The Jealous Flock by Ashley Borodin is a realistic fiction story that centers around the slightly strained relationship of a married couple and their lives as individuals in partnership and their young adult son. The narrative drops readers directly into the lives of the characters featured and lets you explore their lives and innermost thoughts as they struggle with identity and the maturing of unique ideas. Heavily geared towards deep thinking, challenging societal ideals, and the mass acceptance of those who are different, The Jealous Flock is a story that is designed to open the audience’s mind and heart and think outside of the box.
What seems to be an ordinary, white picket fence family in England takes the spotlight in a vivid narrative from each character’s point of view. Hints of tension between Doris and Martin, a married couple both caught up in their jobs, play their part on their son John who is beginning to phase into his adult life from that of a teenager. As Martin travels to Afghanistan to help stop a potential blood bath with jihadists, Doris is left at home to struggle through the differences in her personal opinions and morals as they pertain to her career in the law as a PR agent. Meanwhile, left behind in his parents own crisis, John quits his respectable job and flees overseas where he hopes to find himself and pursue his passion for photography. In Australia, he follows the steps of his father in participating in protests that aren’t always peaceful to defend Muslims battling hate and discrimination. Here he meets Randall, an unhappy widower pursuing an unusual relationship with a transgender prostitute who is stuck in her own shell of self-hatred.
The relationships in The Jealous Flock are realistic and relatable, breathing life into the characters both on their own and in harmony with their counterparts. The story takes on a political drive with themes of racism, xenophobia, and sexism as strong elements in the plot. Dynamics between the father and son of this story are particularly captivating, as Borodin manages to catch those meaningful moments that happen during the shift from parent to lifelong friend and mentor.
Ashley Borodin makes a strong call to arms to fight against society’s expectation of us in any walk of life. In a way, the author has created a coming-of-age story not just for young adults but for those in later years as well. This story dives deep into your thoughts and twists open the cap on unique thinking and encourages ideas of change and acceptance. The graphic, bold way that the author takes depression and insecurities relatable to everyone is a refreshing breath of life and gives you the chance to realize that you are more than what a shallow skin can provide for you. Though a bit wordy and emotionally daunting, Borodin transcribes a striking narrative that has the ability to strike the hearts of those who yearn for something more than mundane life.
Pages: 66 | ASIN: B01NAPZWB8
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Themes of forgiveness, trust, honor, technology as a healer, and non-violence echo through the pages of The Beauty of the Fall. What was the inspiration for the themes you used throughout the novel?
When I started the novel three years ago, I was interested in writing about, as you say, technology as a healer, or as I like to say, technology as a community builder. There are many good novels out there about the evils of technology, but few, if any, about technology companies that bring about positive social change. The idea of using technology to enable true democracy, as opposed to the slew of representative democracies out in existence today, intrigued me. The events in the world this last year –– the rise of fake news, populism, racism, and sexism—confirmed that I was one the right track. However, as my protagonist, Dan Underlight, emerged, I realized I was actually writing a redemption story. Once I was clear on that point, the themes broadened out to include all the ones you mentioned, especially forgiveness and simplicity.
I felt this story was very well written and used beautifully soulful language to create unique characters living compelling bittersweet lives. What’s your experience as a writer?
Well, first thanks for the compliment. I spend a lot of time at the sentence level, so it’s nice to hear that the language resonates with you. I’ve been writing all of my adult life, but only full-time for the last six years. In college, I had a chance to be mentored by a novelist in residence, but I was broke and needed to make money for a time. So when I graduated, I did. Throughout those years, I kept writing––mostly songs and poetry––but I always knew I would come back to writing novels. Hopefully, I’ll get ten or so of them out into the world before I’m done. I tend to write on most days in the morning for five or six hours. I’m a big believer in writing in the morning and tend to do my best work first thing each day.
The characters in The Beauty of the Fall are complex. What is your process for creating such in-depth characters?
As a writer, I’m trying to go deeper and deeper into the soul of each of my characters, and so I focus a lot of my effort on their inner lives. In this novel, I spent most of my time on Dan and Willow, but I also spent a considerable amount of time on the other characters. On process, I write a character over and over until I feel I find his or her voice. That usually happens at the scene level, and once I understand a character’s voice in that scene, it generalizes to the rest of the book pretty easily. With Dan in particular, once I understood his grief at some deep non-verbal level, he came into focus.
What is the next book that you are working on and when can your fans expect it to be out?
I’m working on my fourth novel, The Latecomers, which is about aging in a world that in many ways devalues age. It’s about how a few folks try to build a community that values age and wisdom. I’m one-hundred-and-forty pages into that novel and hope to have it out in a couple of years.
Dan Underlight, a divorced, workaholic technology executive, suffers lingering grief over the death of his ten-year-old son, Zack. When Dan’s longtime friend and boss fires Dan from RadioRadio, the company that he helped create, he crashes and isolates himself.
Willow, a poet and domestic violence survivor, helps Dan regain his footing. With her support, Dan ventures on a pilgrimage of sorts, visiting Fortune 500 companies to flesh out a software start-up idea. He then recruits three former RadioRadio colleagues and starts Conversationworks, a company he believes will be at the vanguard of social change.
Guided by Dan’s leadership, Conversationworks enjoys some early successes, but its existence is soon threatened on multiple fronts. Will Dan survive the ensuing corporate battles and realize the potential of his company? Or will he be defeated by his enemies and consumed by his grief?
Posted in Interviews
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Fired. Workaholic technology executive, Dan Underlight is fired from his high-paying job at a Fortune 500 tech company by the woman he considered his best friend. Sixteen years of working together reduced to a severance package. He feels angry, betrayed, and heartbroken, but mostly he feels lost. Lost because being unemployed gives him too much time to think about the tragedy of his ten-year-old son’s accidental death, and the guilt he still carries for spending too much time working and not enough time parenting.
Before he’s processed this toxic blend of emotions, Dan embarks on a new relationship with Willow, a victim’s advocate, a poet, a lost soul, and an abuse survivor. Their love is deeper than anything Dan has experienced before, but will it be enough when he accomplishes his dream of opening a new tech company, one that is in direct competition with the one he left? Will Dan allow himself to grow into a kinder, more compassionate human being at the same time as he grows his company into a conscientious innovator, or will the demons from his past collide with his present and destroy him?
From the very first paragraph, Rich Marcello drew me into his book with a command of the language that I liken to a poet’s. Passages like this one, “He put his head down, tried to rekindle the wildfire he helped birth years ago, tried to daydream down a riven path.” and this one, “Don’t look down, the pinpricks have spouted and are covering the new carpet in blood.” provided me with ample proof early on that Marcello was a real deal literary composer, a master of the language, and a wordsmith with soulful depths.
But beautiful language alone can’t make a reader keep reading. Original characters with powerful character arcs and a compelling story to keep all the characters growing is fundamental. No problem there, either. From Dan to his counselor to Willow to his son, stronger characterization is front and center. I know Dan—he reminds me of the author Richard Bach. I know Willow, too, this wild child, compassionate, changer of the world woman who is always strong, always courageous even when her heart is broken. These characters kept me reading.
Then we arrive at the story. Characters and language need movement, need story, setting, pace, tension. Marcello has these covered, too. Set in New England, the vivid colors of the seasons remain clear in my brain long after I finished the book. Authors who take the time to divide their books into parts and give them names always receive a grateful nod from me. I like to know the structure of a story before I begin reading, and I like rolling back to the Table of Contents to remind myself what’s next in this journey. The Beauty of the Fall’s Table of Contents is especially brilliant; titles like “So it Spins,” “Build from the Sky Down,” “Spectacles, and Halos and Code” promised each chapter would carry its own mini-story and all the mini-stories would merge to form a powerful narrative.
Themes of forgiveness, trust, simplicity, honor, technology as healer, and non-violence echo through the pages of The Beauty of the Fall and held me captive until the end. If I had to name a gripe, it would be that the last chapter was unnecessary. The story should have ended with “The Good-bye Return,” but I can understand why, for closure’s sake, Marcello included “In the Coming.”
The Beauty of the Fall will appeal to readers who love a compelling, well-written story with elements of literary fiction, technology fiction, and romantic fiction. Marcello doesn’t write the type of literary fiction that prizes language over story. He writes the type that uses beautifully soulful language to real unique characters living compelling bittersweet lives.
Pages: 283 | ASIN: B01MFCTYYW
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King of the Moon is a story is about the strange, entertaining, and hilarious life of the king. What was your inspiration for the wild journey you take readers on in only this one week of the kings life?
I have written all my life, and as an adult generally had projects. King of the Moon was the latest—it was time, again, to write I novel. I’ve tried previously but was never happy with the results. For a while an idea had been in the back of my head about someone dying and waking up on another planet as its King. I decided to give the idea a try. The first chapter worked out pretty good, and then the second, and then, with rewrites, it was a year later. Why the subject matter? Our current world demands satire! I look at everything from the current Presidential election campaign to environmental issues to personal politics.
I found this novel to be a cutting piece of satire. What is one thing that you hope readers take away from your novel?
That they enjoyed it and want to read it again.
Most of the book takes place in the kings head, his thoughts and ruminations. What was your writing process to ensure you captured the essence of this character?
Well, each chapter had to satirize something. Sometimes low fruit, sometimes stuff high on the tree. Each chapter had to advance the plot. It also had to advance the main character. For example, it was after the first four chapters that I stopped and figured out what the rest of the novel would very roughly be. Short chapters. For satire, I started with the urge to have Kings and Queens instead of a democracy. Fox News and its impact on media played an important role. People fighting each other rather than a common enemy. Trading jobs for environmental pollution. Our world has plenty to satirize. Also, I played with Game of Thrones and Star Wars, two favorites.
What is the next book that you are working on and when can your fans expect it to be out?
The next book? The first seven or so chapters, unedited, are on http://www.redfez.net, along with a bit of my poetry and short fables. I started this graphic novel (is there another name for what I’m doing?) in 1994. There are 26 completed chapters. Currently I am going back and editing the chapters. As the original desktop publishing software no longer functions with modern Windows, I can only edit the PDFs, but that will do. It is fine tuning. The graphic novel? It is the story of a failed social services manager who wins the lottery. He uses the money to start a community newspaper. To prove he is a good manager, he only hires people who had been fired. He also deliberately creates problems. Each chapter of the novel is one issue of the newspaper. This originated over 20 years ago, when there were community newspapers. Each issue is complete, with news articles, movie reviews, a comic strip and, on the end page, a puzzle. You find out what is happening through those, along with the classified ads. It is reading fiction obliquely. It is reading fiction as if the novel was a newspaper and you could flip from article to article, choosing what you read. The plot for each of the six characters progresses clearly, at least to me. Why have I spent so long working on this? I started almost as soon as I had my first computer. There is something about the concept. I love the format, which allows me to work in jokes and sarcasm.
Author Links: GoodReads
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