boy mice don’t have anything to separate who they are from each other. Different coloured outfits may have helped with this issue. The mice also don’t seem to express emotion. For a story about bullying and overcoming that, showing joy or sorrow would be necessary.
Stubby does stand up to the person who is making him feel poorly which is an important message to children. He doesn’t do it with violence or by calling Cutter names back. He uses his words. S. Jackson and A. Raymond know that children need to learn these skills to survive in this modern world. The Big Cheese Festival helps to make it less frightening and more relatable by creating a fun and entertaining world.
Pages: 37 | ASIN: B01H3S381O
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You need to be able to tap into a certain flavour of whimsy in order to write a good children’s book. Let’s not forget that the illustrations need to be catchy and colourful to hold the attention of the little ones either reading or being read to. A children’s book is most entertaining when it spins a different point of view on something that children have already been exposed to. Uncle Stubby Gets Married by S. Jackson and A. Raymond takes the idea of simple squirrels and marriage and melds them together. This book is part of a series with other animals and their lives. Perfect for children, this book draws out the marriage between Uncle Stubby and his betrothed Sparkles as their friends and family travel to help them celebrate it. The story is full of kindness, cheer and all the good feelings weddings are supposed to elicit.
The language in this book is very simple. It may be difficult for a child who is learning to read but it is perfect to read to a child. The pictures are bright and interesting, which should help keep the attention of the audience. At the beginning of the book there is a comprehensive breakdown of the entire story so parents or teachers can determine if the book will suit their needs or themes. As it takes place in the Valentine Forest, this is a good book to read around Valentine’s Day, if you are looking for theme-specific books.
The images are, for the most part, real photographs of various animals manipulated to be posed or displayed in a certain way. There are little additions like a crown or the plethora of sparkles and these add to the story. It is interesting for children to see ‘realistic’ pictures of animals they are familiar with engaging in very human activities. It allows them to have a sense of imagination and wonder just what exactly squirrels get up to when humans aren’t looking. The one downside to using manipulated photographs is that when a character appears that is either created by hand or through computer graphics they stand out a fair bit. This occurs with the Mouse Fairies in the Valentine Forest. Their appearance is a stark contrast to the other characters in that they are fully clothed with added hair. They are more anthropomorphic than a photo-enhanced squirrel with a sash around its waist.
Nitpicking aside, Jackson and Raymond know how to craft an interesting children’s tale. The story is cute and even though it is part of a series, it can stand alone quite well. Readers do not need previous knowledge of the characters to understand the story in Uncle Stubby Gets Married. For children, and maybe even adults, who have a fantastical view of the world this is a lovely tale of romance, happiness and friendship.
Pages: 40 | ASIN: B01MY5NJF0
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Oliver and Jumpy: Stories 10 – 12 is a collection of children’s stories featuring Oliver the cat and Jumpy and Joey, the kangaroos. Written by Werner Stejskal and illustrated by Maycee Ann Reyes and Marvin Alonso, the stories are geared toward young children and early readers. There are three stories in this collection: “Unhappy Dog,” “Kite High,” and “Butterfly Trouble.”
In “Unhappy Dog,” Oliver meets a dog who barks all the time. Instead of being angry, Oliver strikes up a conversation and learns that Barky is lonely and bored, and he can’t get out of his yard to play. Oliver enlists Jumpy and her son Joey to help Barky get over the fence, and they play games to help Barky feel less lonely.
“Kite High” is another adventure where the three friends get swept up into the sky while riding a cart with a parasail attached. They talk to seagulls, and meet some pelicans, too. There’s danger ahead for Joey, but the friendly pelicans help them land their craft.
“Butterfly Trouble” starts when Oliver meets a butterfly named Bluey. Bluey needs Oliver’s help because a boy with a butterfly net is trying to catch him. Jumpy and Oliver stop the butterfly hunt, save the day, and free Bluey’s friends from captivity.
I shared these stories with a three-year-old girl, and she declared that her favorite story was “Butterfly Trouble.” The illustrations are vibrant and full of expression, inspiring her to take the time to point out the little details as we read. The book looked wonderful on the tablet computer – the colors and images were perfect, and it was easy to read.
All the stories emphasize friendship, helping others, and they include a bit of mischief. There is one potentially scary scene in “Kite High” prompting my young friend to exclaim, “Uh oh!” she also pointed at the pelicans helping our heroes. Every story ends happily, and no one is hurt.
One thing I noticed is that the author is clearly aiming for a global audience. Readers in the U.S. may notice a difference in words or usage, but they aren’t incorrect. It’s just the subtle difference between US and European English.
If you’re a parent, you can’t go wrong with this delightful book. It’s perfect for reading aloud to toddlers or a fun addition to your early reader’s digital library. All the Oliver and Jumpy stories are available on Amazon and several are on YouTube, narrated by the author.
Pages: 25 | ISBN: 9781625174079
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Bean Takes a Walk is a short, colorful, and educational adventure book for kids. What was the inspiration for Bean in the Garden?
Matt originated the idea of a children’s series about a bean walking across a garden. As we explored it further, we realized that Bean could be an aspirational character for young children, and we could use him to teach kids about acceptance, kindness and friendship. These are lessons we’re both trying to instill in our own children, so it felt right to do it in the series. Before we knew it, we had a whole town full of veggie people!
The story is about sharing, making friends, and being kind; a great message for preschool kids. In such a short book, how did you balance story telling with the delivery of those messages?
We try to keep it lighthearted and fun. We want kids to engage first and foremost with the characters and the story. The lessons are baked in, but there’s nothing preachy about it. I believe that kids have an intuitive understanding of fairness and kindness, so it’s easy for them to grasp these concepts!
The art in this book is wonderful. What was the collaboration like to make such colorful works of art?
Matt is just ridiculously good. It’s an honor to work with him. We’ve been working together for almost 10 years on website and logo design, so we know each other well. Even so, this was a brand new adventure for us! It’s been really fun figuring out all the characters and how the different scenes might look.
On Bean’s adventure he takes three toys, one of them is The Amazing Pickle #1 comic. So cute! Why did you choose these items?
We wanted things that would be simple and identifiable to kids – the kinds of things they might have in their own backpacks! As for the Amazing Pickle – well there might be some special superhero adventures in Bean’s future!
Bean Takes a Walk is book 1 in the Bean in the Garden series. What’s next for Bean in the Garden?
There are so many characters to explore in our little world! Coming up, you can expect more stories about Bean’s family and his best friend, Bella.
Bean in the Garden is a series of delightful, lighthearted picture books and videos aimed at teaching preschoolers how to be brave and kind in everyday life. In Bean Takes a Walk, Mrs. Berg entrusts Bean with a beautiful stone to trade with Miss Tots for some chamomile tea. Along the way, he makes some new friends and learns that not everything is what it seems!
Posted in Interviews
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Bean in the Garden is the first book of the children’s series, Bean in the Garden, by Ann Bevans and Matthew Ethan Gray. The books are designed with preschool children in mind, so Bean in the Garden is short, colorful, and easy for young children to understand.
Bean sets out to take a walk around the garden, and packs his favorite toys in his backpack. On the way, he meets Mrs. Berg, who has a new teapot but is out of tea. Bean offers to get her some tea as part of his adventure. Along the way, he meets three little peas who are about his own age, and they all have toys just like his. When he discovers a hole in his backpack and all of his toys are gone, he realizes the three peas were trying to return what they had found. The story is all about sharing, making friends, and being kind; a great message for preschool kids.
The first thing that struck me about the book was the illustrations. Mr. Gray’s artistry fills the page with bright colors and engaging images. This is a world of vegetable people. Bean is, of course, a bean and his mother is a lovely red beet. His neighbors include a friendly lettuce, Mrs. Berg, and a potato, Miss Tots. The clues to Bean’s toy dilemma are right there in the pictures so adults can encourage their children to search for the “lost” toys as they read along. Kids may also want to look at the pictures and imagine their own Bean adventures.
Another message I got from the story is that some things that seem bad, like a hole in your backpack, don’t have to be a big crisis. Bean reacts with shock when he realizes his toys are lost, but instead of being angry, he realizes that the three peas were trying to help him all along. It’s a good way to teach children about kindness and understanding, especially since kids who will be reading this are learning how to control their expectations and emotions.
There are three books in the series thus far, each available in both print and eBook formats. For toddlers and preschoolers, you can’t go wrong adding this book to their reading list. You can get more information about the authors, the series, and links to purchase the print and eBooks at http://beaninthegarden.com/
Pages: 36 | ASIN: B01LNRBK7K
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In this delightfully imaginative tale, two children, Chris and Kate, find a log of driftwood on the beach. They decide to build a boat and sail across the ocean. Whether by magic or imagination, the two friends and their little dog Holly build their ship, name it the Pearl of the Seas, and begin their journey. Like any fairy tale, there are obstacles to overcome, dangers to face, and kind strangers to help them along their way. They rely on friendship, faith, and kindness to see them home to a happy ending.
Intended as a prequel to Black Inked Pearl, a romance novel, this story is dedicated to young teens. I believe it would also appeal to middle-grade youth as well. There’s a real sense of youth-centered discovery and the freedom to let creative fancies bloom into epic adventures. And I don’t use ‘epic’ lightly; the author weaves in themes, events, and allusions borrowed from the Bible, the original Greek epics, tales of Aladdin and Orpheus, and classic narrative poetry. Indeed, poetry is the heart of the tale, and to me, it read less like a novel and more like a prose poem:
“All things stayed silent. Harkening. The gulls sat in white lines along the rocks; on the beach, great seals lay basking and kept time with lazy heads; while silver shoals of fish came up to hearken, and whispered as they broke the shining calm.”
Poems in traditional form are often combined with the prose. Finnegan creates a language that can take some time to get used to the unusual sentence structure and sing-song pattern of the words. In some passages, the child-like way of chaining words together lends an air of playfulness. Since readers (especially young readers) may be inspired to learn more about the poetry and prose of the book, the author includes a section of notes at the end. She offers more information about key phrases and events, poetic references, and the inspiration for some of the key events in the story. I found this to be a big help in deciphering some of the words and concepts of the book.
The characters are charming. Kate and Chris have their own problems in the real world. Kate is perplexed by math and the nuns who teach her; Chris has lost his mother and is being raised by a foster father. Holly, the dog, finds every opportunity for danger and gives both children a chance to play hero and rescue her. Once they’re sailing the sea of dreams, they meet Yahwiel with his riddles, as well as the benevolent King and Queen who live on an Eden-like island. These characters all have an air of the divine, and the lessons they teach are steeped in the Christian faith.
If you’re looking for a unique book for a young reader or a short chapter book to read to very young children, Pearl of the Seas is a unique story that goes beyond mere entertainment. It’s an excellent introduction to poetry, classic literature, and imagination.
Pages: 138 | ISBN: 1625902557
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Mervyn vs. Dennis is one of the funnest books I’ve read this year. Mervyn struggles with keeping his strange and intrusive boss out of his personal life. What was the inspiration for the relationship between Mervyn and Dennis?
Most of us have made a friend that we later regretted. I wanted to take that idea to its furthest extreme. Likewise, unless you’ve never worked or been extremely lucky, you’ve probably had a boss who made your life a living hell. Both of these situations are familiar comedy tropes but I wanted to combine them into something fresh. In both personality and outlook, Mervyn and Dennis couldn’t be more different. Mervyn is liberal and open-minded whereas Dennis is bigoted and mean-spirited. I wanted to explore whether two such disparate men could ever reconcile their differences or if they’d clash until the bitter end. During the writing process, this was something I was careful not to over-plan. I had some ideas of how their relationship would end up but I wanted it to evolve organically just like a real friendship or enmity.
What I liked about this story is that Mervyn is just trying to make it through life like many people. When you were building Mervyn’s character and background what was one thing you hoped came through in the end?
I wanted Mervyn to be likable, despite his flaws. Mervyn is extremely skilled at getting himself into embarrassing situations but I always wanted the reader to be on his side. Although he has moments of irrationality, I was careful to make his actions believable. Whether he makes the right choices is up to the reader but I wanted those choices to make sense, no matter how poor they might be. Mervyn has roots in picaresque fiction, British comic literature and modern sitcoms. He’s slightly too unhinged to be an everyman character but hopefully he’s relatable enough for the reader to become invested in his story. Comic novels, by their nature, tend to have eccentric characters. Sometimes this results in shallow personalities and caricatures but I wanted all the characters in my book to have believability and depth, especially Mervyn himself.
When Mervyn firsts meets Dennis he pretends to be racist so they can connect. Why did you choose that as the catalyst that propels their relationship?
Mervyn pretending to be racist is set up as a joke but nearly every event in the story is caused by that initial lie. Dennis is emboldened by Mervyn’s faux racism, showing how even a careless racist joke can cause a butterfly effect. Likewise, when Mervyn brings a swastika mug to work in an attempt to shock, it inspires Dennis to do something even more extreme. Although the novel is primarily a comedy, I wanted to explore the causes and consequences of prejudice. Alongside this, however, I was careful to avoid having a didactic message. It’s fairly common knowledge that racism sucks. People do need reminding sometimes but they don’t need it spelled out. What interested me most were the roots of Dennis’s hatred and the depths of his denial. In the wake of Brexit in the UK and the shadow of Trump in the US, racism is unfortunately topical right now, and there’s never been a more crucial time, in my life at least, to take a stand against it.
What is the next book that you are working on and when will that be published?
I’m currently rewriting three of my earlier novels. First off, there’s Grand Theft Octo, another comedy. It’s more satirical than Mervyn vs. Dennis, with less overt social commentary. It’s the story of Jonathan Doe, an entrepreneur of businesses the world has never seen including freelance taxidermy and (you better believe it) octopus teasing. Originally a 140,000 word epic, I’m on target to trim it by at least half. Next up, there’s The Papyrus Empire and its sequel The Black King. They’re dark thrillers that kick off a series about a global secret society. I’m hoping to have Grand Theft Octo ready in the next few months with The Papyrus Empire to follow. To keep up to date, please join my mailing list.
Deep in debt, Mervyn Kirby gets a job he doesn’t want by pretending to be racist. His new boss Dennis Lane thinks he’s found a kindred spirit. When Mervyn confesses he’s not really racist, Dennis thinks it’s just part of the act. Day by day, to Mervyn’s horror, Dennis worms his way into Mervyn’s private life. Despite his fears, Mervyn is torn: his new job pays well but he despises Dennis and everything he stands for. How far will Mervyn go to free himself? How far will Dennis go to become friends? Will they settle their differences or end up killing each other? And why are so many shifty people carrying pineapples around town?
Posted in Interviews
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The Hungry Monster was given the opportunity to interview JR Hamantaschen and Derek Sotak, the hosts of a horror podcast. We discuss the horror genre, how Queens NY is not the quietest place to record a podcast, and I find out where I can get a 5lb plate of artisanal nachos.
What inspired you guys to start a podcast about horror culture?
Derek: I had always wanted to do a podcast about weird movies, and separately always enjoyed the horror genre, so when one of my favorite authors asked me if I wanted to do a horror podcast I said “Yes Stephen King, more than anything.” That podcast never panned out because he was too busy, so later when JR came to me with the same idea I thought the second time would be the charm, and here we are today.
J.R. Well, I’ve written a couple of dark fiction collections now and have had my hand in editing some others. I felt a bit burned out on writing horror and have been pursuing other subjects, but still want to keep a toe in the genre, so to speak, and, honestly, see if I could rekindle my interest. Also, Derek’s a pretty cool guy and it was an excuse to hang out in some capacity.
How do you two know each other? How did you two meet?
Derek: I was reading JR long before I ever met him in person, becoming enraged upon reading his bio that he was so much younger than me and writing such excellent stuff. When years later we met at a convention it turned out that he was wasn’t so young anymore and a pretty radical dude in general, so I let my rage go. Sometimes that’s all it takes for a magical friendship to blossom.
J.R.: We met at the NecronomiCon Convention in 2015 in Providence, Rhode Island. We were both separately friends with Chris Lackey and Chad Fifer of the H.P. Lovecraft Literary Podcast, and we all went out to lunch. Then the sparks flew. A couple handjobs later and here we are.
You are now 13 episodes into the podcast, what is one thing that you’ve learned about the podcast process that you never considered before?
Derek: Unfortunately a podcast is not as easy as pressing record and shooting the shit for an hour. As part of the Faustian bargain I made with JR at the crossroads at midnight under a full moon I do the tech side of the operation, which involves the editing, syncing, posting, website stuff, and all the other various jazz that a “real” podcast has interns do for them, which was all more than I bargained for. BTW, we will be announcing the Horror of Nachos and Hamantaschen internship contest shortly, and Max Fun or Earwolf, we we are eagerly awaiting your call.
J.R.: This might be the height of spoiled laziness, but fitting in two movies per week or reading a book in a week and trying to think of interesting commentary or insights is harder than I thought it would be. Also, one thing I never noticed before is that it seems a lot of other podcasts pick out or select things that they already know they might like, whereas we don’t, so there’s a decent chance we will dislike what we are commenting on and rag on it. Also, I live in Queens, New York, and it seems the ambulances, taxis and people who hang out on my block must have advanced notice of when I’m recording so they all gather in full force to be as loud as fucking possible. One time while we were recording there was literally a goddamn whistling noise coming out of my pipes. So editing those sounds out has been a challenge (and by that, I mean a challenge for Derek, since he’s the tech guy).
What is your favorite decade for the horror genre?
Derek: The 80’s. I think a lot of the stepping stones for horror these days was laid then, along with the greatest wave of horror movie icons since the Universal Monsters. All my initial horror reading forays in the early 90’s were of books from then as well; King, Koontz, etc, and those are as solid a foundation to get yourself into the genre as you could ask for.
J.R. I don’t really know the answer to that. I’m inclined to say the 70s or 80s for horror movies, but there are enough things I’ve liked over a large enough expanse of time that I can’t commit myself to a decade. Maybe even in the 1920s, when Lovecraft was writing the Call of Cthulhu and a lot of “weird fiction” was of high literary merit.
A question for both of you: XBOX One or PS4?
Derek: PS4, but I grew up in a PS family so I might be biased. I’m not sure if for the most part it matters anymore rather than for a few games, and realistically a good PC is probably the best and most versatile game playing platform out there. It is a lot harder to sit on your couch and kick back with your keyboard and mouse rather than a controller though. I will always gives props to the Virtual Boy though.
J.R.: I was a Nintendo fanboy growing up, so I lived in denial about how superior the PS2 was compared to the Gamecube. I eventually got a PS2 and realized the error of my ways. I currently have an XBOX One that I bought on the advice of a friend, but if I were being honest with myself I should have gotten a PS4. Graphics are marginally better, there are more Japanese RPGs, some exclusives I want to play, and the controller is better.
Do you enjoy horror movies that are more campy slashers or thought provoking mind benders?
Derek: A campy slasher will always have it’s place in my heart, and on my TV if I’m in the mood for something I don’t need to really pay attention to. If I have the time for sitting down and giving something my full attention though, I’ll go for the provoking mind bender any day.
J.R.: I’d like to say thought provoking mind better, but in reality, the campy slasher is more of a safe bet in terms of enjoyment. If we were talking fiction, then of course the mind bender, but movies are a visual medium and there’s more room for error in a visual medium with something that – such as a nuanced, interior, contemplative work – might be better suited for fiction.
I find that horror is different in different cultures. For example, Japanese horror, I find, focuses more on psychological horror and poltergeists. What is your favorite horror culture and why?
Derek: I really like the whole Coffin Joe series and ultra weird and violent horror movies that came out of Brazil in the 60’s. Extremely subversive for the time in Brazil and 10 times that compared to what was going on in America at the same time. Even today if they would be considered a bit much for American audiences.
J.R.: that’s a good question, one that I don’t know if I have any answer to. Unlike Derek and his nacho-loving ways, I don’t know much about horror from Mexico, Central or South America.
Derek, your the author of The Field Guide to Nachos. If you were to create a bucket list of nachos to eat before you die, what would be on the top of the list?
Derek: The two best nachos I’ve ever had are the Big Foot’s Nachos Ur Way pulled pork nachos at Bigfoot Food and Spirits in the Seattle-Tacoma airport (I almost missed my plane getting those, but it would have been worth it) and Mount Nacheesmo at Tios in Ann Arbor Michigan. Mount Nacheesmo is the largest order of commercially available nachos in the US coming in at 5lbs, and while a lot of places would just throw together a bunch of cheap ingredients and try to pass that off, Tios artfully crafts an order that is delicious as you eat it, and while you munch on the leftovers for the next few days. Plus, if you can eat it all in an hour there you get a shirt and your picture up on the wall which is one of the greatest glories one can achieve in this life.
J.R. you’re the author of, You Shall Never Know Security. What do you find appealing about short stories?
J.R.: I suppose I write mainly short stories, though I’ve been working more on novellas recently. My second collection, “With a Voice that is Often Still Confused but is Becoming Ever Louder and Clearer,’ is largely novellas. I write short stories because I think that’s the idealized form for horror and dark fiction. I don’t really need many horror novels, and most of the ones I have seem padded, or would have worked better as shorter pieces. Also, realistically, when I am pressed for time with my day job and side jobs, so short fiction has just been more realistic and manageable. I want to get in and get out.
What are the subjects for upcoming episodes. Are there any that you’re really excited about?
Derek: Our culturally mandated Christmas episode is going to be something really special, but you won’t be able to experience that for some months yet. OR WILL YOU? No. No you won’t, but there are a bunch of pretty cool ones coming up as well.
J.R.: I enjoyed our nostalgia episodes, which we recorded but hasn’t been released yet. We both picked two horror movies we enjoyed as kids and re-watched them with our jaundiced, cynical eyes. I chose Demon Knight and Scream, and Derek chose Evil Dead II and Dead Alive. Surprisingly, we still both liked our selections.
Join marginally popular dark fiction author J.R. Hamantaschen and Derek Sotak as they discuss the world of horror in a light-hearted, frivolous and irreverent way. Expect horror fiction, horror movies, horror culture, and interviews / hang-out sessions with authors and creators in the field.
Listen to The Horror of Nachos and Hamantaschen podcast available every Wednesday of the month streaming on their website thehorrorofnachosandhamantaschen.com or on:
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Mirror, Mirror at 1600 D.C. is an enticing book shrouded with romance and mystery. When a mysterious man named Harrison Rossetti is in Rome working for the US government, he has a chance encounter with journalist Hannah Littleton. Their lives are changed forever as an unexpected love blooms. While preparing for their wedding, Harrison is called away for a top secret project leaving Hannah alone with her fears. Harrison is then swept away in an unexpected, dire situation. Life or death decisions are made at every turn. The country’s security and future are at stake. Meanwhile, Hannah befriends Harrison’s longtime friend, Pope Josetta; unfortunately, under some less than desirable circumstances.
Follow the unexpected twists and turns of this mind – catching novel. Edward Galluzzi leaves you on the edge of your seat. His use of imagery and vocabulary captivates the audience and places them directly in the hair tingling situations. Friendship, Love, Sacrifice and Duty are all highlighted within these pages. While Harrison is portrayed as a secretive man, it is evident that he is a loyal companion once you break through his shell. He is committed to the people he truly cares about. The use of friendship adds an additional dimension to the story line. You find yourself feeling for these unexpected friends. The story of Harrison and Josetta, for example, leave a sense of awe and respect. The relationship between Greg and Harrison tiptoes on the line of professionalism and friendship. This leaves the reader questioning the next move from each.
Love sets an undertone throughout the story. Galluzzi does an exceptional job at catching the hearts of readers and leaving them longing for their own Harrison and Hannah love story. My heart ached for the lovers amidst their separation. While the love is admirable, it can reach peaks that I wish would dive a little deeper, at times you find yourself absorbed in a passionate moment eagerly awaiting the next move only to be left hanging. Sacrifices must be made, especially in Harrison’s line of duty. Sometimes, ones that break your heart and leave you feeling empty. I do wish some of Hannah’s fears and doubts would have been expressed and explained a little deeper. Harrison’s emotional responses to such sacrifices were held on the delicate balance described in ways that rendered the reader sympathetic.
The sense of duty is noble. All sacrifices were made in the wake of duty and respect. An empowering sense of patriotism coupled with disbelief on just how far someone might be willing to go in the name duty continually engulfs the reader.
As stated previously, the twists and turns of this novel keep the reader consumed. The mind is constantly trying to skip to the next scene to find out what happens. I personally found it to be a quick read simply because I had to know what happened next.
Pages: 256 | ISBN: 0981024610
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