The Genocide Gene is the third book in the thrilling Onryo Saga and continues the adventures of the teenage superheroes in their fight to save humanity. I felt this story was very well written. What is your experience as a writer?
In addition to term papers in grad school, I wrote fanfiction about my favorite shows growing up. It was great practice to hone my craft and experiment with my original concepts. As fun as that was, nothing beats creating original characters and guiding them on a hero’s journey.
One thing that stands out to me in The Genocide Gene is the creativity embedded in this world. What was your inspiration for creating such and imaginative world?
As I was researching Africa, I had to come up with ways to integrate what I had learned into a creative storyline. I read about the business of portable gas stoves, so I had a battle in a factory. I read about the African boda-boda drivers, so I envisioned a chase scene on their mopeds. Every time I read something interesting, I wondered how I can utilize it in an exciting way.
I also created my own African country so that I could integrate the culture, history and issues of other countries into it, such as civil wars and age-old divisions brought about by European colonization. That way, I could write about the political problems of places such as Uganda, the Congo, South Africa and others all at once.
The Genocide Gene has an intriguing setup to a novel that is high in social commentary. What was your moral goal when writing this novel and do you feel you’ve achieved it?
Bringing people together in harmony has always been my main goal, whether it be American liberals and conservatives or feuding African tribes. I wanted to present a war-torn nation keep impoverished and dysfunctional due to prejudice and hatred, but it was important to show people of other backgrounds getting along in spite of what their groups teach them. While the political extremists seek to tear their nation apart through fear, those who serve the cause of unity and understanding are the only ones who can bring peace to their people. While my conclusion can’t happen in real life, I can only keep the faith that the people of these lands find ways to bring about prosperity.
When will the fourth book in the Onryo saga be available and where will it take readers?
The Tree of Zaqqum will take readers to Israel/Palestine, and others Middle Eastern locations too. My heroes will have to stop a mysterious mastermind and his followers from destroying cities with stolen WMDs and quantum technology. Their friendship is further tested as Chikara gains a new ally that may become something more.
I’m still in the research phase at that moment, but the story is coming together piece by piece. I’m guess it may take two years to complete.
“It has been only a few months since Chikara Kaminari was given strange powers and a mission from her precognitive mother. Joined by her friends Renka and Gen, she traveled the world and stopped a band of super-powered extremists from imposing their will upon humanity. Now, a new menace has surfaced to threaten the lives of millions.
In the segregated African nation of Ghadhia, two fanatical brothers are scheming to ignite a new civil war and commit genocide against the tribes they have been raised to hate. The heroic trio must unite with new friends and old enemies to stop them, facing African terrorists, Afrikaner supremacists and enraged mobs along the way. But as Chikara and her friends journey further into the heart of darkness, their deepest fears and hidden feelings threaten to tear their friendship apart.”
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In an exciting take on a post-apocalyptic world we find ourselves face to face with a strange phenomenon: human beings are being swallowed up and turned into gelatinous creatures that look and smell much like tar. Tarbabies Book 2 The Siege at Friendly Haven by Allen R. Brady is a point-of-view adventure story about residents of an assisted living facility and how they handle the tarbaby infestation. Being the second book in a series, a reader may think it imperative to read the first, but Brady does a fantastic job of treating this tale as a stand-alone. The story shifts from the points of view of various residents in Friendly Haven and their individual takes on the epidemic. While you don’t really know how or why the tarbabies have come into existence, it doesn’t really matter. They’re out there, just outside the window of Friendly Haven and the residents are all trapped inside. Or are they?
This book was a delightful read. While the end of the world as most know it is hardly light reading, the sheer ridiculousness of humanity morphing into some strange black things that swallow every human being they touch brings a sense of comedy to the stark reality of this world. Referred to with names like Gummi Man or Sloppy Joe, it scales back the seriousness of the story. Brady does a great job as he shifts from each person’s point of view. He effortlessly moves between men, women and varying ages. Each person has their own distinct personality which can be difficult when telling a tale in this fashion. The fact that our protagonists don’t fully understand how the tarbabies came to be, makes it easier for the reader, because it’s told from the characters points of view. Our protagonists don’t know, and it’s okay that we also don’t know.
Brady crafts his tale in such a way that the reactions to the situation are all very realistic. It’s hard to determine how people would truly react to humanity becoming blobs, but Brady takes a very good stab at how he thinks things would unfold. The energy and action in this book are constantly on the go, which is a perfect distraction.
If you’re looking for an interesting take on the post-apocalyptic potential of our world, then Tarbabies Book 2 The Siege at Friendly Haven by Allen R. Brady is a definite must. Our protagonists share their thoughts and concerns about the tarbaby epidemic with their own colorful personalities. It’s clear that the world seems to be ending and the biggest question on everyone’s mind is whether or not they’ll survive it. Readers looking for an entertaining read with plenty of action and contemplation will find what they seek in this tale.
Pages: 235 | ASIN: B017PXY0BY
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Adam’s Stepsons by M. Thomas Apple is an interesting science fiction piece. We follow Dr. Heimann who designs the perfect super soldiers for the United America’s in their war against the Martian colonies. Heimann quickly discovers that he did not anticipate the brutal efficiency of the military, nor the attachment that arises from his creations. These clones are not only the peak of what the human form can do, they actually transcend humanity through intelligence and strength. They are the weapon that the United Americas will use to crush the rebellion on Mars. Dr. Heimann is shocked when one clone, Six, begins to call him “Father” and then the can of worms truly opens.
Apple’s novel is almost painfully short, only because I wanted to have more to read and dive into. He anticipates the future of inter-solar system colonization and the struggles that can arise, such as this between the United Americas and the Martian colonies. He does not neglect the complicated matter here or the scope considering the Terran governing force is losing the war and needs these clones to pan out.
The struggle between scientist and soldier is an old one, but one that takes on a new twist with the rise of cloned super soldiers. Apple goes along the lines of Robert Heinlein’s Starship Troopers, but does not seek to critique war itself. Instead, the author goes further and asks whether these soldiers are “truly” human or are they just “equipment” as the military officer Marquez calls them.
The conflict deepens even further when “Seth”, clone number six, as Dr. Heimann calls him when no one else is around, begins to call him “father”. The book bounces between the POV’s of the scientist and Six, which is interesting because as the book goes on Heimann becomes more and more unstable and uncertain of his mission of designing soldiers, who resemble the people that their genetic material comes from. Six, or rather, “Seth” becomes increasingly more confident in his abilities and his intelligence. All of this leads to a climax that may polarize readers, but one that will still make the reader ponder on far after they have finished the novel.
Overall, I enjoyed Apple’s prose. It reads crisp like that of Asimov or Heinlein, but I am still unsure if the short length of the work was appropriate. There is a lot of dialogue and not enough actual “action” going on throughout, so I was expecting more digging into the rich themes of personhood and philosophy of the soul. I realize that may be asking too much.
Adam’s Stepsons is a fun addition to the long canon of science fiction that dares to ask the “what if” of the future. It also seeks to ask the “should we, if we can” question that not enough science fiction is retrospective enough to ask. A good read for any science fiction lover, especially of the Heinlein or Asimov variety.
Pages: 92 | ASIN: B06XJRT8CS
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Lydia is a sixteen-year-old girl living at a boarding school. Her mother died when she was young and her grandmother Maria raised her. On her sixth birthday, Maria gave Lydia a bronze mirror and told her to treat it like she would treat herself. She grew up on the run, moving at a moment’s notice, trying to stay one step ahead of a killer with a scarred face. Maria thinks Lydia will be safe at the school, so she leaves her there, then disappears. The boarding school is reserved for students with mirrors like Lydia’s. Unlike regular mirrors, these show the reflection of a spirit. Lydia learns to talk to the reflection that she calls Phoebus. She has a few friends, but she’s obsessed with finding her grandmother.
When the headmaster of the school forces Lydia to compete in a mirror contest, Lydia and Phoebus hatch a plan to run away and find her grandmother. They escape after the contest, and a helpful stranger sets them on the trail of a conspiracy that goes back centuries. But the Managers of the reflections are in pursuit, and Lydia becomes a fugitive. She and Mario—a friend of her grandmother—chase clues all over Europe. They discover the truth of Lydia’s past, and uncover a hidden power that could change the world.
There are some good things to like about this book. Lydia is a strong-willed, independent teen who takes matters into her own hands. Growing up like a fugitive has taught her to be resilient and resourceful, the same skills she needs to uncover the secret of the mirrors. It’s not hard to understand Lydia’s plight or her determination to get to the truth. Many of the people she meets are also in hiding, traumatized by the past, or possibly lying to her to keep her from the truth.
The story is wonderfully original, a unique take on magic mirrors that’s vastly different from the fairy tale version. I also enjoyed that friendship plays such a big role in the story. Calypso, her dearest friend at school, helps her understand her own mysterious mirror, and they become as close as sisters. Mario is the son of a man who died to keep Maria and Lydia safe. Together, Calypso and Mario give Lydia the knowledge, strength, and courage that keep her going. There’s a nice glimmer of budding romance with Mario, and that was fun to read as well.
The biggest problem with this novel is the translation. The translator has done the author a great disservice, and my poor reading experience was in no way Ms. Musewald’s fault. She has written an original, exciting story that is completely overshadowed by the translator’s errors. There are multiple problems on nearly every page, with bad spelling, punctuation errors, missing words and confusing sentences. The novel was a chore to read, but I stuck with it because Lydia is such a strong young woman and her story is so compelling that I had to see it through to the end.
Pages: 231 | ASIN: B06XFM4N9H
Tags: a small bronze gift called mirror, adventure, amazon, amazon books, anna musewald, author, book, book review, books, calypso, ebook, ebooks, fantasy, fantasy book review, fiction, fun, goodreads, interview, kindle, kindle book, kindle ebook, literature, love, magic, mirror, mystery, novel, publishing, reading, review, reviews, romance, sci fi, science ficiton, science fiction, science fiction book review, short stories, stories, sword and sorcery, teen, teen fiction, thriller, translate, urban fantasy, women, writing, YA, young adult
by Don Templeton
Here we are in the final stretch. Once you’ve done all your character work, you’ve got a lot of story synopses that tell the whole story from each character’s piece of the story. Now we roll it up into one blueprint, the 4-page treatment.
First, take you logline in step one and expand that into a paragraph made up of 5 and ONLY 5 sentences.
- Sentence one should cover your BEGINNING or the Inciting Incident as I refer to it.
- Sentence two will cover Act 1 to the first Plot Point.
- Sentence three covers Act 2 to the Mid-Point.
- Sentence four covers Act 2 after the Mid-Point to the second Plot Point.
- Sentence five covers Act 3, your climax.
Next, take your paragraph of five sentences and expand that into a clean one-page treatment. Expand your five sentences into five separate paragraphs. Each paragraph will describe exactly the same territory as each sentence did above. Therefore:
- Paragraph one covers the BEGINNING.
- Paragraph two fleshes out Act 1 to PP1.
- Paragraph three details Act 2 to the Mid-Point.
- Paragraph four covers the rest of Act 2 up to PP2.
- Paragraph five will detail Act 3 completely to the END.
What comes next is what Syd Field calls the “kick in the ass” assignment: the four page treatment. Note that this procedure is pretty much the same in both the Snowflake Method and in Syd Fields’ Screenwriter’s Workbook. Here’s how we break it out:
- Page one will cover all of Act 1.
- Page two will cover Act 2 up to the Mid-Point.
- Page three covers the second half of Act 2.
- Page four covers all of Act 3.
Notice that we’ve written this four page treatment according to the same space requirements we’ve described in step 2 by dividing your total word count into 4 equal chunks. Act 1 and 3 occupy one-fourth of the total length of the story and Act 2 is one half of the total. Work on this until you have a perfect four page treatment. Single space or double space? I single space it to get more info per page and can fit in all the character story lines into the final document.
The Snowflake Method gives you two extra steps in that you write up a complete scene list chapter by chapter and Syd Field does the same thing but uses index cards to make the scene list, one card for each scene.
I don’t do the scene lists. Once I have a tight four page treatment, I stop planning there and start the actual writing of the novel. For me, the four page treatment is all I need. At this point, I know EXACTLY what I’m writing. So I start writing.
Here’s why I don’t do scene lists: once I start writing, the characters will come to life and will ALWAYS take over the story with stuff you could have never seen coming in the planning stage. This is where the magic happens. In fact, what actually happens in Pretty Hate Machine is a perfect example. What happens in the novel as it reads today IS NOT what I thought was going to happen from the Mid-point on. What happens in the novel is solely the result of the characters taking over and showing me a much better series of events than I could have ever cooked up at the macro level of planning. It’s that great surprise I’ve eluded to but haven’t ruined with a spoiler. The first thing to go out the window for me is that scene list. It always changes for me once the characters take over driving the bus. So why waste time writing something that’s almost always going to change? The four page treatment is all the blueprint I need to start writing confidently.
Give your characters the freedom to come to life. Otherwise, you will run the risk of turning the characters into marionettes that are just moving around the story because the plot says they have to do this, whether they want to do that or not. Let them live, O Jedi Scribe!
They say there are two kinds of novelists: planners and pantsers (flying by the seat of your pants). Pantsers just start writing with little or no prior planning, thinking that by just writing, at some point, the characters will reveal the plot and the story will write itself. For the beginner, this is dangerous. You will probably write a lot of junk that has no business being in the story and you could end up in a dead end – not knowing what the hell to do next. I’m three-quarters planner and one quarter pantser. I only let the pantser come into play AFTER I know exactly what it is I’m writing, knowing in advance what the targets are I’m moving towards.
Only write scenes that either move the story forward or reveal something essential about character or necessary exposition like backstory. If the material doesn’t do one of those two things, CUT IT OUT. Ruthlessly. I don’t care how much you like it. If you’re not moving the story relentlessly forward, then it doesn’t belong. Literary-type writers often times lose their minds when confronted with advice like this. We’re not literary writers. We’re genre writers which means, ultimately, we’re writing to be read, by as many readers as we can attract. Literary writers seem to hold us genre writers up in something less than contempt. I feel the same way about them as they do about me.
The formula I’ve revealed here will work for ANY genre tale you want to tell. It’s not just for action-horror novels like I write. It works for any story that follows the eternal hardwired blueprint we call the 3-Act Structure. Deviate from this timeless structure at your own risk.
We’re done here. I hope you’ve gotten something out of this. Now go write your Great American Genre Novel. And when you do, let me know how this has worked out for you. I’d like to know.
The Planet’s Most Politically Incorrect Publisher of Extreme Genre Fiction.
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The Hungry Monster Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and The Hungry Monster is proud to acknowledge the hard work, dedication, and imagination of these talented authors.
Books have the ability to entertain and inform us. They can make the impossible possible. They are vehicles of time travel and windows into perspectives. In books, authors are gods and imagination is their power. Transforming letters into words; words into characters and places; and these into emotions and worlds. Even if we never meet, we are connected by the stories we tell.
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Are you a fan of people watching? Can you spend hours just watching society go by and analyzing situations that seam small and insignificant but are all part of a bigger drama that is unfolding before your eyes? Charles Sims-Charles creates a future version of Earth in his novel Into the Liquor Store. This novel does not have a linier plot line, it has no great mystery to solve, there is not even a major conflict in need of resolution. Instead we are transported into a world where the main character Bink is a spray paint graffiti artist and connoisseur of cannabis and we follow him through a series of life events. While the events all lead up to a surprise ending your left wondering just what is going on sometimes. Add in the Galactic Triumvirate (GT) and the colonies on the Rings of Saturn and the moons and you have an intriguing story to follow.
Bink’s journey is told through his eyes and through a third person narrator view. This adds to the disjointed effect of the novel, but adds to the feeling of watching someone’s life unfold from a distance, as if you were watching a movie. It is the year 2218, Earth is now called Terra and the inhabitants are called Terrans, while the people living on the moons and rings are called Orbiter’s. The world is divided even more than it is now, states are now their own territories with their own laws and rules, countries have their own sets of standards and laws, everyone is acting under their own guidance unless they are part of the GT. One of the focuses of Bink’s story is tagging. He is a talented graffiti artist. Tagging in this time is regulated art form and taggers are well respected. Each artist has a special ID cap that is registered and somehow when it is used, they can scan the paint on a piece of work and determine who painted it. There are rival gangs among the taggers, but most rivals are in good sport and everyone is out to keep the art form alive and well respected.
The other focus is on Bink’s love life. He goes through several relationships throughout the novel, but they all follow a theme. Bink’s relationships with the other characters, Derrick (Lux), Kris, and Milly are also a focus. It is not secret Bink hates the rings and the orbiters, but when his life lands him on a remote ring colony he is reunited with his lost love Milly. On the rings, life is confusing. They speak in riddles; they call their language Summertime. Everyone dresses in a steampunk style and paint their faces like animals. It is a complex society with it’s own rules drastically different from Earth. Somehow Bink winds up mixed in with the Mob, a group called the Koeghuza. He learns how to navigate this world as well and become successful.
Charles Sims-Charles’s world is creative and unique. His descriptions of the clothing, music, and environment draw the reader in and give them a feel for being there and experiencing everything Bink does. It is the perfect novel for the person that likes to watch others and analyze the psychology of people. The society structure is interesting and complex, the relationships diverse and just as complex as the characters that have been created. A great novel to take you out of the modern stress and see a glimpse into a future where art and science thrive.
Pages: 235 | ASIN: B01NAGKSJJ
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Set in a futuristic world with air-bikes and credits for cash, we come across one of Danny Estes’ lovely worlds. The Paranoid Thief is a lovely addition to Estes’ roster of exciting and fun to read books. It opens with our poor protagonist, Randolph, in the midst of a very bad day. As the paranoid thief from the title, he has just botched a job and has the unfortunate job of reporting to his client. In a whirlwind of intrigue peppered with sheer ignorance our Randolph finds himself slammed into a strange cell after being tried and convicted for an atrocious murder he did not commit. Randolph isn’t alone in this prison and soon finds himself in the company of Jill, a secretary who has just lost her job and been thrown in the cell beside him. There’s more to Jill than meets the eye and Randolph begins plotting his revenge.
If there’s one thing Estes is good at, it’s writing an interesting and slightly humorous story. He’s very good at writing from the point of view of the protagonist in such a way that the reader can immediately identify with them. As with most of his books, there is a sexual component that isn’t too over the top. The stories are told from a male point of view and that is just what readers get: an unfiltered look at this world through the eyes of a man. Expect physical descriptions of female characters and which body parts the protagonist enjoys the most.
For The Paranoid Thief there were some disappointing spelling mistakes and some incomplete sentences. Having read other works by this author, it was a surprise to see them. Normally his works are clean with very few mistakes. The incomplete sentence in an early section of the book was the most disheartening as the reader is left to figure out what Estes meant. While it is still pretty easy to finish it in the readers mind, that’s not what people are looking for. Estes makes up for this with his exceptional story-telling skills and his excellent descriptions. There are times when the book feels like a narration of a movie. The action certainly does not disappoint and the way Estes is able to lead his readers by the nose and keep them wanting more is excellent.
As a short read, The Paranoid Thief by Danny Estes is a highly recommended addition to any library. As soon as you start reading about our hapless protagonist Randolph and his really bad day, you’ll want to continue reading to find out how it all gets resolved. Short, without leaving out any important information, this fun read feels like an author’s careful first step into the literary world. It’s a good first step and it reminds us all that perhaps we should pay more attention to those around us. Especially their eyes.
Page: 276 | ASIN: B009Q1I6SM
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by Don Templeton
Characters. The heart and soul of good fiction. Character decisions and actions should dictate plot development, not the other way around.
The first thing I do with a character is visualize that character. The best way to do this is find a representative picture of your character. I pick a movie or TV personality to represent the character. Once I can “see” a character, “hearing” the character is easy for me.
I use Randy Ingermanson’s Snowflake Method to get my character skeletons fleshed out on paper rather than following Syd Fields character creation process. Both are very similar. I’ve found Randy’s process to get to the core of a character essence instantly.
The first step is to write a one-page dossier which deals with 7 key points:
- Ambition (what the character wants abstractly)
- Story Goal (what the character wants concretely)
- Conflict (what prevents the character from reaching the goal)
- Epiphany (what the character learns, how the character changes)
- A One Sentence Summary (think of this as the character’s logline)
- A One Paragraph Summary (expand the logline to one paragraph)
Now, let’s do this for a character. This is what my dossier on Special Agent Mallory Hammond looks like for the forthcoming GREEN MAJIK adventure, Splatterpunk. You are getting a sneak preview into Mallory’s continuing story line in the next novel. Hope it makes you want to read the first one now.
Agent Hammond’s ambition in #2 is the same as it was in #1: To expose the underground cult she knows is operating all over the world.
Her story goal is to hold the alligator farm long enough to get one of the fry specimens out for her squid expert to examine.
The source of Mallory’s conflict in this tale is the FBI hierarchy, Homeland Security and the mysterious Men In Black from MAJESTIC.
Mallory’s epiphany in this adventure is the cult she is pursuing has infiltrated the government at all levels.
The One Sentence Summary: Mallory Hammond finds her investigation under literal siege when Homeland Security arrives to take over and silence her with national security.
The One Paragraph Summary: When DHS shows up being led by a MIB and attempts to seize the investigation by force, Hammond uses the Hostage Rescue Team like infantry to form a blockade and temporarily put the aggression into a stand-off while she gets one of the fry specimen prepped for smuggling out in an ice cooler brought by the boys to house the PBR in. She has Fender send her state police as escorts to ensure they get out without being ambushed by black ops. She goes to see the squid expert Fender has located. She takes the fry specimen to Dr. Donovon West of Miskatonic University located in Arkham, Massachusetts.
There are two more steps in the Snowflake Method to fully flesh out the character. I do the next step fully and the final step partially.
Take your paragraph summary of your character’s story line and write a full page, page and a half treatment which tells the entire story arc of the character inside your novel.
This is what the treatment looks like:
Special Agent Mallory Hammond receives an urgent phone call from BRAD FENDER. The shit has hit the fan. The Director is under siege from Homeland over her little monster hunt. Homeland is en route to her location, whatever she has to do to get the evidence out she better do now. Hammond hangs up on him and starts deploying the HRT to hold a line and prevent the invaders from getting access to the farm house. She enlists Ronson and Gage to assist her in snagging one of the specimens. It is a harrowing experience getting that damn squid out of the tank and into a small shipping crate filled with sea water. When the three emerge back outside lugging the shipping crate, the rest of the HRT are blockading the Homeland Security convoy. The black Suburbans are filled with MIB agents. The squid gets stowed in the trunk of Hammond’s GSA sedan. Then she goes to the skirmish line and meets the MIB in charge: MR. ADAMA. A terse exchange. The MIBs back out of the drive to allow Hammond and the HRT to exfil. Hammond goes directly to the airfield. At the airfield, she gets on a commercial flight with the squid to fly directly to Arkham, Massachusetts.
The campus of MISKATONIC UNIVERSITY. Fender is blowing up her phone again. She was suppose to fly back to D.C.! Prior to the balloon going up, Fender had found her squid expert, one DR. DONOVAN WEST of the Miskatonic Oceanographic Institute. She tells him he’s just going to have to hunt her down and hangs up. Then she drops her FBI issued smart phone into a fish tank and proceeds to turn Dr. West’s conceptual universe upside down. Dr. West has been in touch and go negotiations with a producer from Animal Planet for a reality TV series featuring his expedition to find a live giant squid in the wild. After seeing the squid fry and hearing Hammond’s tale about what was found in Louisiana – his TV series idea takes a quantum leap. He rudely excuses himself to call the producer – get the hell out here with cameras now! When the cameras burst onto the scene, her first instinct is to punch aqua danger boy’s lights out. Dr. West is something of an orator and quickly points out the insulating advantages she might have transferring her investigation from the FBI to Animal Planet and his reality TV show. And, yeah, Mallory Hammond sees the advantages immediately as well.
A cultist hit team tries to take back the avatar. Mallory Hammond engages in a blistering gun battle and foot chase with the hit team, flanked by a daredevil Animal Planet cameraman. The intense footage is aired immediately along with the earlier taped testimony of Hammond’s detailing how the squid fry was taken into custody. Now the FBI witch hunt to drum Hammond out of the bureau has hit a sensational snag – the TV series is an instant mass phenomenon. Mallory Hammond is now the bureau’s biggest PR asset.
The final step is to create a full blown character biography detailing all the usual stuff: name, rank, serial number, hair color, ethnic heritage, birth day, birth place, schools, all that down in the weeds detail. I don’t get wrapped around the axle about the character biography. When I have everything I’ve just revealed, I know everything I need to know to start writing.
In other words, I now know what to write.
For the sake of covering all the bases, use this link to download a character biography template from me.
The next installment is going to wrap up this discussion of all my secret plotting methods. See you there.
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If you’re looking for excitement laced with lots of violence and sex then you need to look no further than Danny Estes’ Vampires: Don’t You Just Hate Them? We begin our story with our protagonist, Jonathan, who finds himself speaking with some form of a psychologist. At first, the reader is unawares in regards to what the story is going to be about. Jonathan speaks about how he always thought vampires were myth. It’s not until a bit later on that Jonathan reveals through the effort of flashbacks that he is a half-werewolf and he has been living with his mate, and full werewolf, Jasmine. What begins as a story of coming to grips with the laws and rules of Pack behavior that Jonathan is not used to, devolves in an exciting way into a gun fight between werewolf and vampire. However, not everything is as it seems.
Estes does a fantastic job with this story. He’s very descriptive and by telling the story from Jonathan’s point of view we can feel as though we are Jonathan as he struggles to accept the fact that his mate has brought him to live with a Pack, something he is not accustomed to, where females are dominant and his opinion is not required. Jonathan is faced with the difficult task of merging into a culture he has never heard good things about. His father is a full werewolf who ran away from pack life with his half-werewolf mother in tow. Jonathan is aggressive, stubborn and has deep rooted feelings about justice: traits that are not welcome in his new world.
It appears that werewolves are very physical, sexual beings, which is an interesting take on the race. Estes doesn’t go too over the top with his descriptions about the sexual events that take place in his novel. He describes things with enough emphasis that crude words are not necessary and it is clear what he is getting at. By having the story from Jonathan’s point of view we’re also awarded his assistance with explaining things that might not be understood at first glance. Whenever there is a chance the reader is confused, Jonathan is confused as well and asks for explanation or provides it. It’s almost like breaking the fourth wall without really speaking with the reader. A very clever tactic.
Estes does what he does best: tell an engaging story with all the trappings of entertainment. Vampires: Don’t You Just Hate Them? performs better than a movie with rigorous action scenes, lust and explosions in all the right places. There is a story to be told here, as well, which doesn’t get overshadowed by all the action. Jonathan is not all he seems to be, and he doesn’t even know it. While it may be clichéd to say that there is more to him than meets the eye, that is the reality. Estes milks that for all it’s worth and ends his tale with flair and excitement. Those who are looking for an exciting read with good character development and a plot that doesn’t get ignored, will definitely find everything they’re looking for in this book.
Pages: 276 | ASIN: B009PO52PK
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