The Genocide Gene is the third book in the thrilling Onryo Saga and continues the adventures of the teenage superheroes in their fight to save humanity. Chikara, Renka and Gen are the superhero trio with mystical powers that they inherited from a ring with a mysterious black rock. The trio is on a crime fighting spree when Chikara receives a message from her late mother that takes the superheroes on an adventure to Sierra Leone. Meanwhile, a team of brothers are planning to eradicate tribes in a deadly attack and soon enough the teenagers are caught up in a whirlwind of African supremacists, terrorists and evil politicians. Friendships and alliances will be put to the test as they battle their way through a storm of evil extremists. Will their friendships survive this heroic escapade or will it finally be the end of the Japanese crime fighters?
The Genocide Gene, written by Rocco Ryg, is the third edition of the Onryo Saga and as always he delivers an exceptional story line packed with action and charm. The story begins back in 1985, with a cover-up involving a mysterious black stone which gives people ungodly powers. This powerful stone forges the path to a catastrophe that will echo its effects in years to come.
It then flashes forward to the year 2012 where everyone’s favourite Japanese super heroes have banded together with their mystical powers to clean up the streets of drug crimes, child trafficking and murdering of innocent souls.
Like a voice beyond the grave, Chikara is contacted with a message left by her late mother where she requests that Chikara, Renka and Gen venture to the deep throes of Africa. Friendships will be tested and lines crossed as you delve deeper into the twisted underground world of Sierra Leone, forcing the reader to confront terrorists, gangsters and teenagers with magical abilities. You will reminisce with old friends and be left with a bitter taste as they dance with old enemies and form unlikely alliances in a bid to do what they do best- saving lives.
Prepare to be on the edge of your seat as you follow extremists on the hunt for those who can heal, and feel the terror as enemies are enveloped with an evil presence. My favourite part of Rocco Ryg’s novels is that he is able to intricately weave multiple story lines together in such a way that the reader will be engrossed from start to finish. I love seeing how the characters grow and how they challenge themselves in situations using their individual powers. The Genocide Gene also explores a rich diversity of cultural differences and gives you a taste of gangster life across different nations.
Staying true to the themes of action crossed with a dash of politics and mystical powers, The Genocide Gene will be sure to satisfy your need for a superhero tale. I would recommend this for all who are in need of an adventure. Will they be successful in Chikaras mission from the grave or have the superheroes finally met their match?
Pages: 268 | ASIN: B01M0KF137
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by Don Templeton
Welcome to Step Two in the Blue Falcon Press plot planning process.
What I’m about to reveal here is something professional screenwriter’s already know backwards and forwards. This diagram was originally brought to the world by the late, great Syd Field. Now here is something novelists need to internalize: this schematic works Jim Dandy as a template for your novel as well as a screenplay. I’ve written EVERY novel of mine using the Paradigm above to map out the major movements and turning points in my plots. EVERY. ONE. This diagram keeps you on target, keeps you focused, and keeps you from writing crap that has no business being in your story.
The first thing to do in figuring out your paradigm is write a sentence which describes how the story is going to END. Then do the same thing for the BEGINNING. In my novels, the beginning is always the INCITING INCIDENT. It is the event that starts all the other story dominoes falling. In Pretty Hate Machine, this is the Sadie Hawkins attack on her school. Next, decide what PP1, PP2, and MP are. Let me explain what a Plot Point is. A plot point is defined as any incident, episode or event that “hooks” into the action and spins it around into another direction. (from Syd Field’s SCREENWRITER’S WORKBOOK) Now notice where your plot points fall: at the end of Act One and at the end of Act Two.
The Mid Point is some kind of incident, episode, or event that occurs in the middle of ACT 2 and breaks ACT 2 into two halves of dramatic action. Act 2 becomes two halves joined together by the Mid-Point. The first half of Act Two now has a target you know – the Mid-Point.. The second half of Act 2 has another target to write towards, everything that happens after the Mid-Point and concludes with Plot Point 2.
Let’s illustrate how this works by examining the Peter Jackson remake of King Kong. I’m not using Pretty Hate Machine to illustrate this because it will ruin the wonderful surprise for readers of the book. I’m not going to spoil that surprise for you. In King Kong, Act 1 ends with Plot Point 1 which in this case is when the expedition reaches Skull Island. The Mid-Point of the story is when King Kong shows up for the first time, taking the girl into the jungle with him. So, the first half of Act 2 shows all the incidents that take place exploring the Island. The second half of Act 2 details the girl’s relationship with Kong and her shipmates attempts to find her and rescue her. Plot Point 2 is when Kong is captured and the ship leaves for New York. See how that works? It makes Act 2 absolutely manageable now. No reason to fear Act 2 anymore.
Let’s discuss briefly the purpose each act serves. Act 1 is known as the Set-Up. It shows your character’s in their normal world before the real meat of the tale kicks in. Plot Point 1 is really where the steam of the story picks up and spins us into The Confrontation which occupies the entire length of Act 2. Act 2 is where you put your heroes in a tree and throw rocks at them. Act 2 ends with Plot Point 2 which spins the story around into another direction, which is the straight down nose dive into the Resolution or Act 3. This is where your heroes regain the initiative and turn the tables on the opposition, smacking them down smartly. Or if you’re into tragedies and such, this is where the heroes are defeated by the opposition. I don’t like those kind of endings so I don’t use them. I believe the good guys will always best the bad guys. That’s how I roll.
Next, impose the length restrictions of the screenplay on your novel. In a screenplay, Act 1 is one-forth the length of your script. For a 90 minute show, that’s roughly 22 and a half pages. Act 2 is half the length of the script or 45 pages. Act 3 is the same length as Act 1. In a novel, you do this by dividing your word count by 4. GREEN MAJIK novels are 100,000 words in length. So Act 1 and 3 are roughly 25,000 words in length; Act 2 is 50,000 words, which is divided into two chunks of 25K by the Mid-Point. Simple Simon.
Here’s your homework assignment. 1st, get Syd Field’s book The Screenwriter’s Workbook. It’ll be the best $16 you’ll ever spend. Next, read Pretty Hate Machine and tell me what Plot Point 1 and 2 are and what the Mid-Point is. Email your answers to email@example.com. Once you know what you are looking at, these events are easy to spot.
Next, we will talk about planning the most important part of your novel: your characters. See you there.
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Heartache and pain follow our protagonist, Julii, as she makes her way through the life she is living in America during the 1860’s. Our Eternal Curse – Another Tribe by Simon Rumney shows Julii as a young, naïve Aboriginal woman living with her small tribe and ignorant of the world. She does not know about war on the scale of what the white American’s are fighting. She doesn’t understand racism and slavery in the way we have learned about. She lives carefully and quietly with her family. She is extremely intelligent and takes her small world for granted. Then she meets a man who is gravely injured at the side of a river she has always gone to. A man who does not look like the men she knows. A man who may never wake up from the coma he slips into. This man is Robert, and he will change the very way she lives.
While this book is part of a series, it’s easy to read on its own. Required knowledge of the previous books is not necessary, although it may heighten the experience. This book is overflowing with raw, human emotion while not being afraid to look at the disgusting parts of colonial history. Rumney certainly knows how to spin a tale. While told in the third person we see the tale from Julii’s point of view: we hear her thoughts, and we begin to understand and learn about the world through her eyes. It’s a clever way to do it, especially for those who may not be aware or understand this point in history.
As Julii learns about the reality of the outside world, we learn about it as well. Her confusion and the struggle with a foreign language are easily portrayed and the reader feels as though we are Julii: we are also the ones who are seeing this world for the first time and learning this language for the first time. The world of 1860’s America is cruel. To understand how an Aboriginal person, a woman for that matter, would have felt during this time is difficult. This is a time of rampant racism, of distrust and the inability to treat all human beings with respect and dignity. It can be painful to read, as it is important to realize that these thoughts and attitudes still exist almost 200 years later. Rumney does a great job of making the reader identify with Julii, the marginalized main character in our tale.
With a story so beautifully crafted it’s hard not to get immersed while reading it. Julii goes through so much in her life: she experiences things so rapidly that it’s hard not to feel for her. If you are looking for a heart-tugging story with excellent character development and a subliminal message, Our Eternal Curse – Another Tribe by Simon Rumney is definitely worth a pick up. Readers won’t go wrong by potentially stepping outside of their comfort zone and reading about the fantastical life of Julii.
Pages: 314 | ASIN: B00TI01JH6
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The media loves a good story, and what better than one of a sexy model, party girl, drama queen, and spoiled brat? That is Sabrina London, or at least that was Sabrina London. Now the starlet has settled down, quit drugs, gotten her life together, and is ready to move on. If only her family hadn’t disowned her, oh and did I mention she is a Fairy? Keven James Breaux has created another world filled with magic, ancient history, and modern drama. One Smoking Hot Fairy Tail is about more than just fairy’s, it has vampires, the undead, shapeshifters, and other magical beings. Sabrina’s dream of settling into a new normal and moving on with her life is interrupted when the creator of a new nicotine addiction drug, DUST, pursues her in an attempt to cut off her fairy wings. With the help of her otherworldly friends and one human Sabrina must attempt to stop Alexander Kintner.
Kevin Breaux sets the novel in Los Angeles, not too far into the modern future. Sabrina is a socialite with her bodyguard and friend Mira living in luxury, but she is unhappy. Her father disowned her after a video of her breaking into a laboratory and having sex with her boyfriend and vampire Cade made the media rounds. Vampires and fairies are supposed to be mortal enemies but love knows this not. Sabrina is still deeply in love with Cade. Sabrina’s other good friend is Moselle; Moselle is part of the ancient undead. The human involved in this unlikely group is Jackson, he works for Moselle’s father in advertising and he falls in love with Moselle, she feels the same way, their love is also forbidden under the traditions of the otherworld’s. The relationship dynamics of all the characters are complex and while the love stories are secondary to the action plot of dismantling Alexander Kintner’s DUST operation they are useful in learning the history and culture surrounding the otherworldly.
One of the great things about this novel, is the history. Breaux manages to weave into his story line ancient Egyptian mythology and facts. There is great detail presented into how the otherworldly are created and it is explained in a manner that is fluid to the story line so you don’t feel like you are reading a dissertation in the middle of your novel. It is told through personal experience of the characters and given a strong emotional component not just a sterile list of how to instructions. You really get to know the characters through these flashback memories and they advance the story line as well so you can better understand why some of the characters respond as they do. Breaux brings the reader into their world, he presents the information as deeply hidden secrets in the world of the otherworldly and emphasizes the dangers of this information getting out into the hands of mortal humans.
One Smoking Hot Fairy Tail is an engaging book that will leave the reader turning the pages to see what happens next. Kevin Breaux is able to tap into the reader’s emotions to draw them in and give them a real connection to the characters. Jackson the human in all this is relatable to many. His reactions as he finds out more and more about his new friends is believable. Breaux ends this novel with a cliff hanger leaving the reader to wait for the next installment to see how things continue. I think this is going to be a great series for Breaux.
Pages: 319 | ASIN: B01EB65RJM
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The Status Update follows Christine, a grieving mother, as she is presented with the opportunity to travel back and make different decisions that could save lives. What was the inspiration for the heartfelt setup to this emotional novel?
I wanted to write a character dealing with hopelessness and heading down a path of destruction, but who transforms. To reap the benefits of the gift, she has to trust in faith and magic, and she becomes hopeful.
The Status Update is a genre-crossing novel combining elements of science fiction and suspense as well. Did you start writing with this in mind, or did this happen organically as you were writing?
I was pleasantly surprised by readers who found The Status Update suspenseful. I was going for thought-provoking and hoping the twist on the time travel genre would keep readers engaged.
I felt that Christine was an intriguing character. What were the driving ideals that drove the characters development throughout the story?
I wanted to illustrate inner conflict and struggle. To highlight the tension between the two Christines, I use both third person and first person to tell her story. This “mirror” account was also designed to provide that sense of deja vu often invoked in time travel stories.
What is the next book that you are working on and when will it be published?
The Status Update is my first piece of fiction. A lawyer by day, I typically write about law. I am incorporating law into my next fiction book, but with a supernatural twist. The heroin is a criminal defense lawyer who works with her dead ex-husband (a police officer) to bring about justice.
“Still grieving decade old losses and feeling the weight of new losses, Christine felt like everything was slipping away from her – her home, her physical health, her family. Upon a freak Facebook encounter with her younger self, she’s presented with a second chance. Has Christine finally lost her mind? Or has she been gifted with a rare opportunity to change the course of her life? And if this gift is real, can Christine convince her younger self to believe her and to heed her warnings?
What about the butterfly effect? Will Christine’s modifications result in some universal impact? Should she try to stop tragedy for all involved or should she be more careful, and instead just focus on protecting her family?
A new twist on the time travel genre, The Status Update is the movie Frequency meets the movie The Lake House meets the digital age.
The setting is Lewiston-Auburn, Maine and the time period switches between 2015 and 2025.”
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The Leader of Lors is a genre-crossing novel with elements of fantasy, romance, and suspense as well. Did you start writing with this in mind, or did this happen organically as you were writing?
It carries on in the same vein as The Heart of Hannen as an erotic fantasy romance. Other elements – horror, suspense, adventure and mystery – just fell into place as the story progressed.
The supporting characters in this novel, I felt, were intriguing and well developed. Who was your favorite character to write for?
I would have to say Eubreena. She’s fiercely protective of Christine, mainly because she feels responsible for maiming and nearly killing her, unwitting though it may have been. Her heart is kind and her friendship true.
What was the initial idea behind this story and how did that transform as you were writing the novel?
The Atriian Trilogy actually began as a horror short-story called Thing in the Pond. It was originally about an earthquake that opens up an underwater cavern in the family pond, releasing a monster from another dimension. Instead of this creature wreaking havoc on Earth, I decided to let Christine follow it back through the caverns. And thus the Atriian Trilogy was born.
How do you feel you’ve developed as a writer between The Heart of Hannen and this book?
I believe my growth as a writer between the first and second book of this series was quite remarkable. For the first book, time restrictions only allotted an hour here and there for writing, a method not very conducive to good storytelling. By the time I sat down and got my head into the story and wrote a few sentences, it was time to call it a night. I was able to dedicate more time to the second novel, between five and six hours a day. Needless to say, the writing began to come much more easily, seeming to flow naturally, and the results were amazing. For the third book, I doubled down, writing between eight and ten hours a day, and did it ever pay off. By the end, I merely had to place my fingers on the keyboard and the story practically wrote itself.
What is the next book that you’re working on and when will it be available?
My next project will be an erotic paranormal romance based on another short-story from my horror collection Thing Bailiwick. A bodark is a creature of Russian lore, a man capable of shifting into a wolf. Though they are not bound to the cycles of the moon. They can transform at will, and whilst in wolf form they not only possess the enhanced senses and abilities of the wolf, they are able to maintain human awareness and intelligence. Except for when the time comes to mate, an event which occurs but once in their lifetime. Then all must beware the bodark, lest his senses become overpowered by the feral instincts of the beast lurking within.
Projected release date – Jan 2019.
“How far will a mother go to protect her child?
Christine will go to beyond the ends of the Earth,
back to the brutal world of Atriia,
back to the man who will possess
her at any cost.
He is Lor Zeria,
the very Leader of Lors,
revered and respected by all,
yet feared by Christine as no other.
This is a tale of fantasy and bravery,
of adventure and horror,
of passion and obsession,
of survival and betrayal.
And for Christine Clavin . . .
it is her own harrowing tale
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The Husband Who Refused to Die follows Carrie as she deals with the loss of her husband and his decision to be cryogenically frozen. The novel is a thoughtful review of grief, love and family. What was the inspiration for this story?
The idea came to me after reading an article in a women’s magazine a few years ago about a young couple, in their 20s, who’d both signed up to have their bodies frozen when they die.
They’d paid a large sum of money to be cryonically preserved, in the hope they can be revived and come back to life at a later date – when science has moved on.
I was intrigued by their story and the motivations and implications of such a radical – and unusual – choice. I’d been searching for an original premise for my debut novel, and I knew this was it.
I’m often drawn to stories in which the extraordinary happens in ordinary lives, and relished the prospect of learning about something outside my own – and most other people’s – experience, yet, at the same time, exploring grief, an emotion that we all face at some point.
I discovered that several hundred people are signed up to be preserved after death and was very excited to learn that, although cryonics has been given the sci-fi treatment in books and films, it’s never been the hook in realistic, contemporary women’s fiction. Dare I say it’s a first?!
My head was spinning with ‘what ifs’ when it came to contemplating cryonics: What if someone I loved passed away and wanted to be frozen? What if there was no funeral? What if I felt I couldn’t grieve in the normal way? What if I thought it was creepy and confusing? What if I couldn’t find closure?
It’s these questions that led me to create Carrie and Dan’s story.
On top of her current troubles, Carrie must also try to deal with her ornery teenager. I felt that their relationship had depth that is rarely seen in novels. How did you approach writing about their relationship and what did you want to accomplish with it?
I have a son who was a similar age to Carrie’s daughter, Eleanor, at the time I was writing the first draft, as well as many friends with teenage children. So my starting point was my own experience and observations of life with a young person going through this turbulent time. I then tried to imagine the extra strain and pressure the mum and daughter relationship would be put under when faced with the difficult and distressing situation Carrie and Eleanor find themselves in.
What kind of research did you do on cryonics for this novel and do you see it as a viable option today for people?
After some initial research on the internet and in the media, I interviewed several people who have signed up to be cryonically preserved to gain a deeper understanding and some first-hand insights.
I was particularly fascinated to hear about how others had responded to their decisions: family, friends, strangers, and the media. It’s an emotive topic and some have endured a lot of negativity.
I also attended a weekend training course with Cryonics UK, a group of volunteers who carry out emergency procedures to prepare bodies for preservation in the UK before they are shipped out to one of the storage facilities in American or Russia.
There’s a lot of controversy surrounding cryonics, particularly here in the UK following the recent heartbreaking case of the terminally ill teenager who had to fight in the High Court for her wish to be frozen after death to be granted.
Many experts believe there’s little or no chance of bringing a frozen corpse back to life, now or in the foreseeable future, but cryonicists would argue that things declared scientifically impossible a few decades ago, like IVF and organ transplants, are now possible, so it’s worth a punt. Either way, I believe that it’s a personal choice.
What is the next book that you are working on and when will it be published?
I’m working on another contemporary women’s fiction novel, which I hope will be published next year.
“Carrie’s no ordinary widow. Husband Dan has died unexpectedly and left behind an extraordinary wish – to be frozen. He believes his life’s simply been ‘suspended’, that he can come back … one day … when science has moved on. He’d hoped his wife would want to do the same. But she doesn’t.
Two years on and Carrie, mum to increasingly truculent teenage daughter Eleanor, tentatively reconnects with an old boyfriend, whose dramatic exit from her life has always been a painful mystery. But their romance is hampered by Carrie’s never-ending personal problems, not least her interfering sister-in-law Sunny, a reflexologist with a soft voice, loud clothes and a bag full of natural remedies. Sunny’s intent on keeping her brother’s memory alive and ensuring Carrie honours his request.
After Dan’s story is resurrected in the news headlines, some distressing secrets from the past are revealed, and Carrie is taunted by someone with a serious grudge.
But are the secrets true? Will she discover who’s behind the malicious acts – and why?
Told with warmth and wit, The Husband Who Refused to Die is a pacy novel with an original premise that casts an unusual light on a story about love, loss, family and friendship.”
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The Tenth Nail, written by Kwen Griffeth is a novel that revolves around a homicide detective Nate Burns and his new partner Manuel Trujillo as they work together to solve the murder of a beautiful young woman, Via. Via is a prostitute and one night she is approached by a handsome man who lures her into an alley where she ultimately meets her demise. To avenge her death and find her killer, Nate and Manny, the dynamic duo, find themselves caught in a case that will twist and turn through good and evil and eventually lead to a mystery that will rock the core foundations of every police officer.
Kwen Griffeth’s edgy crime novel, The Tenth Nail, will have your heart racing in anticipation to find out what happens next as you are thrown right into the action with a murder in the first pages. A mix of crime, a dash of seduction and air of mystery, The Tenth Nail will fulfill your whodunnit fix and leave you eager for more. From prostitutes to police officers and the sweet life on a quiet farm to the busy strips on Las Vegas, this novel will take you on a whirlwind adventure of murder, integrity and seduction.
The character development is by far one of my favorite aspects of this story. Nate Burns, a strong man in both nature and physique is an honest family man who is determined to solve the murder of street walker, Via. He resembles something of a Texas cowboy, who loves his horse Babe, his wife and two children and demands attention and respect when he enters a crime scene. As the story develops you learn about his intriguing past that haunts his nightmares of today and the reader will slowly find the skeletons in his closet are indications of a man far more complex than you first expect.
At times I was disappointed at the integrity of characters and readers will question their belief that policemen are heroes and instead begin to realize that they too are people with their own set of complex beliefs and emotions. It gives you a taste of what many in our police force deal with daily and how they learn to become desensitized to some of the horrors that most ordinary folk will never encounter. Some of the events will leave other characters maturing into heroes and other characters developing into something more sinister.
One of my favorite lines in the story is when Nate tells Manny that fashion is “part biology, mixed with a little psychology, and spiced with sociology” as we all crave a little attention, even if it is just walking across a room. The entire novel is filled with ideas that encourage you to ponder about our world and where our own set of beliefs come from.
This novel is by far one of the most gripping stories I have encountered and Kwen Griffeth’s has an incredible ability to create a story that is riveting, entertaining, creative and leaves the reader gasping for more answers until the shocking end. I would highly recommend this to anyone who loves a fast-paced thriller styled novel.
Pages: 382 | ASIN: B01JTU2AZ4
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Delve into this mystical world populated with equally mystical beings. In Outpost by F.T. McKinstry we are introduced to a race of beings called The Fylking. Ethereal beings that have crossed over the universe and jumped from their world to the world of Math. These creatures shift from animal forms to those resembling a human but not quite. They cannot be seen by just anyone yet everyone knows they exist. A group of individuals known as Wardens act as liaisons between these beings and the rest of the world. For better or worse, they are entwined. We have three main characters who will shape the tale: Arcmael, a Warden, Melisande who is a woman that knits and Othin, a Ranger in the king’s employ. Innocent interactions beget the telling of an intricate tale: one that will see war, death and heartache feed off each other. Each of the three holds a part in this tale and some are more important than we are first led to believe.
McKinstry begins her tale with world building. This is an essential piece of any good fantasy novel as readers need to have some sort of understanding. This is a world not of our own and McKinstry does a great job carefully laying out the lore, legends and very geography of the world of Math. In the very back of the book there is a glossary which also holds some pronunciation tips. This is a bonus as some authors just expect people to understand. McKinstry gives preliminary information in the glossary without giving away what happens in the context of the tale. This can be a delicate balance and she achieves it well.
While Outpost is declared the first novel in a series, it can stand well on its own. There is a beginning, middle and neatly wrapped up ending which answers the burning questions raised while reading. Technically, more books are not required to enjoy the story, so it would be interesting to see if McKinstry carries on with the same set of characters or if the next book simply takes place in the same world. Either way, Outpost is an excellent installment.
Another thing to note is that the chapters are named. This is more insightful than just simply numbering them as it gives readers a sense of what is to come. Not many authors seem to name their chapters anymore, but this sets the tone for an adventurous read.
While McKinstry weaves the story, and captivates readers it is the characters themselves who seal the deal. Each character is created with such depth and personality that they could almost jump off the page and walk among us. What it is exactly that creates this feeling is nothing short of excellent writing and an author who has practiced their craft and carefully constructed this world. Indeed, McKinstry is much like a goddess with the way author sways the characters and dictates their actions. It’s almost like the author is there, within the pages, guiding the characters as well as the readers along.
For anyone who is interested in the rich tapestry of fantasy with solid world building and three dimensional characters, Outpost by F.T. McKinstry is a must read.
Pages: 370 | ASIN; B0138V5YE4
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The Lifeblood of Ill-Fated Women revolves around the story of two Valkyries, sisters Astrid and Yrsa, in a world still ruled by Nordic Gods. What was the inspiration for this novel and the Norse mythology used throughout?
Spoiler alert in that question. Lol.
My inspiration was two fold.
One, I really had not read or seen much about Valkyries in years. They are very interesting mythological beings, but not really focused on in movies, cartoons, or TV. Seems like a wasted opportunity, so I took it. I wanted to write a story about a woman who was questioning her reality on several levels. Is she alive, is she dead, was she adducted by aliens, is she in hell? etc.
Two, I felt like Norse mythology is something people, readers, movie-goers, are willing to openly accept easier than some other myths or cultural beliefs. Maybe because of it being so fantastical. Sometimes we believe the things that are harder to believe and accept quicker than those things more based in reality.
For example…. So many people watch and follow ghost shows and believe all that we are shown, but then laugh at the hunters chasing Big Foot in the forest. Paranormal vs. A living being (although myth). Seems like it would be easier to believe in a missing link than spirits from another realm right? Well, maybe that’s just me.
Note: I believe in both actually. 🙂 And aliens.
Regardless, Norse myth is fabulous. And there are a few good fiction books you can find and read. I read one prior to writing this book. Good reference material to pick over. That and my old original Deities and Demigods D&D book. 🙂
What kind of research did you have to do to make sure you got the mythology correct?
As stated about, I bought and read one book. Norse Mythology: A Guide to Gods, Heroes, Rituals, and Beliefs by Lindow. I also used my old hardbound Deities and Demigods D&D book for inspiration.
I spent a LOT OF TIME online researching what “curse words” and foul language would have been used in the Viking Age. I could not deal with or accept the use of modern four letter words being said by my characters. I really lost sleep over it. I finally found some replacement words that were close to the time period or language. Not perfect, but I felt like the reader would understand what I was going for.
I never like watching movies set in ancient times with characters spewing modern day bad words….unless we are talking about STARZ’s SPARTACUS. That was awesome, and with all the over the top blood and guts it was fine. 🙂
As a writer who researches, I like to find the facts and then decide how best to use or alter them to fit into my works of fiction.
When Astrid falls in battle and wakes up with no memory the reader is brought into Astrid’s mind to be witness to her paranoia, fear, confusion and inner struggles. What were the obstacles you felt were important to highlight to connect readers with Astrid and develop her as a character?
Everyone struggles with these things on some level.
Astrid is a big, strong, proud Viking warrior. Who can relate to that? BUT they can relate to all her inner struggles. Who hasn’t questioned their reality? Who wasn’t felt afraid of something one moment, then loved it the next. Think of skydivers. Fear and then joy in a matter of seconds.
Astrid was originally designed as a near cave woman. She grunted and groaned. Took what she wanted. Feared nothing. But an early draft was read by my editor and she pointed it right out. Astrid was unrelateable. I did not want that.
My plan was to write a fantasy-horror story with a character who just cannot figure out if she is alive or dead. Her beliefs would pull her thoughts into both directions; a tug-of-war. While she struggled, the story played out. Things would be happening all around her and she would have to decided what to do, regardless of her inner struggles. That’s life. We all are faced with that.
I was really sick with the flu or something the other week. Two days of being the sickest I had been in 20 years. And guess what, I needed to go get my new drivers license photo. Time had ran out. I was faced with an obstacle on top of another obstacle. Life gets complicated.
In some books or movies, it seems like the hero only has one major concern. That’s unrealistic to me. Yeah, go save your kidnapped daughter Liam Neeson, don’t worry about needing to buy more ammo, or the authorities, or laws, or weather, or your own wounds, or….
This is a well written novel that leaves open the possibility for other stories to follow. Do you have another story in the works?
Book two is currently being written. It takes place several months after book one. I envision this series as 3-5 books long.
“Astrid the White isn’t an average princess. She has always stayed by the side of her father, King Kol, and learned warfare and weaponry from the best Vikings in the land. When she awakens in the city of Birka and hears the sounds of war, she rushes proudly into the fray. She is more than capable of taking down any enemy wishing to disturb the peace.
This enemy, however, isn’t what she expected. Before Astrid even gets outside the walls, a golden light knocks her out.
She comes to in the snow, in full battle armor. Astrid first suspects that this is a challenge from her father–or even the gods themselves. By acting correctly, she can gain the favor of Odin, the Allfather.
Astrid wants to complete the test, but it becomes more and more difficult as she explores this new part of the world and encounters both monsters and monstrous men. As creatures from the darkest legends reveal themselves, Astrid will discover that her journey isn’t about acting correctly or passing Odin’s test. It’s about pure survival. Before she can even think about finding Birka, she will have to defend herself against the demons of this new world.”
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