On a trade visit to Malta, Orfeo – in line to the throne of Pylos – is kidnapped by mysterious strangers. The net is spread far and wide, with heroes from all over the Aegean joining forces in the quest to find the lost prince.
Is Orfeo in danger, though? His captors seem to have strange motives, what exactly do they see him as? A prince, a prophet, a political pawn, or something more? Only one thing is for certain, nothing is as it appears on the surface, and Orfeo must keep his wits about him. This wonderful work of historical fiction will amaze and engage you in equal measures.
With The Wanderer’s Last Journey, Murray Lee Eiland Jr. has woven an astounding and complex tapestry. It has all the makings of a classic fantasy epic, as the rich and evocative world he creates is as intriguing as it is intricate, whilst the narrative constantly keeps us on our toes. Eiland Jr. clearly has an eye for important details, as his simple use of language is restrained and mannered. He writes much like any of the great classical fantasy writers, with simplistic, well-constructed sentences forming the framework for a complex and sprawling narrative. Where he does choose to go into detailed description, he paints for us a clear and colourful picture. The milieu of The Wanderer’s Last Journey, whilst mostly serving as a stage on which to set the players, is perhaps one if the novel’s most astonishing features. This mythical, magical Mediterranean is exotic and enticing, and we are left wanting to learn more about it. As the story expands and speeds towards its thrilling crescendo, its setting is left unexpanded, and one wonder’s whether the novel might have benefited from going into greater detail in this regard. In many ways it is unfamiliar from the Ancient Greece we know and are familiar with, yet it verges upon Virgil and Homer. The Iliad is an obvious reference, and Eiland Jr.’s love of this period is clear on the page.
This novel sets Eiland Jr out as an author of great scope and intention, however one who isn’t afraid to create a world of great depth and complexities. He cleverly weaves multiple storylines and, for the most part, manages to keep on top of this, and keeps all the strands of his stories working together. There are moments, though, where the machinations of the plot seem to get the better of him. The action tends to flit between one character’s perspective and another’s, and whilst this serves to provide us with a huge wealth of storyline, it occasionally distracts from it. It also means, at points, that we aren’t given long enough in each character’s story to form an emotional bond with them, and we are left wondering who exactly our protagonist is. This is perhaps to be expected, though, with a story so vast, and one with so many strands, and for the most part The Wanderer’s Last Journey works well as a rich, entertaining fantasy epic.
Pages: 237 | ASIN: B018RHOIRI
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Lord Athina is an interesting story about Jim, who’s killed in an accident, gets his soul sent back in time and placed into a sixteen year old girl. How did you come about this original idea and how did that develop into a story?
My story development path starts with a blank computer screen. I think up a situation and start writing. A lot of times I’ll write up to 5,000 words before a true idea comes to mind, if at all. If what I have written catches my attention I let my imagination run for while. By this time I’ve an idea concerning the main character. Who he or she is. In this case I wrote a bit about Jim and his hard luck life. It then came to mind what if he died and was reborn, which finally changed to being placed in the body of a girl. Most people have seen Freaky Friday, or a similar version. Once this came across as a possibility, I started looking into a starting point and began writing off the top of my head. That’s my style of writing. Off the cuff. Once I transferred Jim into Athina, the situations presented themselves.
Jim finds himself in the body of a sixteen year old girl. How did you go about writing what it would be like to be stuck in a girls body?
I’ve read many history books which gave me some insights into the daily lives of women back in olden times. I also asked my girlfriend and my editor of what I’d have to learn to take care of a girls body and what they go through to keep clean and healthy.
I found that the magic used in the novel was efficiently used to great effect. How did you approach using magic in your story so that it’s believable?
I’ve read a lot of fantasy stories and enjoyed them. A lot I noted used quite a bit of magic. As this is my first series, I wanted to keep magic at a minimum so I could pay more attention to the characters then what spell was used and how powerful can I make them. In addition, by limiting the spells, I didn’t have to come up with ways to try and counter the spells, their by making the effects believe able.
What is the next book that you are writing and when will that be published?
My next book is Lady Athina. This is the second book in a 4 part series. Lady Athina is currently on the market at Amazon.com.
Jim Sanders is the first-born son of a city planning official in New York. Brought up in the midst of street gangs, construction, and the greed of politicians, Jim learns to keep physically fit and watch his back. Tired of the stress, he moves to Los Angeles to build his own construction company. But the hard knocks of life seek him out even here—Jim becomes the center of several vicious wrongful death lawsuits, caused by third-rate materials he never ordered. Hospitalized for a mental breakdown, and slapped with a divorce, Jim is exonerated only after he’s lost everything.
Released from the hospital, Jim reapplies himself in an attempt to overturn his failing company, but then he’s killed in an auto accident. Relieved from his troubled life, his soul ascends skyward. But fate is not done with Jim, for instead of heaven, Jim awakes back on Earth in the past, sealed in the body of a sixteen-year-old girl named Athina, mother to a newborn baby and heir to a citadel. Due to a healing spell gone awry, Jim is now breasts-deep in a firestorm of medieval social plots. Like a newborn babe in this unfamiliar world, Jim must now cope with primitive political realities from the opposite gender with only his wits and a devoted nursemaid who was deceived of her true charge’s death.
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The Time Slipsters spans science fiction, travelogue, historical fiction and comedy while showing a vibrant world of the future and the past. What is the funnest part about imagining and writing the future?
The fun is in seeing things that are commonly regarded as Sci-Fi beginning to happen. I believe that research on the web reveals what a wonderful world we live in. If you look for articles on medical research, the motor industry and technology in general, it also indicates where the human race is heading.
We are already seeing Nano robots being used for keyhole surgery, drugs being tailored to combat and kill cancer cells, and the early diagnosis of dementia, to name but a few. Plus the whiff of flying cars and free power is in the air!
Imagine a world where the health service does not feel overwhelmed by an aging population, because old people are no longer suffering the ‘ravages of old age’. Why would that be? The answer is: treatment of their various sufferings is being mastered, until death they do part! By the way, I come into the latter category.
Envisage a world where travel is from home to destination, in minutes. No airports, no connecting flights or trains or buses or taxis. No squandering of natural resources, no electricity costs, no power stations needed, no pylons or towering wind vanes blotting the landscape. Much of what I describe has been available for over a century, if it were not for intervention of vested interests.
The characters end up traveling through time, and like many stories, their actions in the past affect the future. What was the most interesting part about writing a time travel story?
Getting into the heads of the characters on both sides of the experience of time travel. Drawing word pictures of the experience and conveying mental images to readers was fun too. It challenges my imagination to run riot. By the way, unlike Professor Hawking I do not believe that the death of an ancestor caused by a time traveler would have any impact whatsoever on his or her descendants.
The threat to Earth is revealed by uncovering the mystery of the aliens who have been living under the auspices of the Sombrella Syndicate. What was the inspiration for the Sombrella Syndicate?
I once worked for a Lloyds of London group of insurance syndicates, so am familiar with the concept. The deserted brickworks near where I live in Spain was an ideal undercover location for an alien base, but not big enough to house it, on the surface. Who better to man it, underground, than dwarfs, who have a reputation for mining and gold!
Time Slipsters is book three in the Dreadnought collective. Where does book 4 take the characters?
Book 4 takes the characters in an entirely new direction that totally engrossed me for a while. I took great interest in the feasibility of psychic involvement in crime detection. This added another dimension to the evolution of the Dreadnought Collective. The various characters in all the books are intertwined in book 5, the Sightseers Agency, which is now run under the auspices of the U.S. government, as is the entire collective. The individual agencies in the collective instantly become more effective as the two genres are mixed.
A group of friends who have drifted apart decide to reunite and take a trip together. It is the near future, and their intention is to travel on the latest type of transport, in order to visit the ancient sites in Turkey.
They want to do this in luxury, and the travel company they selected has done its best to accommodate their desires. They are lost for words when they first cast their eyes on the spectacular, gleaming new vehicle waiting for them. It is in fact alien in technology, and far more of a futuristic craft than a mere ground-hugging coach.
Unwittingly, they are entering a world where time travel is a reality and machines can cater for individuals as well as the masses.
Soon, they embarking on a sightseeing tour like no other they could have imagined, and meeting a time-travelling stranger who takes them under his wing.
More than one person has a hidden agenda, as they realise when reach a highly protected secret location. It contains hybrid creatures on which the Gods of mythology are based.
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The Game Changer revolves around the life of creative businessman Henk who finds himself in trouble after an art robbery takes place in the heart of Rotterdam. This book is a genre-crossing novel with elements of a romance, crime, and art history as well. Did you start writing with this in mind or did this happen organically as you were writing?
Thanks first for all the time and effort to read my book. This is a very good question and maybe therefore not easy to answer: it’s both in a mixture I would say. I started with some basic ideas and investigations, did some research on the subjects and meanwhile, on the other hand, write highly intuitive. Then I switch from these two mindsets every now and then, like in a loop that rolls forth until you get the feeling it’s almost finished. I certainly have no idea how it will end when writing and I am surprised at times about the direction the novel or characters takes… so then I change the research and idea’s to be able to go on a bit further. In the end, it takes a lot of editing, and in this process the book is also enriched a bit, blended.
The relationship between Henk and his daughter Julia is intriguing and risque. What was the driving ideas behind these characters traits and relationship?
Emancipation and seeking of one’s identity/freedom of Julia and maybe also the idea that world problems might need to be solved by women. But in this novel, it’s mainly about Henk, the businessman whom you might in some ways see as a Donald Trump kind of guy (thinking now of the open letter I read on the website of Michael Moore written to Ivanka Trump: ‘your dad is not well’, but it’s written after writing my novel). It’s about the chaos in Henk’s mind, the obsession of dominating, maybe caused by fear of women taking over power, confused with and entangled in the love for his daughter.
There is some fantastic art history in this novel. Was that intentional? Did you have to do research for this book?
Yes, I did quite some research, but in the intuitive writing process most of it is done for nothing probably, you never know for sure. The general idea I guess is indeed that art can maybe help us, it’s an investigation if so and if the answer is yes, how this can be done. What role can art play, seen from the viewpoint of the eighteen-year young Julia. She wants art to be decisive.
Why did you choose Rotterdam as the setting for this novel?
It’s close to my hometown, Vlaardingen, and plays a major role in the area where I live, historically and still from this day on, although the work in the harbour gets more automated nowadays. Furthermore, I would like to emphasize that Elias Canetti’s Auto-da-fe (‘Die Blendung’), written in 1935, was an inspiration for my novel, mainly regarding the atmosphere. As a tribute, I mentioned his name once deliberately within the novel in the middle somewhere, as well as using the term ‘stipendium’, which I came to know reading this novel and ‘Masse und Macht’. I consider this novel my personal and modern ‘die blendung’.
What is the next book that you are working on and when will it be published?
The next book is all about Julia, Henk his artistic daughter. At this point in time I feel that it can still take a while before it will be finished, although there are more than 100k words written and severely edited so far. I tend to be rather ambitious regarding goals and ideas of a new book I guess, so to finish it, to pull it off is unsure: it might not work at all. Especially since the new novel will partly be science fiction, playing in 2050, I wonder if I will manage.
Sneak preview of the new novel:
The floating pavilion called The Game Changer, peacefully located between the landscaped garden and artistic attributes crammed with solar – panels, foils and conductive basins along the eaves – is virtually deserted, a rarity. As if Providence feels there is something special happening since I will, after all these years, speak privately with her. After several decades, the moment finally arrives. The ring gives an orange signal, I will have to do sport for half an hour the least, followed by a silent meditation to bring my blood pressure and pulse combination back to acceptable levels. The nerves vultures in my throat, my nasal breathing is irregular, but I consider it too late for intense exercise; I can at best apply a short-term yoga technique, click the ring signal back to inactive and start enjoying the view. In the distance I see a dot rising, it could be the amphibian taxi, one that brings her to this magnificent pavilion, two miles off the coast of Hoek van Holland situated in the North Sea, a sea largely transformed into a sea farm: one big floating habitat of many thousands of hectares. It remains beautiful to see how the east side of our integrated Maasvlakte has become a place for handling assembly of environmentally friendly products surrounded by renewables and encapsulated between tens of thousands of wind turbines, seaweed farms and solar generating systems with modern forms of salt mining. We are a leader in the world, people! Mom will not believe her eyes. In a country like the U.S.A., they are still jealous; they have looked with uttermost suspicion at our ultra-modern business, our activities that saved the planet and ourselves, mankind, from The Great Catastrophe.
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Zurga’s Fire takes place in historical Greece and the rest of the Mediterranean and is broken up into four books filled with short tales of adventure. What was the inspiration for this third book in the Orfeo Saga?
The fictional universe laid out by Tolkien in Lord of the Rings was probably the series that got me thinking along the lines of an extended saga. I liked the way Tolkien used ancient sources to create heroic fiction. At the same time I wanted to be more historical like Robert Graves and his series I, Claudius. I wanted to write something that would not be fantastic, and which would not re-tread well known history. The Bronze Age offered scope to speculate. There are few written sources, but what there is offers scope to invent characters and place them in historical context.
Zurga’s Fire introduces the issue of nomads and how they impact civilization. I had been researching nomads for my other interest, Oriental carpets. Nomads were very effective warriors, and they could overwhelm sedentary societies. They did have one weakness, and that was leadership. Every group from that lead by Attila to Ghengis Khan eventually fell apart. A charismatic leader is essential for nomads. In Zurga’s Fire the leader of the nomads is eventually undone not so much by a face to face challenge, but by a crisis in leadership.
Why did you go with the format of short stories told as a collection?
This is a very good question. I really did not think about the format before I started writing the series. I wrote many short stories over a period of years that were never published. Looking back that was probably a good thing. I always liked reading short stories. I think I have a short attention span. The result is that I am quite comfortable writing short stories and I have structured my Orfeo Saga that way too. Many books in the Orfeo Saga are made up of two different stories which are divided into books. In contrast my other series about a Los Angeles based private eye (the Bart Northcote series) are entire novels.
I felt that the characters in this book were complex and well thought out. What was your favorite character to write for?
I think that the character I had the most fondness for was “Zurga.” I gave him a rather ridiculous name because the character went by many names. This name suggests that you cannot take the character seriously. Zurga likes to deceive people as to his true intentions, as well as build up a mythology around himself. Zurga realized early on that he would not be fully accepted. No one would ever select him as a leader. In contrast his protege Orfeo can become a leader. Again I was well aware of Orpheus in the Greek pantheon. While Orpheus was a gifted lute player, he is also credited introducing civilization to savages. My Orfeo character has some similarities with Orpheus, but I have taken all supernatural elements away.
I think of Zurga’s Fire as a historical adventure tale. Did you do any research to keep the setting and characters true?
I studied ancient and modern nomads for years. I read about them, their social structure, history, and particularly art. Many of my research trips were to see nomads making textiles, particularly Turkish speaking people. I knew that for the Bronze Age there were not good historical sources, so I filled in the blanks with what I understood from more modern nomadic groups. I tried to capture their lifestyle in the novel, without going into the nuts and bolts of their society. The interesting thing is that the Greeks had recently settled by the Bronze Age. In the novel they were well aware of the kind of enemy they faced. The same pattern repeats throughout history many times. A group settles and then the next group of nomads impinges on them. Every sedentary group has the same choice. They can fight or they can flee. For Zurga’s Fire I wanted to show how the nomads being horse riders and archers had an advantage. Sedentary society, with farmers, had fewer people who would naturally take on a warrior role. They could fortify cities to stop nomads, but that does not always work. That is the tension I wanted to accentuate in the book.
What does the next book in the Orfeo Saga take readers?
The next book is also divided into two main parts. The first part takes the characters to the New World. There has been a huge amount of scholarly speculation about the contacts between the Old and New Worlds. I think that there must have been limited contact between these two areas, but I am not sure that it occurred as early as the European Bronze Age. However, there was likely early contact. There was a report that a scientist had found traces of cocaine as well as nicotine in Egyptian mummies as early as 1000 BC. I think it is important to look at evidence with an open mind but have a healthy skepticism about big claims.The Orfeo Saga volume 4 has a bit more humor in it than other books in the series. I also thought it was important for Orfeo to take a greater role in his own fate. His teacher disappears during this story.
Part II of the book deals with the rise of Sparta. This is not as far-fetched as some people think. Archaeology is pushing the date for Spartan civilization further back in time. I try to post interesting links to the archaeology on my Facebook page.
The Getae inhabited the region on either side of the Lower Danube River, in what is today northern Bulgaria and southern Romania. They were in contact with ancient Greeks from an early date. Herodotus – writing in the 5th century BC – extols their martial spirit: “…when it lightens and thunders, they aim their arrows at the sky, uttering threats against the god; and they do not believe that there is any god but their own.”
They ruthlessly incorporate conquered people into their society through enslavement, and are prepared to kill those who are not useful to their plans. They have no need for the luxuries of city life. Fighting in troops of mounted archers, they mock individual heroes. Getae have a long history of reducing enemies in deadly hails of arrows while not getting close enough to lose warriors in single combat. Here Orfeo and his warriors must deal with an expanding Getae empire during the heroic age of Greece. Vastly outnumbered, can they stop an invasion that threatens not only their lives, but also their entire culture?
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Book 3 in the Dreadnought Collective series returns to the home of Terry and Sandra Tumbler. Terry and his wife plan a return holiday to Turkey, recalling their last visit with their grandson, Seb, when his tour group from the Sombrella Syndicate got into trouble in the underground city of Derinkuyu. They’d like to go again to see it at their leisure. Terry invites several couples who had accompanied them on an earlier visit to Santiago. Since they’d had trouble on that particular tip, Terry sweetens the deal by booking a luxury version of fast-travel flying cars, colloquially known as “potties,” to speed them on their way.
On arrival in Istanbul, the five couples embark on a grand tour of historic sites on a large coach, shared by a group of Spanish tourists. During their travels, Terry meets with a mysterious man named Marius. Marius asks Terry for help regarding Alien visitations, and Terry is delighted. His love of researching UFO phenomena may help save lives, and Marius may be able to explain the odd dreams Terry is having. When the tour visits the ancient hospital of Asklepion, the true nature of the “Magic Carpet” tour coach (dubbed the Turkish Floater by Wilf) is revealed, and the travelers slip back in time to witness ancient Rome in person. This leads to uncovering the mystery of the aliens who have been living under the auspices of the Sombrella Syndicate, and a threat to earth.
If you can’t tell by the irreverent names of the vehicles, this is a very funny book. The Time Slipsters is a delightfully fun read. It crosses genre borders as easily as the Magic Carpet crosses timelines. The story spans science fiction, travelogue, historical fiction and comedy while showing a vibrant world of the future and the past. Terry is a loveable rogue, and his gaffes are both funny and important to the story. Laughing at phallic rock formations and obsessing over bathroom facilities in ancient buildings could be jokes, but they may come in handy later.
But the trip is not all fun and games. When the ship begins to slip between time zones, the travelers are under very explicit orders to stay away from the locals. One of them foolishly ignores that advice, and like any time travel story, what you do in the past can have a ripple effect into the future.
The author’s imagination is truly fantastic. Even the little details of this future world are well fleshed out. There’s the concept of Democracy on Demand that allows people to guide their government by instantaneous voting. And sure, the flying cars are neat, but what about smart suitcases that carry themselves to and from your hotel, or having delicate surgery performed by nanobots while you sleep? I can’t start on the alien technology without spoilers, so you’ll have to read for yourself.
One thing I liked was the occasional break in the intrigue so I could wander the streets of ancient monuments along with the characters. It’s clear the author has visited these places and wants to share these remarkable places and their histories with others.
Though Seb Cage Begins His Adventures was a book aimed at young readers, The Time Slipsters is decidedly more adult. The adult humor and a few sexual references, though never explicit, wouldn’t be appropriate for a young reader. If you like SF, time travel stories, or dry British humor, you’ll like this book.
Pages: 291 | ASIN: B018MLKT7M
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Sicania Rising is a genre-crossing novel with elements of a fantasy, history, and adventure as well. Did you start writing with this in mind, or did this happen organically as you were writing?
My aim was to write a novel embracing events from an earlier time period that had not been explored. Drawing on the legendary battle of Camicus and the siege by the Minoan fleets provided the novel with a solid central theme to build upon. However, the novel during the adding of the campaigns drew on the beliefs of those involved giving the story a vibrancy that evolved during the conflicts that followed.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
Thanks for the positive comments. It was challenging drawing together the character’s and rewarding when they developed their roles within the novel. Because of the historical background, Sancunthian he supported other figures such as Paiawon and Rhadys adding new layers to the novel.
I enjoyed the detail and historical accuracy of the novel. Did you do a lot of research to maintain accuracy of the subject?
Yes the book required a lot of research that involved all the figures within the novel covering books from my own library and the purchase of new books. Having visited Sicily and Crete several times it allowed me to build a clear picture of the islands when writing about the varied locations used within the novel.
JOURNEY BACK IN TIME AND FOLLOW THE CAMPAIGNS IN THE WESTERN SEAS FOR CONTROL OF THE ANCIENT SEA TRADE ROUTES AND THE POWER, RICHES AND CONTROL IT DELIVERS. PHAECIAN SEA CAPTAINS LED BY PAIAWON, AEACUS AND RHADYS BATTLE WITH ARIUKKI, KOKALUS, THESANIS, ENNA and CARAUSIUS. FOLLOWING THE PASSING OFF HAMMURABI THE ANCIENT WORLD SAW THE LEADING POWERS BATTLE TO CONTROL THEIR BORDERS AND LANDS AS THE CITY STATES IN THE EAST FOUGHT BITTER INTER- CITY STATE WARS PROTECTING THEIR VITAL TRADE ROUTES AND SECURING ALLIANCES. WITH THE WESTERN SEA TRADE ROUTES OFFERING NEW MARKETS AND RESOURCES THE RIVAL POWERS ALL LOOKED WEST AND THE ISLAND OF SICANIA WITH ENVIOUS EYES.
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Recusant is a science fiction adventure story that chronicles the journey of two peoples through time where their lives and struggles are intertwined over more than a millennium. What was one thing you hoped to accomplish in this novel that you were not able to do in book one of the Brin Archives?
I wanted to expand on my efforts to tell a precautionary tale about intolerance and prejudice. I also wanted to expand the world of the Brin and fill it with more locations and people. In book one, my very first attempt at writing anything, I was learning how to become an author. With Recusant, I hoped to expand my wings and see what I could do. I hope to continue this learning process in the third and final installment of the series.
Many of the occurrences in the story parallel important issues in our world such as slavery, greed, lack of tolerance, and abuse of power. Was there anything taken from real life that you used to develop this story?
Oh yes. As a teacher, I listened to stories from many of my students of color about how they experienced the world in unbelievably different ways than I ever had seen. I also have several nieces and nephews of color who, unfortunately, have to deal with a world of prejudice and intolerance. I have always believed science fiction was a wonderful avenue to address these sort of issues in a stark, but relatively non-offensive way. Back in the early days of the civil rights movement, my family was very involved in helping end many of the immoral abuses of the times. It is unbelievable to me that we are still dealing with the same issues today.
I became fond of Jontar and Maliche. Their spirit and ability to love, trust, and overcome adversity appealed to me. And I enjoyed the courage and tenacity of Vidad and Neas. What was your writing process to ensure you captured the essence of the characters?
I am an incurable optimist, so I believe in the basic goodness of people. Neas and Vidad were named after my sons (anagrams) and looking back on their character, I guess loosely based on their caring and loving nature. My editors are always on my case about making my characters too nice. I have had to really work hard to resist the desire to have all of my protagonists turn away from their evil ways and repent. An evil spirit is difficult for me to comprehend.
What can you tell us about book three in the Brin Archives series?
Book three is tentatively titled Empyrean. I jump several years into the future where the Brin and Kolandi are coexisting. Maliche now leads the government of the planet, but learns some disturbing facts about their supposed benefactors, the Skae. To learn the truth, Maliche finds a way to escape from the Skae overseers and travels with several companions, including his son into the space. The offspring of a Brin and Kolandi mating develop not only an immunity to the Gorvin virus that trapped the Kolandi on their planet, but also have the ability to mentally connect with, and manipulate any technology, and the cosmic strings found in space. This is an adventure of time travel, new worlds and species, and the discovery that not everything is as it once seemed. The fate of the entire galaxy is in their hands.
In this sequel to Hegira, the Brin are thriving on their new world, but will greed, prejudices, and old rivalries tear apart their grand civilization? Maliche Rocker, descendant of The Saviors, uncovers a terrible secret and must fight those in power, including members of his own family, to save thousands of innocents from the cruelty of his own people.
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Another Self throws us into the life of a girl who has been broken of all spirit and self-esteem, but by her wits and grit she becomes the richest person in ancient Rome. What was the inspiration behind this fascinating novel?
The sad truth is, this story is inspired by my own life. Because of undiagnosed dyslexia and ADHD I left school at a young age with no qualifications and, more importantly, ‘no’ self-esteem. Like Julia in Another Self I became successful while believing myself undeserving, even deceitful.
The writing in your story is creative and filled with twists. Was it a conscious effort to create a story in this fashion or is this style of writing reflective of your writing style in general?
From the age of 5 until a complete mental breakdown in my late 40’s, I was too ashamed to write anything down. After a psychiatrist diagnosed my dyslexia I started to write spontaneously. This story quite literally poured out of me and took its own course. The character may be a woman and the story set in ancient Rome, but Julia is experiencing the real agony of my own life.
Julia’s character is like none other I’ve read this year. What were some of the trials that you felt were important to highlight the Julia’s development?
Writing Another Self was like therapy for me. Searching for the words that sent Julia on her journey of discovery helped me understand how I could achieve so much while believing myself so completely worthless. Now, I’m a little in love with Julia because she and I have been through so much together.
Can you tell us more about what’s in store for Julia and the direction of the second book in the Our Eternal Curse series?
In book two, Another Tribe, Julia’s character is forced to confront racism in the southern states of America during the civil war. In book three, Another War, she must come to grips with her guileless part in causing The First World War. At the end of book three we learn why Julia has been Eternally Cursed, but I won’t spoil it for your readers.
Julia, brilliant yet humbled by cruelty and abuse, overcomes great disadvantage to become the richest person in ancient Rome. Living a double life, she wields power from behind the scenes to bring vengeance down upon those who wronged her. When her schemes ensnare Rome’s two greatest generals, Lucius Cornelius Sulla and Gaius Marius, Julia provokes civil war and condemns herself to suffer for the sins of her past.
Posted in Interviews
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Travel back in time in this fantastical adventure with Zurga’s Fire, book three in the Orfeo Saga. Murray Lee Eiland Jr weaves his tale that takes place in historical Greece and the rest of the Mediterranean. Broken up into four books filled with short, easy to digest chapters we begin with Daryush, a young man who has been living as a consort for the Empress Zinaida. If you are just coming into this saga, you won’t be able to get a true grasp on what previous volumes have covered. What we learn from Daryush and Zinaida is that theirs is a young love and she has recently acquired her position of power. Due to their differences Daryush decides to leave Babylon in order to preserve his life. We then begin to follow him on his journey while meeting other important characters and breaking off to follow them. It all comes back around and end with Daryush.
Eiland is very good at keeping his chapters short and to the point. Instead of long, drawn out chapters that cover far too much information to digest well, this tale has the benefit of being broken into four books and a total of 70 chapters. While that may seem like a lot, the story doesn’t break 300 pages. There is even a historical note for those history buffs who are reading. This is a historical fantasy-adventure tale and Eiland does his best to keep information as true to history while taking certain artistic liberties. This makes the book easy to read without getting bogged down by technicalities. While the information regarding tribes, empires and villages is indeed massive, it is all presented in shortened, easy to read ways.
Daryush is not the titular character, although he feels like one. He weaves in and out of the story that the reader can get deluded into thinking it’s all about him. The book is called Zurga’s Fire for a reason and that is made quite apparent in the third book within this volume.
Aside from being a bit in the dark to previous accomplishments in the first two books, Zurga’s Fire stands well on its own. The story feels complete at the end and doesn’t leave too many unanswered questions. The writing is clean with little to no grammatical errors and the chapter formatting is nice on the eyes. The intrigue, romance and mystery that pepper the tale are all tasteful with nothing feeling forced or contrived. This is a spectacular feat to accomplish when you have so many characters with such intricate lives.
If you’re looking for a good read that won’t have you feeling overwhelmed then Zurga’s Fire by Murray Lee Eiland Jr is definitely something you should consider. Not too heavy on historical explanations and easy to read with short chapters, this third installment in the Orfeo Saga is pleasant and satisfying.
Pages: 244 | ASIN: B017YFKZSU
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