The Seventh Sentinel takes readers on an incredible modern day journey where the purpose of angels is still alive and well as they commune between man and God. What was the inspiration for the idea behind this entertaining story?
I’ve always been intensely fascinated by angels. According to the Bible and other ancient manuscripts angels are powerful, highly intelligent beings commanded by God to serve man. Being an avid reader, I grabbed up any books featuring angels but they were always portrayed as the bad guys and demons as the good guys, which rattled me. So I decided to write a novel where the opposite is true and based on as many historical facts as I could find about them. I wanted to show angels interacting with humans in a good way, in the age old fight between good and evil with epic fantastical battles, great tragedies and moments of joy.
Cristiano is raised in an orphanage and has no apparent past. I felt that his character was well developed. What was the ideals that drove character development in this story?
I felt that the world the characters live in is very intricate yet subtly built. What was your approach to world building in The Seventh Sentinel?
I researched how many levels of Heavens there are from a variety of sources. Some say there are nine, some say five and some seven. Who really knows? I settled on seven because it fit the title of my book. Seven archangels, seven sentinels, seven continents and seven Heavens. Most of the descriptions of the Heavens are inspired from the Bible and The Book of Enoch. Then I had to figure out a way for my hero to fight in the spirit realm, and every hero has to have a weakness or several weaknesses, right? That’s where transmutation came in, which left Cristiano’s body open for attack in the physical realm, and hence the need for paladins.
Everything and everyone has a history, known or unknown and I love stories that include orders like the Templars, St Johns, The Golden Fleece and many others. There are so many stories with the Templars, so I went instead with the once famous Order of Calatrava, in Spain, which turns out, had links with the Knights Templars, and threw in the ancient Celts for added mystery.
What is the next book that you are working on and when will it be available?
I’m working on the third book in the series (no title yet) and hope to have it out by the end of the year. Due to serious illness last year I’m way behind schedule and trying hard to catch up. I’ve just finished my short story, titled the Igigi Chronicles, which is going through a round of beta reading as we speak. This tale is a spin-off from False Gods, the second book in the Sentinel Series, featuring the Eljo and all manner of mythical beings set in ancient Sumer and modern times.
“Moments before the destruction of Jerusalem in 70 A.D., the seven Archangels remove powerful, ancient artefacts from the Jewish temple. These are given into the safekeeping of seven men. Throughout the ages, these men and their descendants become known as the Seven Sentinels.
In medieval times, the Seven Sentinels formed various military Orders as a cover for their activities. Today, of the Seven Sentinels, two are dead and two have turned rogue, which means only three remain to carry out their roles.
A war rages between Heaven and Earth. It is up to the newly empowered Seventh Sentinel to stop the rogues and Fallen Ones, from using these artefacts to gain control of the souls of mankind. Can the Seventh Sentinel endure?”
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In the world created by Marko Pandza, Death is not one hulking figure haunting our last moments of life, but rather a whole society of different Reapers. One Reaper, Grim, though at the top of his game and the ranking of the Elites, despises his job and what it stands for. He longs for a time long gone, of his mortal life as John Grim and his wife, Dora. On a chance encounter with an Engraver, those beings tasked with creating and intertwining souls, he discovers his love is back in the living realm and is informed of a way to return to his beloved. He must fight Heaven, Hell, and everything in-between to be with his true destiny.
This book spares little in ways of imagery and wit, though both are steeped in valleys of dust, it is so dry. The intriguing and original concept of the book helps the reader get through the slow beginning. The author can conjure up a rich and enticing vision through his words. However, this works to both his advantage and disadvantage. It is easy to envision the characters and scenery he creates, but when the creations become grotesque, the reader can feel ripped from the moment, hindering the story.
The overall story and world was fully fleshed out. The setting of Limbo itself was a solid induction into the story, and the home of the Reapers had much to offer, along with the mortal realm, personal paradises, and even rooms from the Maker of Limbo Itself – the audience experienced plenty, and again, this is where the author showed his expressive talents. The reader could easily see the home that Grim shared with his wife, or the performance hall of the Reaper awards. The characters were never floating in a gray area without much detail.
The characters the reader is introduced to throughout the story each have a different motivation, and is it laid out for everyone to see. Grim is the main focus, but by no means the only view point explored. Friends, strangers, and even deities have their stories told. Because of the switching between voices, the reader can live through many stories. However, when the author chooses to pursue narrow avenues for these characters that leave a lot to be desired, it detracts from the quality of the story.
Limbo, much like death, is not a story that everyone is ready for, but it is not without value. This story is by no means badly written, nor does it fall into many typical tropes, but where the concept and the fluidity of descriptions are absolutely high points, the choices to include the depressing overtones and the highly unpleasant imagery of many deaths – they are Reapers, after all – cause the story to fall a couple of notches away from higher ratings. The morbidity and grim tone for the entire book causes the reader to walk away shaken and more than a bit prone to contemplation on their own existence. This may not deter every reader, however, and its commitment to tone and atmosphere is to be applauded. This book won’t appeal to the vast majority, but those who enjoy it will praise its value for a long time to come.
Pages: 278 | ISBN: 1367857368
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Black Inked Pearl is a romance story following a young woman who falls in love with a mysterious man and then must search for him through Heaven and Hell. I found Kate to be a very well written and in depth character. What was your inspiration for her and her emotional turmoil through the story?
My reading: above all (as you’ll see from the similes) Homer and the mystic love poetry of Shakespeare, Blake and Rumi. Music – the dreams in which the book was given to me (from where?), one dream / one chapter a night for about two months, were interlaced with my hearing classical music through the night, most poignantly Bach, slow Mozart piano and John Rutter’s ‘Blessing’. But most of all my life, living through it:, I think no serious novelist can write of love or emotion of searching unless she has experienced it herself, at least in imagination (what else?): as the agreed poet Aeschylus rightly summed it up ‘learning through suffering … ‘
Within this book you flawlessly blend poetry with prose that brings beauty and intrigue to the story. It takes exceptional talent to blend the two genres together. How did you go about blending the two genres without disrupting the story?
I don’t think they’re essentially so very different, in fact some of the ‘poetry’ could equally well be set as rhythmic prose (my publisher – lovely Garn Press – had quite a discussion about which should be which, we changed our minds several times), and ‘prose passages’ could equally appear as poetry (actually, some of the ‘prose’ similes are now set as verse in my Poems from Black Inked Pearl: after all many of them came directly from, or were inspired, by Homer, the great arch poet). Also as I learned when I was writing my book Oral Poetry it’s really only a fairly recent typographical western convention that makes prose ‘look’ different from poetry. Ultimately it’s the SOUND and the INTENSITY OF EMOTION – or so I think -that are fundamental to poetry, and that, for me anyway, runs all through the book. So in a way it’s all poetry and I couldn’t feel any break between them. That said, interestingly, the poems came separately, also in dreams (each one already made, complete, perfect – well as perfect as it was ever going to get anyway) over the months BEFORE the novel started, mysteriously, to arrive. I thought they were independent poems. But when the novel chapters were written I saw that, all the time, they were part of the story and needed to be there. So now, there they are.
I felt that Black Inked Pearl is about love, romance, and life experiences that shape the person we become. Is there any moral or idea that you hope readers take away from the story?
I think – as in The Alchemist (a kind of soulmate book with mine) follow your dream, whatever anyone else says – and maybe at the end of that rainbow what you will find will be the pearl, yourself. Love is all, even if unrequited – that has its deep treasures too. The ‘new’ words (the Garn Press copy editor said there were hundreds!!) just came to me; they were just standing there already in my mind (like the poems were), complete, ready to be written. When I looked back (having forgotten…) I saw that they were (almost) all because they made the line SOUND better, more rhythmic. Roll on the audio, oral, version for its full realization, much influenced by my experience of African (and Irish) oral story telling. Oh and often it turned out to be sense too – some subtle change from the meaning conveyed by the ‘ordinary’ form – didn’t James Joyce and Homer and even Shakespeare sometimes find they had to do the same? (sorry, what a comparison….)
An epic romance about the naive Irish girl Kate and her mysterious lover, whom she rejects in panic and then spends her life seeking. After the opening rejection, Kate recalls her Irish upbringing, her convent education, and her coolly-controlled professional success, before her tsunami-like realisation beside an African river of the emotions she had concealed from herself and that she passionately and consumingly loved the man she had rejected. Searching for him she visits the kingdom of beasts, a London restaurant, an old people’s home, back to the misty Donegal Sea, the heavenly archives, Eden, and hell, where at agonising cost she saves her dying love. They walk together toward heaven, but at the gates he walks past leaving her behind in the dust. The gates close behind him. He in turn searches for her and at last finds her in the dust, but to his fury (and renewed hurt) he is not ecstatically recognised and thanked. And the gates are still shut.
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Black Inked Pearl: A Girl’s Quest by Ruth Finnegan is a romance story following a young Irish woman, Kate who falls in love with a mysterious man. However, in a fit of panic and fear she quickly rejects him. She spends time reflecting on her upbringing, educational background and her successes in life. While doing so, she has a life changing epiphany that she had deeply loved the man she rejected years ago. Her search for this man takes her on a wild journey through the kingdom of Beast, Eden, and Hell where she struggles to rescue the man she unconditionally loves. After saving him from the depths of Hell, the two lovers walk toward Heaven, but as he walks past her through the gates they close behind him, leaving her. Now it is his turn to search for her, upon their way back to Heaven, the two find themselves in situations where Kate must again save her love. Once they reach the gates of Heaven, Kate finally comes to realize that her quest was not for the man she loved, but to find who she truly was.
Within this book Ruth Finnegan flawlessly blends poetry with prose that brings beauty and intrigue to the story. It takes rare and exceptional talent to blend the two genres together in a way that doesn’t disrupt the story and Finnegan found that perfect balance. Finnegan expertly brings forth all of Kate’s emotions throughout the story, it is almost unbelievable that this is her first novel. She has a writing style that is truly unique and cannot be compared to anything else I have read. Black Inked Pearl: A Girl’s Quest does have a few Christian elements to its story although it didn’t come across as overwhelming.
The novel is about love and romance, but it is also about life experiences that shape and mold the person we become. Finnegan presents this in a way that expands the mind; it makes the reader ponder their own life experiences and how those experiences affected their lives. One major theme is finding how to define yourself through yourself and not in terms of other people. While Kate may be rescuing her love throughout the novel, in reality she is actually beginning to save herself.
There are a few moments when Finnegan creates new words for her story, but they are easy to understand and read because she roots them in traditional Greek and Latin, much like actual words. Others have described the book as dream-like, and I would have to agree, she creates a story that has the atmosphere and tone of a dream-like state. In fact I was almost waiting for Kate to wake up and realize her journey was a dream. This novel is like no other novel in theme or writing style. Finnegan has successfully created something that is truly unique and a real treasure to read.
Pages: 322 | ISBN: 1942146175
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