by Don Templeton
Welcome to Step Two in the Blue Falcon Press plot planning process.
What I’m about to reveal here is something professional screenwriter’s already know backwards and forwards. This diagram was originally brought to the world by the late, great Syd Field. Now here is something novelists need to internalize: this schematic works Jim Dandy as a template for your novel as well as a screenplay. I’ve written EVERY novel of mine using the Paradigm above to map out the major movements and turning points in my plots. EVERY. ONE. This diagram keeps you on target, keeps you focused, and keeps you from writing crap that has no business being in your story.
The first thing to do in figuring out your paradigm is write a sentence which describes how the story is going to END. Then do the same thing for the BEGINNING. In my novels, the beginning is always the INCITING INCIDENT. It is the event that starts all the other story dominoes falling. In Pretty Hate Machine, this is the Sadie Hawkins attack on her school. Next, decide what PP1, PP2, and MP are. Let me explain what a Plot Point is. A plot point is defined as any incident, episode or event that “hooks” into the action and spins it around into another direction. (from Syd Field’s SCREENWRITER’S WORKBOOK) Now notice where your plot points fall: at the end of Act One and at the end of Act Two.
The Mid Point is some kind of incident, episode, or event that occurs in the middle of ACT 2 and breaks ACT 2 into two halves of dramatic action. Act 2 becomes two halves joined together by the Mid-Point. The first half of Act Two now has a target you know – the Mid-Point.. The second half of Act 2 has another target to write towards, everything that happens after the Mid-Point and concludes with Plot Point 2.
Let’s illustrate how this works by examining the Peter Jackson remake of King Kong. I’m not using Pretty Hate Machine to illustrate this because it will ruin the wonderful surprise for readers of the book. I’m not going to spoil that surprise for you. In King Kong, Act 1 ends with Plot Point 1 which in this case is when the expedition reaches Skull Island. The Mid-Point of the story is when King Kong shows up for the first time, taking the girl into the jungle with him. So, the first half of Act 2 shows all the incidents that take place exploring the Island. The second half of Act 2 details the girl’s relationship with Kong and her shipmates attempts to find her and rescue her. Plot Point 2 is when Kong is captured and the ship leaves for New York. See how that works? It makes Act 2 absolutely manageable now. No reason to fear Act 2 anymore.
Let’s discuss briefly the purpose each act serves. Act 1 is known as the Set-Up. It shows your character’s in their normal world before the real meat of the tale kicks in. Plot Point 1 is really where the steam of the story picks up and spins us into The Confrontation which occupies the entire length of Act 2. Act 2 is where you put your heroes in a tree and throw rocks at them. Act 2 ends with Plot Point 2 which spins the story around into another direction, which is the straight down nose dive into the Resolution or Act 3. This is where your heroes regain the initiative and turn the tables on the opposition, smacking them down smartly. Or if you’re into tragedies and such, this is where the heroes are defeated by the opposition. I don’t like those kind of endings so I don’t use them. I believe the good guys will always best the bad guys. That’s how I roll.
Next, impose the length restrictions of the screenplay on your novel. In a screenplay, Act 1 is one-forth the length of your script. For a 90 minute show, that’s roughly 22 and a half pages. Act 2 is half the length of the script or 45 pages. Act 3 is the same length as Act 1. In a novel, you do this by dividing your word count by 4. GREEN MAJIK novels are 100,000 words in length. So Act 1 and 3 are roughly 25,000 words in length; Act 2 is 50,000 words, which is divided into two chunks of 25K by the Mid-Point. Simple Simon.
Here’s your homework assignment. 1st, get Syd Field’s book The Screenwriter’s Workbook. It’ll be the best $16 you’ll ever spend. Next, read Pretty Hate Machine and tell me what Plot Point 1 and 2 are and what the Mid-Point is. Email your answers to firstname.lastname@example.org. Once you know what you are looking at, these events are easy to spot.
Next, we will talk about planning the most important part of your novel: your characters. See you there.
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Heartache and pain follow our protagonist, Julii, as she makes her way through the life she is living in America during the 1860’s. Our Eternal Curse – Another Tribe by Simon Rumney shows Julii as a young, naïve Aboriginal woman living with her small tribe and ignorant of the world. She does not know about war on the scale of what the white American’s are fighting. She doesn’t understand racism and slavery in the way we have learned about. She lives carefully and quietly with her family. She is extremely intelligent and takes her small world for granted. Then she meets a man who is gravely injured at the side of a river she has always gone to. A man who does not look like the men she knows. A man who may never wake up from the coma he slips into. This man is Robert, and he will change the very way she lives.
While this book is part of a series, it’s easy to read on its own. Required knowledge of the previous books is not necessary, although it may heighten the experience. This book is overflowing with raw, human emotion while not being afraid to look at the disgusting parts of colonial history. Rumney certainly knows how to spin a tale. While told in the third person we see the tale from Julii’s point of view: we hear her thoughts, and we begin to understand and learn about the world through her eyes. It’s a clever way to do it, especially for those who may not be aware or understand this point in history.
As Julii learns about the reality of the outside world, we learn about it as well. Her confusion and the struggle with a foreign language are easily portrayed and the reader feels as though we are Julii: we are also the ones who are seeing this world for the first time and learning this language for the first time. The world of 1860’s America is cruel. To understand how an Aboriginal person, a woman for that matter, would have felt during this time is difficult. This is a time of rampant racism, of distrust and the inability to treat all human beings with respect and dignity. It can be painful to read, as it is important to realize that these thoughts and attitudes still exist almost 200 years later. Rumney does a great job of making the reader identify with Julii, the marginalized main character in our tale.
With a story so beautifully crafted it’s hard not to get immersed while reading it. Julii goes through so much in her life: she experiences things so rapidly that it’s hard not to feel for her. If you are looking for a heart-tugging story with excellent character development and a subliminal message, Our Eternal Curse – Another Tribe by Simon Rumney is definitely worth a pick up. Readers won’t go wrong by potentially stepping outside of their comfort zone and reading about the fantastical life of Julii.
Pages: 314 | ASIN: B00TI01JH6
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An ancient order. A young man with no knowledge of his past. Three friends who have trained and grown up together since infancy. This has all the trappings of a great fantasy-adventure tale with a back story that can rival even the most intricate video game. Yolanda Ramos has definitely done her homework with her epic tale The Seventh Sentinel. We have our main character, Cristiano, as he is raised in an orphanage by his mentor Julio Sierra: the man who has lost everything but is given the opportunity to retain meaning in his life. A boy with no apparent past. The boy becomes a man and is rigorously trained and skilled in various forms of combat and intrigue, but for what purpose? Readers will take an incredible journey in our modern day where the purpose of angels is still alive and well as they commune between man and God.
Even if you don’t particularly enjoy stories based on biblical characters or events, The Seventh Sentinel has a knack for focusing more on the actual adventure portion of the tale. Yes, there are angels. Yes, there are the Seraphim who are said to serve God alone. These angels have a purpose, and a personality, thanks to Ramos’ hard work. The descriptions in this tale are elegant and vivid. It seems as though it is based on actual events. In our modern world many feel as though God and His angels have abandoned us. Perhaps they have no need of us. Ramos is able to bring that slightly mythical sounding ideal into our century. These angels have a plan for Cristiano: he has a purpose. He will see it through.
Like most protagonists in this situation, Cristiano is an apparent orphan who was raised under the watchful eye of a male mentor. Julio cares for and teaches Cristiano as best as he can. Our protagonist is plagued with visions for a purpose he does not yet understand. And like most protagonists in this situation right as the truth is about to be revealed there is an attack and his mentor falls.
This is a fantastic book that deftly uses inspiration from religious ideals. Some may be uncomfortable because this book makes assumptions about what certain celestial beings can do while others may feel as though religion is a separate fairy tale. In the end, the way Ramos wove her tale together is entertaining in any case.
A story where a young man learns his purpose for our world is usually a delight to read. Yolanda Ramos does her research and attempts to be as faithful to the real monuments and angelic characters as she can be in The Seventh Sentinel. This book ends in such a way that if ever there were more, that would make sense. However it also ends in a fashion where questions are answered and another book is not entirely necessary. Readers will enjoy the journey Cristiano and his fellows take as they epically travel the world on a quest to discover whether or not the past truly matters.
Pages: 286 | ASIN: B00JVR7YPW
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Reverence follows the stories of humanoid super soldiers Will and Luis as they work under their fearless leader and follow his orders to demolish a budding resistance that threatens their utopian world. What was your inspiration for the setup of the story and how did that help you create the ending?
The inspiration came mainly from some of my favorite science fiction films, namely Children of Men, V for Vendetta, Dark City, and Blade Runner. What I wanted to instill most was that Reverence wasn’t purely a dystopian world because some of the people are indeed very happy with what their country had become. The setup of the story for me was establishing the fact that the plot would be driven by conflicting viewpoints, not by purely good vs. evil. The most vital point of the novel was the need for people to question their surroundings, which is a double-edged sword for the main character, Will Marconi. The ending chapters were some of the hardest to write because I wanted to really sell the tragedy of what these people had been reduced to: both sides resorting to violence and lies to accomplish their goals. There is also a tragedy to Will finally removing his blinders about the reality of his environment, but there is a bit of hope, too. That final chapter represents the need to look forward, but not without forgetting the past.
There is a lot of great twists and mystery in the novel. When you first sat down to write this story, did you know where you were going, or did the twists come as you were writing?
Oh boy, well I should start by saying that Reverence has a convoluted history. Strangely enough, I had the twists in mind as far back as the outline phase. I initially published it back in March of 2016. I noticed something felt off, but I couldn’t figure it out for a bit. Then one day it hit me after watching Anthropoid, a fairly unknown film from 2016 that I hope achieves cult status. The twists and overall story needed more emotion, not to mention it needed more editing overall. So I went back with a professional editor and added more detail at certain points in the story and refined it to a level I was quite happy with. It was re-released in December and I’m glad readers have enjoyed it.
Joseph Halsey is my favorite character because of his moral transformation and strong beliefs. What were the morals you were trying to capture while creating your characters?
The characters all represent different morals, good and bad. With Halsey I wanted to explore a man who, unlike almost every other character in the story, does not take the lives of others for granted. His beliefs stem from that and while the other rebels try to live up to that, they’ve lost their way. The antithesis of that ideal is incarnate in characters like Chancellor Venloran, Luis, and even Robert Neeson. These characters believe progress is worth any cost, even if it means sacrificing lives and sometimes the truth. With Will I wanted one thing to be certain: devotion to ideals is dangerous.
What is the next story that you’re writing and when will it be published?
My God, a whole lot! I’ve already written a sequel to Reverence which I am very proud of. A preview of it was provided in both print and Kindle editions of my first book and it greatly expands on the world. Readers can expect it to be released April of this year. I’m also in the works of writing a prequel to the Reverence saga. I can’t say much, but what I can say is that you can expect it to be released this year as well. The prequel will focus on familiar characters like Robert Neeson, Captain Halsey, and Chancellor Venloran, but the main focus is on Will’s wife and daughter, Julissa and Zaneta. The story will explore the early stages of the UNR-rebel conflict. It’s going to be a great read and aiming for its release to be this summer, maybe around July.
“William Marconi is the face of anguish and righteousness. By his blood stained hands, he inspires the people with both fear and awe. But he is not alone. He is one of the 144, 000 and together they are the guardians of a new order. By their gun and their sword, they have upheld justice. When the peace they have maintained comes under fire from a new threat, William quickly realizes this war could possibly cause the collapse of all he holds dear. As the world is dragged down to hell, this knight must ask himself just how much it will take to accomplish the mission, which could be his last.”
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The Hunter’s Rede by F.T. McKinstry is a tale of adventure, mystery and deceit. Lorth is a hunter/assassin who obeys the Hunter’s Rede; a series of rules the dictate the isolated lifestyle of an assassin. He has never questioned their necessity; until now.
He is summoned home by the mysterious Mistress of Eusiron and arrives to find the region invaded by the Faerin army. Even more alarming; a member of the Keepers of the Eye has been assassinated.
Lorth must use his wits, magic, and sheer determination to escape being framed for the murder, find the perpetrator and defeat the invaders. All the while, he must juggle the Hunter’s Rede – a selfish code – with morality, loyalty, and love.
This is an enjoyable read for those who like suspenseful fantasy. The world building is strong and specific; a requirement in fantasy stories. The battling kingdoms, the Hunter’s Rede, and the Keepers of the Eye are all thoroughly referenced and explored by the author. However, the origins of the Rede are vague and difficult to visualize.
The characterization is fuzzy at first but the reader eventually becomes well acquainted with many of the characters who decorate the story. Lorth, in particular, grows on the reader overtime. Some of the most enjoyable characters are placed in the background and only dip into the story occasionally – such as the amiable Captain Ivy.
The plot is entertaining and ornamented with twists and tension. The story focuses on its characters and conflicts but also has a strong theme revolving around morality and sacrifice, which finds its way into the story. You could say that The Hunter’s Rede is inspired by the video game series Assassins Creed; as I felt that it dealt with similar concepts, story models and parallel titles. But I enjoyed the variances that allowed The Hunter’s Rede to have uniqueness.
While the story has some thrilling action scenes, at times they were either too cumbersome or unclear. Overall the story was clever and entertaining except for the romance moments which come off as less inspired. The Hunter’s Rede is one proofread away from being a fascinating and exciting read.
Pages: 303 | ASIN: B01LZS174X
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Delve into this mystical world populated with equally mystical beings. In Outpost by F.T. McKinstry we are introduced to a race of beings called The Fylking. Ethereal beings that have crossed over the universe and jumped from their world to the world of Math. These creatures shift from animal forms to those resembling a human but not quite. They cannot be seen by just anyone yet everyone knows they exist. A group of individuals known as Wardens act as liaisons between these beings and the rest of the world. For better or worse, they are entwined. We have three main characters who will shape the tale: Arcmael, a Warden, Melisande who is a woman that knits and Othin, a Ranger in the king’s employ. Innocent interactions beget the telling of an intricate tale: one that will see war, death and heartache feed off each other. Each of the three holds a part in this tale and some are more important than we are first led to believe.
McKinstry begins her tale with world building. This is an essential piece of any good fantasy novel as readers need to have some sort of understanding. This is a world not of our own and McKinstry does a great job carefully laying out the lore, legends and very geography of the world of Math. In the very back of the book there is a glossary which also holds some pronunciation tips. This is a bonus as some authors just expect people to understand. McKinstry gives preliminary information in the glossary without giving away what happens in the context of the tale. This can be a delicate balance and she achieves it well.
While Outpost is declared the first novel in a series, it can stand well on its own. There is a beginning, middle and neatly wrapped up ending which answers the burning questions raised while reading. Technically, more books are not required to enjoy the story, so it would be interesting to see if McKinstry carries on with the same set of characters or if the next book simply takes place in the same world. Either way, Outpost is an excellent installment.
Another thing to note is that the chapters are named. This is more insightful than just simply numbering them as it gives readers a sense of what is to come. Not many authors seem to name their chapters anymore, but this sets the tone for an adventurous read.
While McKinstry weaves the story, and captivates readers it is the characters themselves who seal the deal. Each character is created with such depth and personality that they could almost jump off the page and walk among us. What it is exactly that creates this feeling is nothing short of excellent writing and an author who has practiced their craft and carefully constructed this world. Indeed, McKinstry is much like a goddess with the way author sways the characters and dictates their actions. It’s almost like the author is there, within the pages, guiding the characters as well as the readers along.
For anyone who is interested in the rich tapestry of fantasy with solid world building and three dimensional characters, Outpost by F.T. McKinstry is a must read.
Pages: 370 | ASIN; B0138V5YE4
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The Wanderer’s Last Journey opens to Orfeo being kidnapped by mysterious strangers and heroes from all over the Aegean join forces in the quest to find the lost prince. What excited you the most to write this 4th book in the Orfeo saga?
This book was the one that involved a trip to the New World. There have been many theories about Mediterranean contact with the New world, and I knew that in some ways the plot would be “far out.” Interestingly, there have been traces of cocaine found in ancient Egyptian mummies, so I had a plausible reason for travel. I did not want to fall into the well worn idea that any contact with the New World would be from a more advanced “European” culture. I think I portrayed the contact as one involving matched but very different cultures. In fact, Orfeo was taken in order to be a symbol that could be manipulated by extremely savvy leaders.
The Wanderer’s Last Journey has all the makings of a classic fantasy epic, as the rich and evocative world is as intriguing as it is intricate. Did you set out to create such a detailed world or did it happen organically?
I would like to say that I planned it all. In reality the Orfeo Saga happened book by book for the first few, and then I had an idea of a wider sweep later on. This novel marks the beginning of a larger plan. At the end of the day it is all about writing about interesting periods in history. What could be more interesting than a very early journey to the New World? What if that culture could be just as treacherous and manipulative as any in the Mediterranean? Of course I had fun with this part of the book. The second part of the book, dealing with Sparta, also has a bit of humor. However, I explored how dangerous a defeated people can be. Sparta will of course emerge during the Classical period as a very serious threat to Athens. More to the point Sparta will also emerge as a threat in my (fictional) Bronze Age Orfeo Saga. I have many more books planned.
The Iliad seems to be a source of inspiration for this book and your love of this period clearly shows. What is it about Greek/Roman mythology that you find interesting?
I read a huge amount of Greek and Roman mythology when I was younger. I had to take Latin in school and I always found myself wanting to read at a much higher level than my Latin ability would allow. I finally decided on a career in psychiatry. At the time Greek and Roman myths were mined for their insights into human nature. They express rather unvarnished characters (good and bad, sometimes in the same character). I was really interested in motivations, and of course the biggest motivation of all. There is phrase “collective unconscious” that coneys something like “cultural memory.” I am not sure that anything like that exists as an entity, but as a concept there is something to that. People collectively wanted to move their culture and civilization on to other things. I am not so silly as to think that everything in society just keeps on getting better, but there is something in that argument!
Where does the story go in book 5 of the Orfeo saga?
There is unfinished business in Babylon. Zinaida has been put on the throne in Orfeo 2, and now she feels like she should exert the power of Babylon to conquer her neighbors. Orfeo 2 dealt with Babylon using military force. This novel introduces a new character called Cyrus. He is extremely resourceful and takes up the identity of a merchant. He is a character that I will use in some future novels. I like the fact that he is not just simply a warrior or even a Wanderer. He becomes something entirely different.
“A Powerless Prisoner: A Captive God
No one is sure when the New World deity Quetzalcoatl was first worshipped. The god-man can be portrayed as a feathered serpent – and also associated with a bright green bird of the same name – but he was worshipped in a variety of ways by various cultures. Some versions of the myth state that he was a man with light hair, beard, blue eyes, and light skin. After helping humankind, he was said to have returned to his home, promising to return. It is not surprising that he has been identified as a Viking by some historians (and as an extraterrestrial by more adventuresome scholars). The Aztec Emperor Moctezuma II is reputed to have initially believed that when Hernán Cortés appeared in 1519 Quetzalcoatl had returned.
Here Orfeo has been kidnapped by a New World tribe. They plan keep him as a prisoner while presenting him to a subjugated populace as a god. He has no desire to live his life in a gilded cage. His wife, Clarice, his aging mentor, Zurga, and the jack of all trades, Daryush, must cross the ocean to save their friend. They soon find they are involved in a civil war between the Nastases and Ixtlans. It will take all their cunning to rescue Orfeo and get back alive. Back at home a war is brewing between Sparta and Pylos. This time Zurga is not there to keep the peace.”
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The Lifeblood of Ill-Fated Women revolves around the story of two Valkyries, sisters Astrid and Yrsa, in a world still ruled by Nordic Gods. What was the inspiration for this novel and the Norse mythology used throughout?
Spoiler alert in that question. Lol.
My inspiration was two fold.
One, I really had not read or seen much about Valkyries in years. They are very interesting mythological beings, but not really focused on in movies, cartoons, or TV. Seems like a wasted opportunity, so I took it. I wanted to write a story about a woman who was questioning her reality on several levels. Is she alive, is she dead, was she adducted by aliens, is she in hell? etc.
Two, I felt like Norse mythology is something people, readers, movie-goers, are willing to openly accept easier than some other myths or cultural beliefs. Maybe because of it being so fantastical. Sometimes we believe the things that are harder to believe and accept quicker than those things more based in reality.
For example…. So many people watch and follow ghost shows and believe all that we are shown, but then laugh at the hunters chasing Big Foot in the forest. Paranormal vs. A living being (although myth). Seems like it would be easier to believe in a missing link than spirits from another realm right? Well, maybe that’s just me.
Note: I believe in both actually. 🙂 And aliens.
Regardless, Norse myth is fabulous. And there are a few good fiction books you can find and read. I read one prior to writing this book. Good reference material to pick over. That and my old original Deities and Demigods D&D book. 🙂
What kind of research did you have to do to make sure you got the mythology correct?
As stated about, I bought and read one book. Norse Mythology: A Guide to Gods, Heroes, Rituals, and Beliefs by Lindow. I also used my old hardbound Deities and Demigods D&D book for inspiration.
I spent a LOT OF TIME online researching what “curse words” and foul language would have been used in the Viking Age. I could not deal with or accept the use of modern four letter words being said by my characters. I really lost sleep over it. I finally found some replacement words that were close to the time period or language. Not perfect, but I felt like the reader would understand what I was going for.
I never like watching movies set in ancient times with characters spewing modern day bad words….unless we are talking about STARZ’s SPARTACUS. That was awesome, and with all the over the top blood and guts it was fine. 🙂
As a writer who researches, I like to find the facts and then decide how best to use or alter them to fit into my works of fiction.
When Astrid falls in battle and wakes up with no memory the reader is brought into Astrid’s mind to be witness to her paranoia, fear, confusion and inner struggles. What were the obstacles you felt were important to highlight to connect readers with Astrid and develop her as a character?
Everyone struggles with these things on some level.
Astrid is a big, strong, proud Viking warrior. Who can relate to that? BUT they can relate to all her inner struggles. Who hasn’t questioned their reality? Who wasn’t felt afraid of something one moment, then loved it the next. Think of skydivers. Fear and then joy in a matter of seconds.
Astrid was originally designed as a near cave woman. She grunted and groaned. Took what she wanted. Feared nothing. But an early draft was read by my editor and she pointed it right out. Astrid was unrelateable. I did not want that.
My plan was to write a fantasy-horror story with a character who just cannot figure out if she is alive or dead. Her beliefs would pull her thoughts into both directions; a tug-of-war. While she struggled, the story played out. Things would be happening all around her and she would have to decided what to do, regardless of her inner struggles. That’s life. We all are faced with that.
I was really sick with the flu or something the other week. Two days of being the sickest I had been in 20 years. And guess what, I needed to go get my new drivers license photo. Time had ran out. I was faced with an obstacle on top of another obstacle. Life gets complicated.
In some books or movies, it seems like the hero only has one major concern. That’s unrealistic to me. Yeah, go save your kidnapped daughter Liam Neeson, don’t worry about needing to buy more ammo, or the authorities, or laws, or weather, or your own wounds, or….
This is a well written novel that leaves open the possibility for other stories to follow. Do you have another story in the works?
Book two is currently being written. It takes place several months after book one. I envision this series as 3-5 books long.
“Astrid the White isn’t an average princess. She has always stayed by the side of her father, King Kol, and learned warfare and weaponry from the best Vikings in the land. When she awakens in the city of Birka and hears the sounds of war, she rushes proudly into the fray. She is more than capable of taking down any enemy wishing to disturb the peace.
This enemy, however, isn’t what she expected. Before Astrid even gets outside the walls, a golden light knocks her out.
She comes to in the snow, in full battle armor. Astrid first suspects that this is a challenge from her father–or even the gods themselves. By acting correctly, she can gain the favor of Odin, the Allfather.
Astrid wants to complete the test, but it becomes more and more difficult as she explores this new part of the world and encounters both monsters and monstrous men. As creatures from the darkest legends reveal themselves, Astrid will discover that her journey isn’t about acting correctly or passing Odin’s test. It’s about pure survival. Before she can even think about finding Birka, she will have to defend herself against the demons of this new world.”
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A historical fiction novel by James George, My Father’s Kingdom is centered heavily around the religious strife during the American settlement at Plymoth in the late 1600s. The story is told through the narrative of both native Indian tribes and from English settlers, 50 years after our beloved Thanksgiving holiday occurred. The differences between the two people, especially in religious decisions, is what drives the stress between the alliance. The wordsmanship by George is a beautiful combination of elements and themes, pulling together from the hardships our ancestors faced and the fear that comes with abnormalities and change.
The narrative of this story is told mostly by Linto, Metacomet, and Israel Brewster. Each offers a different opinion and set of beliefs on the alliance between the people, and on their personal religious journeys. This plot of the story is comprised of a brewing rebellion after an untimely death nine years prior. Tension is strong between the two people, and fear and talk of war is present early on.
Meanwhile, the characters are on journeys of their own, to find a connection with God. Linto is hungrily trying to understand the Englishmen’s God, and is plagued by the stress. He seeks comfort in his own communion with nature with The Great Spirit. Metacomet is overcome with grief for the loss of his brother, and struggling with the responsibility of leading his tribe down the correct path. His distrust for the Englishmen and the revenge he seeks plays an important role in the evolution of the story, and it feels like you grow right along with the young leader as the tale unfolds.
On the other side of the coin, the English settlement faces troubles of its own, told mostly from the Reverend’s point of view. Israel is also a character who is suffering internally, battling the repercussions to his faith with the loss of his wife. While he does his best to keep his community pure by offering extensive counseling, he also battles with the shaky relationship with the local native tribes.
The consistent theme to the story is that which exploits the importance of peace. Often we forget what truly happened in the history of America, and instead focus on the gracious holiday that was born from the struggles of the first settlers. This story helps serve as a humble reminder of the bloodshed and the turmoil that really occurred.
Everything meshed together beautifully, staying accurate enough to the history of the war that happened while giving a unique and fresh tale to follow. It breathes life into the history we read so blandly, and George does an excellent way of making the scenario relatable and understandable to modern time. The characters are beautifully flawed, and all so different from one another. You feel the pain they feel in their journey, and I was eager to discover the endings that they would come to face. It’s a beautiful picture of American History and the fragile nature of peace and friendship.
Pages: 169 | ASIN: B01MS5OQP8
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The Hungry Monster Book Awards are awarded to books that have astounded and amazed us with unique writing styles, vivid worlds, complex characters, and original ideas. These books deserve extraordinary praise and The Hungry Monster is proud to acknowledge the hard work, dedication, and imagination of these talented authors.
“Books bring to life aspects of literary genius.” – Mary Schmidt, author of Uncle Stubby Gets Married.
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