Blog Archives

Tarbabies: The Siege at Friendly Haven

5 Stars

In an exciting take on a post-apocalyptic world we find ourselves face to face with a strange phenomenon: human beings are being swallowed up and turned into gelatinous creatures that look and smell much like tar. Tarbabies Book 2 The Siege at Friendly Haven by Allen R. Brady is a point-of-view adventure story about residents of an assisted living facility and how they handle the tarbaby infestation. Being the second book in a series, a reader may think it imperative to read the first, but Brady does a fantastic job of treating this tale as a stand-alone. The story shifts from the points of view of various residents in Friendly Haven and their individual takes on the epidemic. While you don’t really know how or why the tarbabies have come into existence, it doesn’t really matter. They’re out there, just outside the window of Friendly Haven and the residents are all trapped inside. Or are they?

This book was a delightful read. While the end of the world as most know it is hardly light reading, the sheer ridiculousness of humanity morphing into some strange black things that swallow every human being they touch brings a sense of comedy to the stark reality of this world. Referred to with names like Gummi Man or Sloppy Joe, it scales back the seriousness of the story. Brady does a great job as he shifts from each person’s point of view. He effortlessly moves between men, women and varying ages. Each person has their own distinct personality which can be difficult when telling a tale in this fashion. The fact that our protagonists don’t fully understand how the tarbabies came to be, makes it easier for the reader, because it’s told from the characters points of view. Our protagonists don’t know, and it’s okay that we also don’t know.

Brady crafts his tale in such a way that the reactions to the situation are all very realistic. It’s hard to determine how people would truly react to humanity becoming blobs, but Brady takes a very good stab at how he thinks things would unfold. The energy and action in this book are constantly on the go, which is a perfect distraction.

If you’re looking for an interesting take on the post-apocalyptic potential of our world, then Tarbabies Book 2 The Siege at Friendly Haven by Allen R. Brady is a definite must. Our protagonists share their thoughts and concerns about the tarbaby epidemic with their own colorful personalities. It’s clear that the world seems to be ending and the biggest question on everyone’s mind is whether or not they’ll survive it. Readers looking for an entertaining read with plenty of action and contemplation will find what they seek in this tale.

Pages: 235 | ASIN: B017PXY0BY

Buy Now From Amazon.com

How To Plot A Novel Like A Well-Timed Mechanical Ambush (Part Four)

Image result for writing

by Don Templeton

Here we are in the final stretch. Once you’ve done all your character work, you’ve got a lot of story synopses that tell the whole story from each character’s piece of the story. Now we roll it up into one blueprint, the 4-page treatment.

First, take you logline in step one and expand that into a paragraph made up of 5 and ONLY 5 sentences.

  1. Sentence one should cover your BEGINNING or the Inciting Incident as I refer to it.
  2. Sentence two will cover Act 1 to the first Plot Point.
  3. Sentence three covers Act 2 to the Mid-Point.
  4. Sentence four covers Act 2 after the Mid-Point to the second Plot Point.
  5. Sentence five covers Act 3, your climax.

Next, take your paragraph of five sentences and expand that into a clean one-page treatment. Expand your five sentences into five separate paragraphs. Each paragraph will describe exactly the same territory as each sentence did above. Therefore:

  1. Paragraph one covers the BEGINNING.
  2. Paragraph two fleshes out Act 1 to PP1.
  3. Paragraph three details Act 2 to the Mid-Point.
  4. Paragraph four covers the rest of Act 2 up to PP2.
  5. Paragraph five will detail Act 3 completely to the END.

What comes next is what Syd Field calls the “kick in the ass” assignment: the four page treatment. Note that this procedure is pretty much the same in both the Snowflake Method and in Syd Fields’ Screenwriter’s Workbook. Here’s how we break it out:

  1. Page one will cover all of Act 1.
  2. Page two will cover Act 2 up to the Mid-Point.
  3. Page three covers the second half of Act 2.
  4. Page four covers all of Act 3.

Notice that we’ve written this four page treatment according to the same space requirements we’ve described in step 2 by dividing your total word count into 4 equal chunks. Act 1 and 3 occupy one-fourth of the total length of the story and Act 2 is one half of the total. Work on this until you have a perfect four page treatment. Single space or double space? I single space it to get more info per page and can fit in all the character story lines into the final document.

The Snowflake Method gives you two extra steps in that you write up a complete scene list chapter by chapter and Syd Field does the same thing but uses index cards to make the scene list, one card for each scene.

I don’t do the scene lists. Once I have a tight four page treatment, I stop planning there and start the actual writing of the novel. For me, the four page treatment is all I need. At this point, I know EXACTLY what I’m writing. So I start writing.

Here’s why I don’t do scene lists: once I start writing, the characters will come to life and will ALWAYS take over the story with stuff you could have never seen coming in the planning stage. This is where the magic happens. In fact, what actually happens in Pretty Hate Machine is a perfect example. What happens in the novel as it reads today IS NOT what I thought was going to happen from the Mid-point on. What happens in the novel is solely the result of the characters taking over and showing me a much better series of events than I could have ever cooked up at the macro level of planning. It’s that great surprise I’ve eluded to but haven’t ruined with a spoiler. The first thing to go out the window for me is that scene list. It always changes for me once the characters take over driving the bus. So why waste time writing something that’s almost always going to change? The four page treatment is all the blueprint I need to start writing confidently.

Give your characters the freedom to come to life. Otherwise, you will run the risk of turning the characters into marionettes that are just moving around the story because the plot says they have to do this, whether they want to do that or not. Let them live, O Jedi Scribe!

They say there are two kinds of novelists: planners and pantsers (flying by the seat of your pants). Pantsers just start writing with little or no prior planning, thinking that by just writing, at some point, the characters will reveal the plot and the story will write itself. For the beginner, this is dangerous. You will probably write a lot of junk that has no business being in the story and you could end up in a dead end – not knowing what the hell to do next. I’m three-quarters planner and one quarter pantser. I only let the pantser come into play AFTER I know exactly what it is I’m writing, knowing in advance what the targets are I’m moving towards.

Only write scenes that either move the story forward or reveal something essential about character or necessary exposition like backstory. If the material doesn’t do one of those two things, CUT IT OUT. Ruthlessly. I don’t care how much you like it. If you’re not moving the story relentlessly forward, then it doesn’t belong. Literary-type writers often times lose their minds when confronted with advice like this. We’re not literary writers. We’re genre writers which means, ultimately, we’re writing to be read, by as many readers as we can attract. Literary writers seem to hold us genre writers up in something less than contempt. I feel the same way about them as they do about me.

The formula I’ve revealed here will work for ANY genre tale you want to tell. It’s not just for action-horror novels like I write. It works for any story that follows the eternal hardwired blueprint we call the 3-Act Structure. Deviate from this timeless structure at your own risk.

We’re done here. I hope you’ve gotten something out of this. Now go write your Great American Genre Novel. And when you do, let me know how this has worked out for you. I’d like to know.

www.BlueFalconPress.com
The Planet’s Most Politically Incorrect Publisher of Extreme Genre Fiction.
Home of the Extreme 1st Amendment Project.
“Use language like a baseball bat!”

Monster Literary Book Awards April 2017

The Hungry Monster Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and The Hungry Monster is proud to acknowledge the hard work, dedication, and imagination of these talented authors.

Gold Book AwardGold Award Winners

One Smoking Hot Fairy Tail (The Water Kingdom Book 1) by [Breaux, Kevin James]The Seventh Sentinel (Revised) (The Sentinel Book 1) by [Ramos, Yolanda]Our Eternal Curse: Another Tribe by [Rumney, Simon]

My Father's Kingdom: A Novel of Puritan New England by [George, James W.]

Outpost (The Fylking Book 1) by [McKinstry, F.T.]The Tenth Nail by [Griffeth, Kwen]

Vampires: Don't You Just Hate Them? by [Estes, Danny C]Proud American: The Migrant, Soldier, and Agent by [Tinoco, Sergio]King Kynneth: Book III in The Atriian Trilogy by [Bonning, Fawn]

The Genocide Gene (The Onryo Saga Book 3) by [Ryg,Rocco]EXIT FIVE FROM CHARING CROSS by [Keogh, Valerie]

Silver Book AwardSilver Award Winners

A Tangled Web by [Sparrow, M L]

Nickerbacher by [Barto, Terry John]Defiance on Indian Creek (Dangerous Loyalties Book 1) by [Still, Phyllis A.]The Taming of Adam: Part 2: The Hunter's Sign by [Hubbard, Jason]

Books have the ability to entertain and inform us. They can make the impossible possible. They are vehicles of time travel and windows into perspectives. In books, authors are gods and imagination is their power. Transforming letters into words; words into characters and places; and these into emotions and worlds. Even if we never meet, we are connected by the stories we tell.

Visit the Hungry Monster Book Awards page to see award information and see all award winners.

Monster Literary Book Awards March 2017

The Hungry Monster Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and The Hungry Monster is proud to acknowledge the hard work, dedication, and imagination of these talented authors.

Gold Book AwardGold Award Winners

This God, I (The Onryo Saga Book 2) by [Ryg, Rocco]Witch Heart: Leadership always requires sacrifice (Gray Girl Book 3) by [Spieth, Susan I., Spieth, Susan]

The Lifeblood of Ill-fated Women (The Blood, Sun, and Moon. Book 1) by [Breaux, Kevin James]The Leader of Lors: Book II in The Atriian Trilogy by [Bonning, Fawn]

The Sightseers Agency (The Dreadnought Collective Book 5) by [tumbler, terry]

Silver Book AwardSilver Award Winners

Fractured (Lisen of Solsta Book 1) by [St. Martin, D. Hart]The Husband Who Refused to Die by [Darby, Andrea]

The Bug Boys by [Hoffman, Stewart]The Status Update by [Buck, Sonia J.]

The Wanderer's Last Journey (The Orfeo Saga Book 4) by [Eiland Jr., Murray Lee]Uncle Stubby Gets Married (Shadow and Friends Series Book Five 5) by [Jackson, S., Raymond, A., Schmidt, M.]

“Books bring to life aspects of literary genius.” – Mary Schmidt, author of Uncle Stubby Gets Married.

Visit the Hungry Monster Book Awards page to see award information and see all award winners.

Monster Literary Book Awards: February 2017

The Hungry Monster Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and The Hungry Monster is proud to acknowledge the hard work, dedication, and imagination of these talented authors.

Gold Book AwardGold Award Winners

The Time Slipsters (The Dreadnought Collective Book 3) by [Tumbler, Terry]

Special Task Force: GREEN MAJIK #1 "Pretty Hate Machine": The Reader Feedback Dooms Day Edition by [Templeton, Don]

Silver Book AwardSilver Award Winners

The TVC Project by [Bridges, Tom]
The Nightmare From World's End by [Stava, Robert J.]Coffin Dodgers: A Sci Fi Horror Book by [Adams, Tom G.H.]

“Books are the linchpin of my existence. My earliest childhood memories revolve around the magic of reading, of being transported through time and space via a vivid story. Since I was old enough to know what a book was, I knew I was destined to write books as well.” – Don Templeton, author of Pretty Hate Machine

Visit the Hungry Monster Book Awards page to see award information and see all award winners.

Monster Literary Book Awards: January 2017

The Hungry Monster Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and The Hungry Monster is proud to acknowledge the hard work, dedication, and imagination of these talented authors.

Gold Book AwardGold Award Winners

Recusant (The Brin Archives Book 2) by [Cronin, Jim]In His Way by [Duvall, Rebecca]

Stealing Magic (The Legacy of Androva Book 1) by [Vick, Alex C]The Inlooker: Full Length (The Dreadnought Collective Book 2) by [Tumbler, Terry]

Oliver and Jumpy - the Cat Series, Stories 10-12, Book 4: Bedtime stories for children in illustrated picture book with short stories for early readers. (Oliver and Jumpy, the cat Series) by [Stejskal, Werner]

REN: Awakened by [Brittany Quagan]Seed Me by [Lavery, Konn]Master Athina (The Books of Athina Book 4) by [Estes, Danny]

Zurga's Fire (The Orfeo Saga Book 3) by [Eiland Jr., Murray Lee]

Silver Book AwardSilver Award Winners

The Onryo by Rocco Ryg

Slippery Things by Lane Baker

The Great Scourge by C.A. MacLean

The Heart of Hannen by Fawn Bonning

Jesus and Magdalene by João Cerqueira

The Crown Princess Voyage by Dylan Madeley

 

“Books give me the freedom to step outside of myself. That words alone can transport the reader to a reality as believable as the one he or she actually lives in, should not logically be possible. It’s a kind of real life magic.” – Alex C. Vick, author of Stealing Magic

 

Visit the Hungry Monster Book Awards page to see award information and see all award winners.

 

Hungry Monster Book Awards: November 2016

The Hungry Monster Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and The Hungry Monster is proud to acknowledge the hard work, dedication, and imagination of these talented authors.

Gold Book AwardGold Award Winner

Bean Takes a Walk by Ann Bevans & Matthew Ethan Gray

Silver Book AwardSilver Award Winners

Mother Athina by Danny Estes

Game Over by Derek Eddington

Beyond Cloud Nine by Greg Spry

The Second Sphere by Peter Banks

Seed of Treachery by C.A. MacLean

Wolves Among Sheep by Steven Pajak

Chaste: A Tale From Perilisc by Jesse Teller

The Six and the Gardeners of Ialana by Katlynn Brooke

“When I look at a book, I see the history of books, old tomes with sacred knowledge. The authorities that controlled the books controlled the people. Books brought the old world to order. My books are how I bring my life and my thoughts to order, the only lasting way I can see to impart wisdom and ask questions.” – Jesse Teller author of Chaste

Visit the Hungry Monster Book Awards page to see award information and see all award winners.

Modern Civil War

Ian Page Author Interview

Ian Page Author Interview

Sanctuary is a fast paces post apocalyptic thriller where war envelopes the world and cities fall apart as anarchy reins and people start killing each other in the streets. What was your inspiration for the initial carnage and war that takes over the world and how does that push the development of the two main characters?

The inspiration was to write something that seemed plausible. The aim was to create a world where the reader would look at the news and wonder if what they were reading was fiction. So instead of having an easily detected outbreak of monsters or aliens, I wanted the process to be very insidious and start from the time that our characters figure out that something is going on. That’s also why there isn’t an omnipotent viewpoint and told from the character’s perspective. The goal was to have the reader right next to the characters and have the reader empathize with their decisions. The model I used was, unfortunately, modern civil war. Enemies are identified and rounded up. People cohere to the social structure that is still intact, put themselves in danger and go to work or school and cling to those they love. So I tried to make my characters realistic and let you see who they really are.

What I like about Sanctuary, and what sets it apart from other novels of it’s type, is that the main characters are minority women. Why did you feel that these characters were a better vehicle to move the story along in a post apocalyptic world?

To tell you the truth, that was probably subconscious. The original idea was just around JJ. I think I was frustrated seeing superficial formulaic women in the action genres. So I glued a few of my friends together and came up with her. Many of her lines are direct quotes. So imaging them in the story allowed me stay within character. Deeta was a logical choice because of the dietary issue, I actually didn’t come up with her until I started writing the opening sequence. I just decided to make her Kashmiri Hindu with a Muslim name. By doing this, she and her family had been marginalized even in their own country. As the story developed, I used her situation as I thought it would play out. When the characters took me into the story, I discovered they were just a little more cautious, more observant, suspicious than an average hero and that gave everything a lot more depth. Sadly, it also allowed me to realistically illustrate how our societies divide themselves along racial and predetermined prejudice under times of stress. That was not intentional when I started it, but if I wanted it to be believable, it had to go in.

There are a lot of modern issues weaved throughout the story, like; terrorism, internment camps, war in the middle east and Korea. What were some thing in the headlines today that made you think it would be a good fit for your story?

There is no shortage of headlines that could make it into the book. I could go to any of the news outlets and write five chapters. The Orlando shooting is probably the easiest, the the coup in Turkey, the stories coming out of the ISIS held territories, all of them could find a way in. But when I wrote this, I really tried to stay away from actual accounts. So instead of referencing a particular shooting or war crime, I wrote a scenario in a real setting where tensions are high. Then someone or a group of people would act out on those “what I’d really like to do” impulses. Then there would be the retaliation. Then I added random acts that would happen unpredictably without explanation. The scary part was that I really wasn’t that inaccurate.

What is the next book that you are working on and when will that be out?

I was asked to write a novella for a possible series about an assassin. This one was tough but turned out to be a lot of fun. This character is more imagination than anything else, but she was a ball to conjure up. After reading Sanctuary, a publisher asked me to write the story and for a minority woman to be the lead. And, as these things go, the people that asked for it may be getting out of the publishing business. So I’m shopping it around. The title is Siibay.

Book Description:

Deeta Nakshband, a Connecticut physician is attacked by a local surgeon while on duty in the hospital. Her friend, Janelle Jefferson, has similar experiences in Miami. Both of them become aware of an increasingly violent world as acts of isolated brutality escalate into civil unrest. They grapple with their paranoia as family members and coworkers become dangerously unpredictable. Worldwide, military units go rogue, war begins in Korea and cities implode as people slaughter each other in the streets. Martial law is declared in an attempt to maintain order. People are arrested, detainment camps are set up and interrogations end with tragic consequences as modern civilization crumbles. Deeta and Janelle band together with family friends and coworkers to save each other and find sanctuary.

Buy Now From Amazon.com

Hungry Monster Book Awards: October 2016

The Hungry Monster Book Awards are given to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and The Hungry Monster is proud to acknowledge the hard work, dedication, and imagination of these talented authors.

Gold Book AwardGold Award Winners

The Eyes Behold Tomorrow by [Hart, Ken]

The Eyes Behold Tomorrow by Ken Hart

Sir Princess Petra’s Mission by Diane Mae Robinson

Silver Book AwardSilver Award Winners

Hegira by Jim Cronin

Lady Athina by Danny Estes

Pearl of the Seas by Ruth Finnegan

Schackled Scribes by Lars Teeney

Plain Brown Wrapper by Greg Lynch

The Mansion’s Family by Rose Channing

Soul Searcher: The Reckoning by Stephen S. Arend

Books have the ability to entertain and inform us. They can make the impossible possible. They are vehicles of time travel and windows into perspectives. In books, authors are gods and imagination is their power. Transforming letters into words; words into characters and places; and these into emotions and worlds. Even if we never meet, we are connected by the stories we tell.

Visit the Hungry Monster Book Awards page to see more information on the awards. See all award winners.

Hungry Monster Book Awards: September 2016

The Hungry Monster Book Awards are given to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and The Hungry Monster is proud to acknowledge the hard work, dedication, and imagination of these talented authors.

Gold Book AwardGold Award Winners

25 Perfect Days Plus 5 More by Mark Tullius

Legends of Perilisc by Jesse Teller

The Dragons of Alsace Farm by Laurie Lewis

Silver Book AwardSilver Award Winners

Spikes by Kelvin Kettle

Paralian by Liam Klenk

Lord Athina by Danny Estes

The Hobbymen by Tim Owens

Voodoo Child by William Burke

Thawing AC Nielsen by Paul Carey

Call of the Conjurer by Ryan Grimbly

Deadly Troubadour by Brent Thomas

Drop Dead Gorgeous by Donald Kirch

Paroxysm Effect by Ashleigh Reynolds

American Flowers by Michael McLellan

The Scalian Legacy by Norbert Monfort

The Mansions Twins by Rose Channing

Dominion of the Star by Angelica Clyman

The Alienation of Courtney Hoffman by Brady Stefani

Books have the ability to entertain and inform us. They can make the impossible possible. They are vehicles of time travel and windows into perspectives. In books, authors are gods and imagination is their power. Transforming letters into words; words into characters and places; and these into emotions and worlds. Even if we never meet, we are connected by the stories we tell.

Visit the Hungry Monster Book Awards page to see more information on the awards. See all award winners.

%d bloggers like this: