In an exciting take on a post-apocalyptic world we find ourselves face to face with a strange phenomenon: human beings are being swallowed up and turned into gelatinous creatures that look and smell much like tar. Tarbabies Book 2 The Siege at Friendly Haven by Allen R. Brady is a point-of-view adventure story about residents of an assisted living facility and how they handle the tarbaby infestation. Being the second book in a series, a reader may think it imperative to read the first, but Brady does a fantastic job of treating this tale as a stand-alone. The story shifts from the points of view of various residents in Friendly Haven and their individual takes on the epidemic. While you don’t really know how or why the tarbabies have come into existence, it doesn’t really matter. They’re out there, just outside the window of Friendly Haven and the residents are all trapped inside. Or are they?
This book was a delightful read. While the end of the world as most know it is hardly light reading, the sheer ridiculousness of humanity morphing into some strange black things that swallow every human being they touch brings a sense of comedy to the stark reality of this world. Referred to with names like Gummi Man or Sloppy Joe, it scales back the seriousness of the story. Brady does a great job as he shifts from each person’s point of view. He effortlessly moves between men, women and varying ages. Each person has their own distinct personality which can be difficult when telling a tale in this fashion. The fact that our protagonists don’t fully understand how the tarbabies came to be, makes it easier for the reader, because it’s told from the characters points of view. Our protagonists don’t know, and it’s okay that we also don’t know.
Brady crafts his tale in such a way that the reactions to the situation are all very realistic. It’s hard to determine how people would truly react to humanity becoming blobs, but Brady takes a very good stab at how he thinks things would unfold. The energy and action in this book are constantly on the go, which is a perfect distraction.
If you’re looking for an interesting take on the post-apocalyptic potential of our world, then Tarbabies Book 2 The Siege at Friendly Haven by Allen R. Brady is a definite must. Our protagonists share their thoughts and concerns about the tarbaby epidemic with their own colorful personalities. It’s clear that the world seems to be ending and the biggest question on everyone’s mind is whether or not they’ll survive it. Readers looking for an entertaining read with plenty of action and contemplation will find what they seek in this tale.
Pages: 235 | ASIN: B017PXY0BY
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Descendent Darkness: Book One: Stirrings, begins in 1982 in Clarkes Summit, Virginia, where an evil curse causes unimaginable horrors to the town’s favourite families. Fast forward 21 years later and three men are once again facing the terrors they thought they had diminished forever. Richard Gaston, Father Ryan Bennett and deputy sheriff Tom Campbell find themselves facing nightmares and tortured souls of evil that will pull them into the depths of their darkest days. This skin prickling adventure will bring your nightmares to reality as they face an evil, cold presence; guaranteed to chill you to your bones.
Descendent Darkness, Stirrings, written by A. J. Macready is a supernatural novel set with a dash of crime and drama. There are tortured souls, family bonds and mysterious servants of darkness in this edge of your seat vampire styled thriller. The story line follows several families as they face horrors and challenges that will threaten the relationships of everyone involved. Hold tight as you are thrown into an adventure where the characters fight evil even when they are in the shadows of exhaustion- in order to save the ones they love. The story will leave you hungry for more, as bullets race across the page and violent killers storm through the darkest of nights.
Unlike a typical demon styled novel, Stirrings storyline is complex and filled with clues and details that far surpass any other supernatural story I’ve read for some time. Forget the Twilight era, this novel is filled with the traditional scares and fight scenes fit for a warrior. I found myself unable to turn away as I dove deeper into the novel, growing attached to the characters and their unknown fate.
The characters in Stirrings are surprisingly relatable and the fear for what may be lurking in the dark is a feeling we have all experienced. The relationship between the siblings Holly and Mike Gaston is one to be marvelled as they battle odds together, sacrificing their bodies and souls to pursue a mission with the belief that nothing is more important than family. As well as being siblings, they have a beautiful friendship and you can feel how much they genuinely care for one another as they battle against the odds. However it seems their family are bound for tragedy and the reader will feel emotionally connected to each family member as they fight for what they believe to be right.
Macready’s marvellous way of using descriptive language will have you huddled up and feeling the chills on the back of your neck. I found myself peering around the corner wondering if the cool breeze was the wind or was actually evil materialising its face in the darkness. The narration flows easily and feels like a picture is painted on the page with how beautifully the story is presented.
This is a heart-stopping novel and would recommend this to anybody who loves supernatural stories mixed with crime, drama and friendship. I look forward to reading the other stories in the series!
Pages: 199 | ASIN: B016WLQTS2
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The Seventh Sentinel takes readers on an incredible modern day journey where the purpose of angels is still alive and well as they commune between man and God. What was the inspiration for the idea behind this entertaining story?
I’ve always been intensely fascinated by angels. According to the Bible and other ancient manuscripts angels are powerful, highly intelligent beings commanded by God to serve man. Being an avid reader, I grabbed up any books featuring angels but they were always portrayed as the bad guys and demons as the good guys, which rattled me. So I decided to write a novel where the opposite is true and based on as many historical facts as I could find about them. I wanted to show angels interacting with humans in a good way, in the age old fight between good and evil with epic fantastical battles, great tragedies and moments of joy.
Cristiano is raised in an orphanage and has no apparent past. I felt that his character was well developed. What was the ideals that drove character development in this story?
I felt that the world the characters live in is very intricate yet subtly built. What was your approach to world building in The Seventh Sentinel?
I researched how many levels of Heavens there are from a variety of sources. Some say there are nine, some say five and some seven. Who really knows? I settled on seven because it fit the title of my book. Seven archangels, seven sentinels, seven continents and seven Heavens. Most of the descriptions of the Heavens are inspired from the Bible and The Book of Enoch. Then I had to figure out a way for my hero to fight in the spirit realm, and every hero has to have a weakness or several weaknesses, right? That’s where transmutation came in, which left Cristiano’s body open for attack in the physical realm, and hence the need for paladins.
Everything and everyone has a history, known or unknown and I love stories that include orders like the Templars, St Johns, The Golden Fleece and many others. There are so many stories with the Templars, so I went instead with the once famous Order of Calatrava, in Spain, which turns out, had links with the Knights Templars, and threw in the ancient Celts for added mystery.
What is the next book that you are working on and when will it be available?
I’m working on the third book in the series (no title yet) and hope to have it out by the end of the year. Due to serious illness last year I’m way behind schedule and trying hard to catch up. I’ve just finished my short story, titled the Igigi Chronicles, which is going through a round of beta reading as we speak. This tale is a spin-off from False Gods, the second book in the Sentinel Series, featuring the Eljo and all manner of mythical beings set in ancient Sumer and modern times.
“Moments before the destruction of Jerusalem in 70 A.D., the seven Archangels remove powerful, ancient artefacts from the Jewish temple. These are given into the safekeeping of seven men. Throughout the ages, these men and their descendants become known as the Seven Sentinels.
In medieval times, the Seven Sentinels formed various military Orders as a cover for their activities. Today, of the Seven Sentinels, two are dead and two have turned rogue, which means only three remain to carry out their roles.
A war rages between Heaven and Earth. It is up to the newly empowered Seventh Sentinel to stop the rogues and Fallen Ones, from using these artefacts to gain control of the souls of mankind. Can the Seventh Sentinel endure?”
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by Don Templeton
Here we are in the final stretch. Once you’ve done all your character work, you’ve got a lot of story synopses that tell the whole story from each character’s piece of the story. Now we roll it up into one blueprint, the 4-page treatment.
First, take you logline in step one and expand that into a paragraph made up of 5 and ONLY 5 sentences.
- Sentence one should cover your BEGINNING or the Inciting Incident as I refer to it.
- Sentence two will cover Act 1 to the first Plot Point.
- Sentence three covers Act 2 to the Mid-Point.
- Sentence four covers Act 2 after the Mid-Point to the second Plot Point.
- Sentence five covers Act 3, your climax.
Next, take your paragraph of five sentences and expand that into a clean one-page treatment. Expand your five sentences into five separate paragraphs. Each paragraph will describe exactly the same territory as each sentence did above. Therefore:
- Paragraph one covers the BEGINNING.
- Paragraph two fleshes out Act 1 to PP1.
- Paragraph three details Act 2 to the Mid-Point.
- Paragraph four covers the rest of Act 2 up to PP2.
- Paragraph five will detail Act 3 completely to the END.
What comes next is what Syd Field calls the “kick in the ass” assignment: the four page treatment. Note that this procedure is pretty much the same in both the Snowflake Method and in Syd Fields’ Screenwriter’s Workbook. Here’s how we break it out:
- Page one will cover all of Act 1.
- Page two will cover Act 2 up to the Mid-Point.
- Page three covers the second half of Act 2.
- Page four covers all of Act 3.
Notice that we’ve written this four page treatment according to the same space requirements we’ve described in step 2 by dividing your total word count into 4 equal chunks. Act 1 and 3 occupy one-fourth of the total length of the story and Act 2 is one half of the total. Work on this until you have a perfect four page treatment. Single space or double space? I single space it to get more info per page and can fit in all the character story lines into the final document.
The Snowflake Method gives you two extra steps in that you write up a complete scene list chapter by chapter and Syd Field does the same thing but uses index cards to make the scene list, one card for each scene.
I don’t do the scene lists. Once I have a tight four page treatment, I stop planning there and start the actual writing of the novel. For me, the four page treatment is all I need. At this point, I know EXACTLY what I’m writing. So I start writing.
Here’s why I don’t do scene lists: once I start writing, the characters will come to life and will ALWAYS take over the story with stuff you could have never seen coming in the planning stage. This is where the magic happens. In fact, what actually happens in Pretty Hate Machine is a perfect example. What happens in the novel as it reads today IS NOT what I thought was going to happen from the Mid-point on. What happens in the novel is solely the result of the characters taking over and showing me a much better series of events than I could have ever cooked up at the macro level of planning. It’s that great surprise I’ve eluded to but haven’t ruined with a spoiler. The first thing to go out the window for me is that scene list. It always changes for me once the characters take over driving the bus. So why waste time writing something that’s almost always going to change? The four page treatment is all the blueprint I need to start writing confidently.
Give your characters the freedom to come to life. Otherwise, you will run the risk of turning the characters into marionettes that are just moving around the story because the plot says they have to do this, whether they want to do that or not. Let them live, O Jedi Scribe!
They say there are two kinds of novelists: planners and pantsers (flying by the seat of your pants). Pantsers just start writing with little or no prior planning, thinking that by just writing, at some point, the characters will reveal the plot and the story will write itself. For the beginner, this is dangerous. You will probably write a lot of junk that has no business being in the story and you could end up in a dead end – not knowing what the hell to do next. I’m three-quarters planner and one quarter pantser. I only let the pantser come into play AFTER I know exactly what it is I’m writing, knowing in advance what the targets are I’m moving towards.
Only write scenes that either move the story forward or reveal something essential about character or necessary exposition like backstory. If the material doesn’t do one of those two things, CUT IT OUT. Ruthlessly. I don’t care how much you like it. If you’re not moving the story relentlessly forward, then it doesn’t belong. Literary-type writers often times lose their minds when confronted with advice like this. We’re not literary writers. We’re genre writers which means, ultimately, we’re writing to be read, by as many readers as we can attract. Literary writers seem to hold us genre writers up in something less than contempt. I feel the same way about them as they do about me.
The formula I’ve revealed here will work for ANY genre tale you want to tell. It’s not just for action-horror novels like I write. It works for any story that follows the eternal hardwired blueprint we call the 3-Act Structure. Deviate from this timeless structure at your own risk.
We’re done here. I hope you’ve gotten something out of this. Now go write your Great American Genre Novel. And when you do, let me know how this has worked out for you. I’d like to know.
The Planet’s Most Politically Incorrect Publisher of Extreme Genre Fiction.
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The Hungry Monster Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and The Hungry Monster is proud to acknowledge the hard work, dedication, and imagination of these talented authors.
Books have the ability to entertain and inform us. They can make the impossible possible. They are vehicles of time travel and windows into perspectives. In books, authors are gods and imagination is their power. Transforming letters into words; words into characters and places; and these into emotions and worlds. Even if we never meet, we are connected by the stories we tell.
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In the third book of the Atriia series, Kynneth Zeria has declared himself King after the death of his brother Jerrod. He thinks Christa is dead and blames Lor LaRosse for stealing her body. He vows revenge, but in truth, Christa and her two children are alive and living with Hannen in hiding. Dahla is raising the decoy “heir” at Cas Zeria.
Kynneth is beating the drums of war, determined to bring the other Lors under his rule and defeat Lor LaRosse. When he papers the land with propaganda, Christa’s safety is compromised. Hannen orders her to never leave their home. Of course, circumstances intervene, and she is discovered. She may be able to stop a battle, but can she stop an all-out war?
The book offers a calm beginning, following Sam/Hannen and Christine/Christa as they heal and rebuild. Their shared experience on both Earth and Atriia get a lot of play here, with some surprising and heartwarming results. The first two parts of the novel are a great way to get reacquainted with the characters and the unique Atriian dialect—which can be a challenge—so there’s a glossary in the back if you need a refresher. Hannan loves her fiercely, but she struggles with the fact that he is her stepbrother. Even if they are not blood-related, she can’t bring herself to touch him, and if she does give in to her desire, another pregnancy would certainly kill her.
Don’t let the lovely pastoral scenes lull you into a false sense of security. This is the Loper of Zeria and the Foul Fraigen Dropper we’re reading about! Passion, danger, and the madness of King Kynneth are spreading across the land, and Christa—or her legend—is firmly at the center of it all. Powerful men from all sides of the conflict want to use her for their own gain. Some want to kill her, others to use her as bait, or want to lock her away to sate their own lust for power. But Hannen can’t let her go. He stalks her with a single-minded purpose: make her his forever, or die trying.
Christa Clavin again shows her bravery, even as she fights for her life through delirium, rage, and pain. She’s true to her headstrong nature, prone to ignoring advice she doesn’t want to hear while making incredibly risky decisions. Another constant is her sense of responsibility for the people whose very lives depend on her actions.
Fair warning: some of the scenes in this book make the other two books pale in comparison. Some of the horrific situations are pure nightmare fuel; it’s no wonder Christa has so many bad dreams.
The people of Attria think Christa Clavin, the Loper of Zeria is legend come to life, and indeed, her fate may be led by the hand of the divine Sola herself. It’s not hard to imagine her becoming a beloved hero of legend. I think fans of this series will certainly feel the same.
Pages: 569 | ASIN: B01KEMXROY
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The Hunters Sign is a genre-crossing novel with elements of paranormal and dark urban fantasy as well. Did you start writing with this in mind, or did this happen organically as you were writing?
There were a few differences between the summary and the final draft, but the overall story remained intact. I always try to make my fantasy books atypical, so I avoid as many fantasy tropes as I can and I tend to cross genres to make a story that’s unpredictable and interesting.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
I’d say the main character, Adam, was the most fun to write for. He’s smart and also a smartalec, the kind of person I wish I had the nerve to be. I liked developing his relationship with Amy for I attempted to give them real chemistry. I’ve read a few books where couples come together out of physical attraction and having fun at events but don’t real talk about things they have in common. I guess the author is unwilling to have their couples touch on issues that a reader might take offense at, or perhaps a relationship is only meant to serve the story and nothing more.
I was once afraid that Ricky, the secondary character, would practically take the story away from Adam, but as the book went on that didn’t happen. He’s only meant to serve for expository purposes, to observe things for the sake of the reader that Adam can’t observe (or else the story would be over much more quickly). Still, it was interesting to write about a character who’s not exactly a bad guy but has a different moral code than Adam. He really is a scamp!
Magic is used throughout the book and I felt it was deftly handled. How did you maintain balance to make sure the magic that was used was believable?
I believe that in any fantasy story with magic-wielding characters, strict limits should be imposed on the magic. I did this by saying there are three different “schools” that mages can adopt, and while they can use magic from various schools, they can only be a master in one. I also said mages can be measured through “levels” that determine their adeptness, and I made it hard for one to become a mage by inventing “phosphorescent stones” which give people magic abilities but can be dangerous when handled incorrectly (an incentive for someone to not become a mage). If an author makes magic seem too easy, it may make readers raise questions such as “If this guy can do this useful spell at this time, then why can’t he do it at this other time?”
What is the next book that you are working on and when will it be published?
My next book is titled “The Legend of the Three Roses,” which I’m very excited for! It takes place in a kind of medieval setting, and it starts out as a crime story only to evolve into a war story. The book reflects my thoughts on certain matters of spirituality, so characters touch on sensitive themes. It’s the most daring story I’ve ever written–graphic yet fun as well. I plan to release it sometime in June of 2017.
“Four years after the events of Part 1, 21-year-old Adam Taylor has moved to a new city, Almin. Here he plans to make a new start of things by attending a new school, learn new magic spells, and make new friends. And although love is not on his mind, he ends up falling for Amy Graine, the beautiful daughter of the CFO of Entercor Contracting. They are of two different disciplines of magic–him being a black mage and her being a white mage–yet they overcome their differences and begin a whirlwind romance that softens the scrappy young man’s heart. But Amy holds a secret that will test Adam’s conscience, and so he will be forced to side with either his girlfriend or those who wish to bring down Entercor.
Meanwhile, one of Adam’s school roommates, Ricky Grater, meets a mysterious man named Cameron Moss. Cameron is a fellow mage capable of powerful magic spells, and despite Cameron’s impulsiveness and abrasive behavior, Ricky looks up to him as a friend and mentor. The two men go through fast times gambling at the local casino, picking up lovely women, and enhancing their magic abilities. Ricky believes this is the start of a long and fruitful friendship that will further his magic career and keep the good times going. But behind his warm smile and easygoing attitude, Cameron has a hidden agenda, one that will ensnare Ricky in a web of lies, murder, and forbidden magic.”
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2PM On A Black Summer’s Day is a genre-crossing novel with elements of dark fantasy, paranormal, and horror as well. Did you start writing with this in mind, or did this happen organically as you were writing?
Definitely organic – I had a few ideas to begin with, but everything else just came flooding out as I let my imagination work its magic.
The characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
May Walker (the white witch) – I think there’s potentially a lot more to her character than we’re all told…
There is some amazing surprises in store for readers in this book. When you first sat down to write this story, did you know where you were going, or did the twists come as you were writing?
Once I started, it all just came flooding out… so all the little twists and turns just appeared before me. It was like watching my own film inside my head, with the added benefit that I could take the story in any direction and anything could happen.
What is the next book that you’re working on and when will it be published?
Although I am a great fan of horror – primarily supernatural or fear-based horror – when the first thoughts of writing came to mind, I decided to challenge myself to see whether I was actually capable of writing a book, but also whether I was capable of writing different types of story or genre, and not just horror. I wrote the book back in 2015 and since then, I have written a few more, although all unpublished so far, so 2pm is my first and so called trial run.
The next book will be monster based – huge colossal monsters, so completely different in every way, although after repeatedly re-reading it, I do feel like it could definitely be my best work to date.
Finger’s crossed, it will be released later this year.
If that goes well, I’ll then return back to horror again, with another dark and menacing local story that will raise the hair on the back of your necks. This story will not only be a hair raising adventure, but it will also have added elements of real life events that I personally experienced as a teenager….
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Little did Chris know that in years to come, despite being unknown to the world, his actions would have such an impact.
His idea for a bit of alternative fun one night went terribly wrong, leaving his best mate’s house in ruins and a few of his closest friends dead and missing.
No one could foretell the devastation that would occur or the destructive forces that would be released that night, as a series of events ended in total disaster, leaving the city with a multi-million-dollar clean-up bill and the death of thousands.
The fight soon build’s to an immense and climactic battle, with their only hope being an alliance between age-old opposing enemies that had been fighting each other for thousands of years.”
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by Don Templeton
Welcome to Step Two in the Blue Falcon Press plot planning process.
What I’m about to reveal here is something professional screenwriter’s already know backwards and forwards. This diagram was originally brought to the world by the late, great Syd Field. Now here is something novelists need to internalize: this schematic works Jim Dandy as a template for your novel as well as a screenplay. I’ve written EVERY novel of mine using the Paradigm above to map out the major movements and turning points in my plots. EVERY. ONE. This diagram keeps you on target, keeps you focused, and keeps you from writing crap that has no business being in your story.
The first thing to do in figuring out your paradigm is write a sentence which describes how the story is going to END. Then do the same thing for the BEGINNING. In my novels, the beginning is always the INCITING INCIDENT. It is the event that starts all the other story dominoes falling. In Pretty Hate Machine, this is the Sadie Hawkins attack on her school. Next, decide what PP1, PP2, and MP are. Let me explain what a Plot Point is. A plot point is defined as any incident, episode or event that “hooks” into the action and spins it around into another direction. Syd Field’s SCREENWRITER’S WORKBOOK. Now notice where your plot points fall: at the end of Act One and at the end of Act Two.
The Mid Point is some kind of incident, episode, or event that occurs in the middle of ACT 2 and breaks ACT 2 into two halves of dramatic action. Act 2 becomes two halves joined together by the Mid-Point. The first half of Act Two now has a target you know – the Mid-Point.. The second half of Act 2 has another target to write towards, everything that happens after the Mid-Point and concludes with Plot Point 2.
Let’s illustrate how this works by examining the Peter Jackson remake of King Kong I’m not using Pretty Hate Machine to illustrate this because it will ruin the wonderful surprise for readers of the book. I’m not going to spoil that surprise for you. In King Kong, Act 1 ends with Plot Point 1 which in this case is when the expedition reaches Skull Island. The Mid-Point of the story is when King Kong shows up for the first time, taking the girl into the jungle with him. So, the first half of Act 2 shows all the incidents that take place exploring the Island. The second half of Act 2 details the girl’s relationship with Kong and her shipmates attempts to find her and rescue her. Plot Point 2 is when Kong is captured and the ship leaves for New York. See how that works? It makes Act 2 absolutely manageable now. No reason to fear Act 2 anymore.
Let’s discuss briefly the purpose each act serves. Act 1 is known as the Set-Up. It shows your character’s in their normal world before the real meat of the tale kicks in. Plot Point 1 is really where the steam of the story picks up and spins us into The Confrontation which occupies the entire length of Act 2. Act 2 is where you put your heroes in a tree and throw rocks at them. Act 2 ends with Plot Point 2 which spins the story around into another direction, which is the straight down nose dive into the Resolution or Act 3. This is where your heroes regain the initiative and turn the tables on the opposition, smacking them down smartly. Or if you’re into tragedies and such, this is where the heroes are defeated by the opposition. I don’t like those kind of endings so I don’t use them. I believe the good guys will always best the bad guys. That’s how I roll.
Next, impose the length restrictions of the screenplay on your novel. In a screenplay, Act 1 is one-forth the length of your script. For a 90 minute show, that’s roughly 22 and a half pages. Act 2 is half the length of the script or 45 pages. Act 3 is the same length as Act 1. In a novel, you do this by dividing your word count by 4. GREEN MAJIK novels are 100,000 words in length. So Act 1 and 3 are roughly 25,000 words in length; Act 2 is 50,000 words, which is divided into two chunks of 25K by the Mid-Point. Simple Simon.
Here’s your homework assignment. 1st, get Syd Field’s book The Screenwriter’s Workbook. It’ll be the best $16 you’ll ever spend. Next, read Pretty Hate Machine and tell me what Plot Point 1 and 2 are and what the Mid-Point is. Email your answers to firstname.lastname@example.org. Once you know what you are looking at, these events are easy to spot.
Next, we will talk about planning the most important part of your novel: your characters. See you there.
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Adventures like these don’t come very often. Riddled with intrigue and building up a world The Jinxed Pirate by M. Walsh is a definite read. We have a delightful cast of characters from the mercenary to the tragic warrior princess with a splash of other-worldly beings as well. All of their lives and paths will come together in an excellent adventure where you might find yourself rooting for the bad-guy without realizing it. Each character is on a journey of sorts and where it leads them is anything short of ordinary. What happens when the warrior princess can’t save her people? What about the mercenary who doesn’t seem all that interested in what he’s doing? Our title character himself even seems to shift his shape depending on what his needs are. The carnal animal driven only by his desires. These all come together with fantastic story-telling and riveting action to create a beast of a tale.
The language in this book is intellectual without being dry; descriptive without being desperate. Walsh knows how to craft a tale and the way the narrative flows demonstrates an excellent grasp of a writer’s tools. Our prologue and epilogue are written in the first person, yet we don’t know much about who is showing us this world. The rest of the tale is told from the third person and that effortless transition really speaks to how well Walsh has command over the story. Some authors can let the tale run away from them and it ends up becoming nonsense. Walsh takes on a large task, and delivers.
While this book appears to be part of a series, it can stand alone just fine. It is rare to find an excellent book that is part of a larger tapestry that can be enjoyed on its own. The Jinxed Pirate achieves that sense of completion without discounting the possibility of the world being expanded either before or after the events we read about.
In the first few chapters we are introduced to our cast of characters. The descriptions that Walsh provides enhances the image in the mind of the reader. The reader is also not overwhelmed by excessive information. There is a delicate balance to be struck here and Walsh appears to be no slouch with his craft. The imagery and information flow effortlessly together.
If you’re looking for an excellent read with the potential to be wrapped up in a bigger world, The Jinxed Pirate by M. Walsh is a must-read. Too often writers attempt to create worlds that span multiple books but rely to heavily on the audience consuming every single volume in order. Enough backstory is explained in this edition that prior knowledge of the world is not required. This only proves to intrigue the reader and assist in capturing their attention and desire to know more. This is not a book to be underestimated. Readers will not go wrong adding this to their ever-growing pile of ‘must-reads’. This reviewer suggests that, perhaps, you place this one near the top.
Pages: 494 | ASIN: B06VWKX52Q
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