The Time Slipsters spans science fiction, travelogue, historical fiction and comedy while showing a vibrant world of the future and the past. What is the funnest part about imagining and writing the future?
The fun is in seeing things that are commonly regarded as Sci-Fi beginning to happen. I believe that research on the web reveals what a wonderful world we live in. If you look for articles on medical research, the motor industry and technology in general, it also indicates where the human race is heading.
We are already seeing Nano robots being used for keyhole surgery, drugs being tailored to combat and kill cancer cells, and the early diagnosis of dementia, to name but a few. Plus the whiff of flying cars and free power is in the air!
Imagine a world where the health service does not feel overwhelmed by an aging population, because old people are no longer suffering the ‘ravages of old age’. Why would that be? The answer is: treatment of their various sufferings is being mastered, until death they do part! By the way, I come into the latter category.
Envisage a world where travel is from home to destination, in minutes. No airports, no connecting flights or trains or buses or taxis. No squandering of natural resources, no electricity costs, no power stations needed, no pylons or towering wind vanes blotting the landscape. Much of what I describe has been available for over a century, if it were not for intervention of vested interests.
The characters end up traveling through time, and like many stories, their actions in the past affect the future. What was the most interesting part about writing a time travel story?
Getting into the heads of the characters on both sides of the experience of time travel. Drawing word pictures of the experience and conveying mental images to readers was fun too. It challenges my imagination to run riot. By the way, unlike Professor Hawking I do not believe that the death of an ancestor caused by a time traveler would have any impact whatsoever on his or her descendants.
The threat to Earth is revealed by uncovering the mystery of the aliens who have been living under the auspices of the Sombrella Syndicate. What was the inspiration for the Sombrella Syndicate?
I once worked for a Lloyds of London group of insurance syndicates, so am familiar with the concept. The deserted brickworks near where I live in Spain was an ideal undercover location for an alien base, but not big enough to house it, on the surface. Who better to man it, underground, than dwarfs, who have a reputation for mining and gold!
Time Slipsters is book three in the Dreadnought collective. Where does book 4 take the characters?
Book 4 takes the characters in an entirely new direction that totally engrossed me for a while. I took great interest in the feasibility of psychic involvement in crime detection. This added another dimension to the evolution of the Dreadnought Collective. The various characters in all the books are intertwined in book 5, the Sightseers Agency, which is now run under the auspices of the U.S. government, as is the entire collective. The individual agencies in the collective instantly become more effective as the two genres are mixed.
A group of friends who have drifted apart decide to reunite and take a trip together. It is the near future, and their intention is to travel on the latest type of transport, in order to visit the ancient sites in Turkey.
They want to do this in luxury, and the travel company they selected has done its best to accommodate their desires. They are lost for words when they first cast their eyes on the spectacular, gleaming new vehicle waiting for them. It is in fact alien in technology, and far more of a futuristic craft than a mere ground-hugging coach.
Unwittingly, they are entering a world where time travel is a reality and machines can cater for individuals as well as the masses.
Soon, they embarking on a sightseeing tour like no other they could have imagined, and meeting a time-travelling stranger who takes them under his wing.
More than one person has a hidden agenda, as they realise when reach a highly protected secret location. It contains hybrid creatures on which the Gods of mythology are based.
Posted in Interviews
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The Hungry Monster Book Awards are given to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and The Hungry Monster is proud to acknowledge the hard work, dedication, and imagination of these talented authors.
Death Leaders by Kendra Hadnott
Jabberwocky: A Novella by Theodore Singer
Milijun by Clayton Graham
Derailed by Alyssa Rosy Ivy
Bar Nights by Dave Matthes
Death of a Gypsy by Janet Hannah
Mervyn vs. Dennis by Niels Saunders
Stage Door Comedies by Sally Roger
Asana of Malevolence by Kate Abbott
In the Eyes of Madness by Michael Pang
Welcome to Deep Cove by Grant T. Reed
The Six and the Crystals if Ialana by Katlynn Brooke
Thing Bailiwick: A Collection of Horror by Fawn Bonning
Tarbabies: The Shadow Man of Ichabod Lane by Allen Brady
Books have the ability to entertain and inform us. They can make the impossible possible. They are vehicles of time travel and windows into perspectives. In books, authors are gods and imagination is their power. Transforming letters into words; words into characters and places; and these into emotions and worlds. Even if we never meet, we are connected by the stories we tell.
Posted in Hungry Monster Book Award
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Grant Reed’s Welcome to Deep Cove is an energetic tale that involves intrigue, action and fantastical adventure. The first in a series, but using characters from another, we start off our adventure with an elite military unit infiltrating a potential enemy country. We immediately meet Jack, a crazy and entertaining prisoner. After things begin to go horribly wrong we switch our attention to our main men, Garret and Merle. To call Merle a man is a stretch as he is actually a dragon. The mix of fantastical creatures delivered as if they are completely normal and expected is quite well done. As the story goes on we meet an ogre, a robot named P.C. and some minotaurs. Garret is a former military man, part of an elite guard for the king, who has traded in his sword for a private investigators license. Garret’s new occupation draws him into a possible war with the Syndicate: the mafia arm of this world.
While the story starts off with some awesome punch it gets slow pretty fast as we watch Garret mosey about in his mediocre life. It’s not until part way through the tale that the energy picks up and we’re on for an exciting ride.
Reed does an amazing job with his descriptions and it’s easy to picture what everyone looks like in your mind as you read. The hair on the minotaurs and the scales on Merle are all described with such detail you could almost touch them.
If there were to be any criticism it would be regarding the lack of gender. Ninety five percent of the characters in this particular volume of the tale are men. There are around three women who we actually meet: a drunk girl at a bar, an older homemaker who has seemingly misplaced her husband and Coral. Coral is the only woman we meet who has a name. There is another woman who is referred to, but we never meet her. Even though she has a name and seems to have importance to the story we don’t see Coral very much and the first time we do she’s very cold. Her role is only briefly explained and her purpose is not entirely clear.
Aside from the lack of strong female characters this book is very well written and the story is thoroughly engaging. This is exceptionally high praise for a book that is published by an indie-author.
Welcome to Deep Cove is a great introduction to the characters and power balances of Deep Cove. The maps at the beginning of the story add to the visualization of the tale and make it that much more believable. The tale is expertly woven and it does indeed leave you ready and excited for the stories to come.
Pages: 289 | ASIN: B00J1KUXH0
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